| Confooozin. and all gray areas. I liked the "money changing hands" idea.
It's not necessarily all that grey. And "money changing hands" is
irrelevant to copyright. Otherwise, if I had a grudge against you, I
could make copies of your stuff and give them out for free, thus
ending yo
Confooozin. and all gray areas. I liked the "money changing hands" idea.
I also liked the conceptual differences between a traditional tune, an
arrangement of that tune and a performance of that tune -- and the copyright
(or lack of) differences between them.
"Richard L Walker"<[EMAIL PROTECTED
Brad writes:
| Thanks for the comments, all. Fear not, I have not violated any
| laws since
| this was only an idea --- the points raised by this little thread
| has
| dampened my enthusiasm for such a project. In fact, my feeling
| is that even posting
| tunes like Ashokan Farewell to the net i
Brad writes:
| Thanks for the comments, all. Fear not, I have not violated any
| laws since
| this was only an idea --- the points raised by this little thread
| has
| dampened my enthusiasm for such a project. In fact, my feeling
| is that even posting
| tunes like Ashokan Farewell to the net i
Richard L Walker writes:
| The irony (unless it involves money changing hands) is that people would
| have a problem with a book, yet, you can take those same tunes, available
| online in mid or abc format, and produce the same sheet music with several
| programs.
This is in part because the copy
The irony (unless it involves money changing hands) is that people would
have a problem with a book, yet, you can take those same tunes, available
online in mid or abc format, and produce the same sheet music with several
programs.
"Richard L Walker"<[EMAIL PROTECTED]>
Pensacola, FL 32504-7726 US
John Chambers wrote:
>
> | This brings to the forefront a very murky problem. I have
> | a (not so) large collection of tunes in ABC format (<=100 :-).
> | While most are in the public domain, some are not.
> | For example, I have a version of Ashokan's Farewell written by
> | Jay Unger in 1983.
Jack Campin wrote:
>
> > I was only interested in different people's reason for not wanting
> > their music posted so that I could be more informed when the topic
> > came up, like it did in the workshop this past weekend.
>
> Here are some I can think of:
>
> 1. I'm dead and I'm not listenin
| This brings to the forefront a very murky problem. I have
| a (not so) large collection of tunes in ABC format (<=100 :-).
| While most are in the public domain, some are not.
| For example, I have a version of Ashokan's Farewell written by
| Jay Unger in 1983.
|
| Now (not so hypothetically),
On Tue, 3 Apr 2001, Mike Whitaker wrote:
> > Now (not so hypothetically), in the interest in promulgating
> > (my particular brand of) music, I typeset my tunes and take them
> > to the local music store and sell them with the proviso that all
> > profits go to help offset the cost of musical ins
> Now (not so hypothetically), in the interest in promulgating
> (my particular brand of) music, I typeset my tunes and take them
> to the local music store and sell them with the proviso that all
> profits go to help offset the cost of musical instrument rentals
> to under-privilaged children (I
Hi,
This brings to the forefront a very murky problem. I have
a (not so) large collection of tunes in ABC format (<=100 :-).
While most are in the public domain, some are not.
For example, I have a version of Ashokan's Farewell written by
Jay Unger in 1983.
Now (not so hypothetically), in the
Hello,
Cindy wrote:
> (...) Maybe I wasnt clear in stating that I was only interested in different
>people's reason for not wanting their music posted (...) I was simply trying to get
>a broader picture.
So, I put a lot of music to the net which is in a way "public domain"
because it is ma
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