[Mike Taylor <[EMAIL PROTECTED]>]
> The real world example would be Sony vs UR. UR sued sony because they
> violated their publishing rights. They put a re-recorded version of Jaguar
> out without giving songwriting credit, and that is what got them sued. If
> Sony would have just given writing
org
Subject: Re: [313] question on sampling
Date: Thu, 31 May 2001 18:21:44 -0500
["Max Duley (ARCart)" <[EMAIL PROTECTED]>]
> James Brown has a staff scouring for samples of his work, and he's
> made much more from being sampled than he did from his own releases
>
["Max Duley (ARCart)" <[EMAIL PROTECTED]>]
> James Brown has a staff scouring for samples of his work, and he's
> made much more from being sampled than he did from his own releases
> (or so I hear).
Well, the majority of the samples from him are drums, which aren't
subject to the same rules- they
> Question: What are the legal rules guarding the practice of
> sampling? Is it at all based on the length of the sample used? I'm just
> curious, for I have
> a good idea for my first techno track (though its realization will
> undoubtedly take place somewhere far in the future), and the piece's
[Rusty Blasco <[EMAIL PROTECTED]>]
> Question: What are the legal rules guarding the practice of sampling? Is it
> at all based on the length of the sample used? I'm just curious, for I have
> a good idea for my first techno track (though its realization will
> undoubtedly take place somewhere
Question: What are the legal rules guarding the practice of sampling? Is it
at all based on the length of the sample used? I'm just curious, for I have
a good idea for my first techno track (though its realization will
undoubtedly take place somewhere far in the future), and the piece's
essen
