[BAROQUE-LUTE] Re: [BAROQUE-LUTE] Re: Geminiani and Lute

2011-01-31 Thread dyoung5...@wowway.com
Bernie himself was a student of Geminiani. Peter didn't need to interpret. Bernie was the violinist of the family and of the Bayreuth court, not the lutenist.Sent from my Verizon Wireless Phone- Reply message -From: "Roman Turovsky" Date: Mon, Jan 31, 2011 7:51 p

[BAROQUE-LUTE] Re: Geminiani and Lute

2011-01-31 Thread Roman Turovsky
My understanding is that BJHagen's brother was Geminiani's student and that is the reason why we have such transcriptions in Augsburg. What else is out there? RT From: "zak ozmo" Recently I have begun compiling a list of eighteenth-century lute transcriptions of music by Francesco Geminian

[BAROQUE-LUTE] Re: [BAROQUE-LUTE] Séparé

2011-01-31 Thread Dale Young
Ziv, If it's French Classical Era lute music (17th century), which I believe it is, those signs could mean strumming either up or down with the right index finger as was done on guitarre and theorbe. Since the french lutenists, as opposed to theorbists, didn't ever use the right ring finger,

[BAROQUE-LUTE] Stefan Javorsky

2011-01-31 Thread Roman Turovsky
http://www.youtube.com/watch?v=mCJ4DW9TGFk "Thou, Conniving World..." - a kant by Stefan Javorsky, from ca. 1700, sung by Taras Kompanichenko. Now: for those who would brave singing in church-Slavonic with Ukrainian inflection - http://www.torban.org/pisni/images/myre/myreG.pdf http://www.torb

[BAROQUE-LUTE] Re: pid-obvachkom

2011-01-31 Thread Roman Turovsky
Recently an Italian lutenist-friend told me that the singer who is his lute-song partner is interested in trying to sing in Ukrainian. She got the hang on the pronunciation after 30minutes on Skype, and the people of Emilia-Romagna will have the pleasure of hearing Ukrainian lute-songs in the n

[BAROQUE-LUTE] Re: [BAROQUE-LUTE] AW: [BAROQUE-LUTE] Séparé

2011-01-31 Thread Bernd Haegemann
always starting from below. My individual opinion is, though, that you can very well try to take \ as implying a start from the upper line (as long as you keep the voices). Your individual opinion gets some support! :) I just had a look on the concordances of the courante "La belle malade" (mus

[BAROQUE-LUTE] AW: [BAROQUE-LUTE] Séparé

2011-01-31 Thread Mathias Roesel
More often than not the answer will be that there is no difference, separes always starting from below. My individual opinion is, though, that you can very well try to take \ as implying a start from the upper line (as long as you keep the voices). Mathias > -Ursprüngliche Nachricht- > Vo

[BAROQUE-LUTE] Séparé

2011-01-31 Thread ziv braha
Dear Colleagues, I'm working now on the Leipzig II 6.14 Ms. and find there two sorts of separe signs: / and \ The first is the usual you see everywhere and where i tend to think the breaking begins with the lower note. But does the second sign means that the breaking starts fro