Robert
I looked at the photos again, and noticed another variation apart
from the one you mentionned which was as follows:
Only the first is really close to the bridge. (1 and 3 are
relatively close):
1) The first is the Hans Frei in Bologna; Matthias Fux/R=C3=B6m 1683'
Hello Anthony et al,
I am very interested in this topic that is presently being discussed, but it
reminds me a lot
of the so-called =8Ccanals' on Mars that everyone insisted they saw, even
though there was nothing there.
Looking at the pictures here coldly and without any prejudice one way or
Who can tell ? :-)
However it does make it clear that borrowing from yourself, and
copying/pasting (with or without transpositions)
it seems were a part and parcel of the great composers- all points regarding
the =8Carchitectural formality' of the suite form aside...
Theo
From: H L Pakker
Dear All
At the moment, the discussion Re: RH on the bridge is split across the
main lute list and the baroque lute list. This happens all the time, and is
very confusing for most of us! Would we not be better off with a single
list?
As so often happens, the topic we are discussing strays from
On Monday 17 December 2007 13:56, Martin Eastwell rattled on the keyboard:
Hi,
I asked Wayne to change the mail headers because that's the reason why this
happens. A reply on an email should primarily be directed to the list where
it originates instead of the person who sent the email.
This can
Dear Martin and All,
I must plead guilty to contributing to the confusion by starting the
thread on the main Lute List, but I felt that the issues of playing near
the bridge/thumb out/gut stringing were of revelance to both lists and
there was a danger that it might lurk in the Baroque List
Oups, sorry Rob,
it just came back to my mind, when Theo, said you couldn't trust the
marks on a lute in a museum. I have sort of been trained to store
apparently completely unrelated data in my mind for future
association, at a later date. Theo's message just suddenly triggered
this
