On 02/03/2014 05:56 PM, Markus Lutz wrote:
Hi, are these the sonatas nr 47 etc. as published in the super expensive
baerenreiter edition part II of the dresden music? Or is this a part
which is published in the first baerenreiter edition? Didn't compare it
yet, but from a quick view it seemed
On 08/12/2012 11:01 PM, A. J. Ness wrote:
dear arthur,
Not even the bwv995 has been added, so I don't expect much from such a
research for other lute works yet.
Interesting is if you look at the trauerode score (198) aria is that it
indicates liuti at the start of score, i.e. plural. Would
Does anybody have a copy of the Dresden manuscript book part II edited
by barenreiter? Which works are exactly in this edition? I suppose the
incomplete duets, and a few suites, but any exact data?
Anybody information about status of band 15 singulaere Werke in anderen
Quellen? It looks that bd
On 07/08/2011 12:41 PM, wi...@cs.helsinki.fi wrote:
Arto,
This a terrific gift! Very nice that you make this available at no cost
to the lute community. Thanks a lot.
Taco
Dear baroque lutenists,
when there has been some major changes in my life, I thought it is
perhaps time for an inventory
On 04/26/2010 11:00 PM, Mathias Rösel wrote:
Quite a nice overview you've given Mathias, thanks!
Perhaps a few additional points. Your statement that
One may safely argue that the D minor tuning was in Gaultier's
use as early as 1595.
is a bit bold. Normally one assumes that Francisque is the
On 04/12/2010 06:45 PM, wikla wrote:
On Mon, 12 Apr 2010 13:20:38 +0200, Taco Walstrawals...@science.uva.nl
wrote:
The cheaper way is buying a bottle of good scotch single malt. You will
understand all the details after 2 glasses.
That sounds also a good idea! :-)
Anyhow, I already
On Fri, 2010-04-09 at 23:58 +0300, wikla wrote:
Dear baroque gang,
I have been trying to get into the Scottish, perhaps Celtic? - anyhow
mostly more than less pentatonic - pieces in the Balcarres ms. It is
difficult! Very! When I thought I got a tiny understanding to one example,
The New
On Wed, 2009-07-29 at 12:06 +0200, David van Ooijen wrote:
On Wed, Jul 29, 2009 at 11:42 AM, Markus Lutzmar...@gmlutz.de wrote:
I would very much appreciate to be able to include incipits also.
.
Probably the best would be to have them in abctab2ps, as this format is very
agreed and
On Monday 17 December 2007 13:56, Martin Eastwell rattled on the keyboard:
Hi,
I asked Wayne to change the mail headers because that's the reason why this
happens. A reply on an email should primarily be directed to the list where
it originates instead of the person who sent the email.
This can
On Monday 10 December 2007 00:50, sterling price rattled on the keyboard:
Hey this reminds me that I heard a similar story a few years ago about Lord
Herbert of Cherbury's lute book being published soon. Anyone know the story
on that? Sterling
and I've an email from minkoff about saizenay:
As
On Sunday 18 November 2007 01:54, Thomas Tallant wrote:
I've been asked to accompany a soprano next fall on a short program of
music for lute and voice. I'd like to present about 15 or 20 minutes of
music for soprano and Baroque lute, but since I'm new to the Baroque
instrument, I don't
On Tuesday 18 September 2007 21:00, henk rattled on the keyboard:
I agree with Arto: lute playing could not have been so quiet in the 16th
and 17th centuries...let alone in the baroque area. I like Sterling's humor
very much, because he could be right..?
But could anyone refer to my original
On Sunday 19 August 2007 16:30, Thomas Tallant rattled on the keyboard:
It's known that Buffardin (the traverso virtuoso) and S.L. Weiss
concertized together numerous times. Do we know what music they might have
performed? Can anyone point me to sources of music for Baroque lute and
On Wednesday 25 July 2007 13:49, Stephan Olbertz rattled on the keyboard:
Dear Taco,
in the german version Wolfgang tells us that the instrument has been sold
to Japan. And if you click the pictures you get larger ones that IMO
clearly show plain gut strings.
Regards,
Stephan
Ah, I
On Sunday 09 July 2006 14:16, you wrote:
Thanks a lot for all the quick responses and especially scans of this great
piece! I didn't know that the piece is originally named sarabande, nor did I
know the original source.
Perhaps this source also contains another version of the 'cascade de mr
On Friday 19 August 2005 16:04, you wrote:
Hi Taco,
I am working on such problem since few years.
I am quite sure that, at the Weiss' time, basses were open wound on gut
cores.
No plain gut at all: simply it do not work.
I have made some samples of such open wound strings and I must say
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