Guys, I want to share my views on this topic. I was listening to
Rahman Sir's classic compositions from Iruvar-Alaypayithey-Bombay,
also "Thiruda Thiruda" numbers & "FIRE" BGMs.
I think the usual charm of tight percussion units in ARR's songs is no
longer existing nowadays. The kind of minute de
I dont think ARR leaves his arrangement completely to the
youngstars, but yes in some cases it seems he depends much on them
for some particular sections, eg : JTYJN, Sakkarakatti. I'm not sure
abt it though.
Right now I'm typing this mail & listening to "Ja re ja ae hawa...",
again being enth
>> is due to
> > >> relocation of his lieutenants , such as Siva mani, Naveen
> > >> and host of
> > >> other musicians already made Mumbai as their homes. Even
> > >> junior sound
> > >> engineers like Adit
Dear all.Few days back I was the one to initiate this topic, my
motive was to just have a healthy discussion abt wat I have been
feeling.
I think time has come to close this discussion now, as we
have "discussed" enough, despite of some allegations etc there has
been some fruitful discuss
Dear Folks.to my utter shock, I can't find my favourite NAVEEN
KUMAR's name as ARR Sir's flautist. Kiran's name is mentioned instead.
Earlier also this fellow joined ARR when Naveen was not present. But,
as GHAJINI is a major project, I expected to hear some gem from Naveen
& Sivamani duo a
Frndz,let us share our views on GHAJINI credit titles & track listing.
I think it's good that, this time we'll get an instrumental numbers.
Probably for the first time Neil Mukherjee will have a solo
performance (along with Kiran) to be featured. This person is a very
talented guy from Kolkata.
Frndz, I'm talking abt a masterpiece by ARR SirThiruda Thiruda
Theme piece. It's an extraordinarily composed & orchestrated number.
But, unfortunately it's glory often remain shaded & out-of-focus.
I've one one info on this piece. Once I'd listened to a western
Classical symphony or sumthin
I feel that, the whole BGM has been done by Pravin Mani. Personally,
just after watching the movie I felt that the BGM was not good, very
loud in nature. Had ARR sir composed the BGM it wud have been much
intense (which is found in some places still, like the romantic
phase of Aamir), ARR wud
Dear Folks,
I'm a silent member of this group. Of late while searching
on Ustad Bismillah Khan on net I found an interesting info in several
webpages which sounds sumthing like this..."Bismillah Khan also
played for a few other films, including Satyajit Ray's Jalsaghar
(1958), wh
Frndz plz share ur views on this topic.
--- In arrahmanfans@yahoogroups.com, "subhadip_jis"
<[EMAIL PROTECTED]> wrote:
>
> Dear Folks,
>I'm a silent member of this group. Of late while
searching
> on Ustad Bismillah Khan on net I foun
Yes VithurARR was couldn't concentrate fully (that's not
possible too) on the BGM as he was deeply shaken by Sridhar sir's
sudden death. But, one thing to note, Sridhar sir died on 1st & the
release was slated on 25th of Dec, so I think by NOV end most of the
BGM works were done. I agree, i
Yes freindsthe raga is named GUJRARI TODI
ARR sir has been tremendous in paying tribute to the raga as well as
Ustad Bade Ghulam Ali Khan Saab.
--- In arrahmanfans@yahoogroups.com, "Karthik S" <6tim...@...> wrote:
>
> This is nitpicking...but Gujri Todi is not the name of a si
Frndz...I had a long cherished dream to see ARR sir working
completely independently without any particular theme, scene,
sequence, without any pressure from the director or producer. I
always felt that a true genious can fully flourish his talent when
left to control his craft himself. Ultimately
Hi guys, I just had a talk with KJ Singh sir, he said Dilli6 BGM
mixing are going on at full pace & it's almost over, he is helping ARR
& his other engineers. He also did mastering n mixing for the songs.
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