the knob and buttons, but with the dual displays.
And there's: May be I want to sync the source to a system wordclock
(which I do) ...
And add to the wish list: One without the handles :-O
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low-power valves amps (QUAD).
I don't find one better than the other, they are simply (very
enjoyably) different ...
[There is, of course, a Squeezebox amongst the sources in both systems
:-)]
Mike
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reeve_mike
factor, etc. ...
Mike
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...
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think that we are in serious agreement [even if we nit pick on a few
details :-)]!
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introduced:
http://www.analog.com/UploadedFiles/Data_Sheets/71654447AD1896_a.pdf
Although, the audibility of such errors (or their side-effects) is of
course another debate ... :-O
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an
asynchronous sample rate converter (like the AD1896) to do the
upsampling ...
[Only a very few companies, such as dcs Wadia, implement their own
upsampler ...]
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out the side remark in parenthesis ...]
P Floding;130992 Wrote:
IMHO any reasonable upsampling should be done in exact multiples of the
original sample rate.
Again, agreed!
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yields ...
But are such errors audible (either directly or via side effects) ...?
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state of psycho-acoustics) for
leading us to 20Hz-20KHz ...
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Pat Farrell;131153 Wrote:
reeve_mike wrote:
What I was trying to contribute was that the samples on the CD do
not
faithfully represent the musical waveform,
they only represent a version of it filtered at 20.5KHz, which
seemed
to be relevant at the time but now I can't remember why
; you would use a Big Ben (or similar) to
provide the master clock.
If the DAC has a word clock output (e.g. dcs Elgar or some such) then
you connect this
to the word clock input of your source (and vice versa).
Mike
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reeve_mike
above to sync them to my dcs Purcell-Elgar-Verona
stack,
I have simply been able to plug each successive generation of SB into
my modified Digital Lens ...
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frustrating is that the Purcell only has one AES input]
CarlOtto Wrote:
I have had thoughts of selling the Verdi
I have close to 500 SACDs so I am keeping mine :-)
Mike
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these feed a dcs Elgar+ via a dcs Purcell upsampler.
The whole replay chain is synch'ed via a dcs Verona clock
(the SB path is modified to include a word clock input).
If I have ripped a CD I play it via the SB;
not the Verdi, why would I ...?
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reeve_mike
hand the causes of jitter
and on the other hand the impact of the jitter on the audio signal ...
Mike
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... :-)
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... :-(
[Clearly a biased opinion, but what else could be expected
from the owner of both ESL 63s 989s (as well as BW Nautilus)
- and, despite that, a still married one!]
Mike
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it to generate a 256x superclock in place of the SB's
oscillator)
the folks at http://www.db-system.ms/ do a word clock input for the SB
- do a search on the posts of Michel Fombellida.
Mike
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tomsi42 Wrote:
Note that the PSU is heavily filtered, multiply rectified - this is
quite different from the stock SB powersupply ...
Which is why I (like you I presume) have linears on my SBs :-)
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reeve_mike Wrote:
If you don't want to do your own word clock mod
[e.g. a simple way is to take an Apogee Big Ben
and use it to generate a 256x superclock (synced from the dcs stack)
in place of the SB's oscillator]
And of course, if you are willing to use the SB's oscillator,
you can use
etc.
and I find its sound non-fatiguing over extended periods.
I previously used a Musical Fiedlity X-DAC V3 in this system
but the convenience of an integrated CD transport volume control
made me switch to the QUAD DAC ...
Mike
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reeve_mike
Yes - This is one of my current set-ups [I have 3 SBs :-)],
and it works sounds just fine.
And since the CDP has a built in analog volume control
I drive the power amp (QUAD 909) directly from the CDP.
Mike
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