ival wrote:
Hi Will,
If you create a _minimal_ example I'll add it to the bug tracker,
but I
suspect that the answer will be that this is a duplicate of
http://code.google.com/p/lilypond/issues/detail?id=34
Sorry,
- Graham
Will Oram wrote:
Earlier (see http://lists.gnu.org/archive/htm
2_\trill \bar "" \grace { c16[( d]) } \bar "|"
eflat4( f8 gflat aflat4 gflat)
f2 r
}
\score {
\new Staff <<
\partcombine
\partA
\partB
>>
\layout {
}
}
learn
\mIOboeDynamics
>>
...the dynamics part can be commented out or moved, it doesn't
matter; the output doesn't change. Not sure what else to check, but
I'll work on producing a sample.
I don't dare succeed
if change always comes first
---
t-page-dump.scm:124:36: In procedure - in expression
(- space-left stretch):
/Users/spamguy/LilyPond.app/Contents/Resources/bin/../share/lilypond/
current/scm/layout-page-dump.scm:124:36: Wrong type argument in
position 1: #f
the morning lets you live
but not sleeping is too hard
-
\layout {
\context { \RemoveEmptyStaffContext }
\context {
\Score
\override InstrumentName #'X-offset = #-9
}
#(define tweak-key "xyz")
}
}
I explore the moon
for wild monkeys
but find only squirrels
replaced with -dbackend?
'Course, if -b isn't supposed to be gone, that's a big big bug!
I have to smile and remember
when you accuse me of that smell
--
_ | WILL ORAM
ASCII ribbon campaign ( ) |
Er, sorry, a bump up to .15 fixed this problem. Ignore.
Will
On Feb 1, 2007, at 4.55 PM, Will Oram wrote:
Rests embedded within melismata cause extender lines to terminate
at the point of rest. An example is below; it's rather complex
(it's real music, albeit truncated for repor
new Lyrics \theVoiceLyrics
>>
}
I have to smile and remember
when you accuse me of that smell
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML
>> % end GrandStaff
>>
\layout {
\context { \RemoveEmptyStaffContext }
\context { \GrandStaff \consists "Instrument_name_engraver" }
}
}
will is the everyman
--
| g f e d | c2. \bar "|." }
/Mats
Will Oram wrote:
Thanks. It seems it's beyond a documentation bug, as this
situation is fairly common. If you have a partial measure at the
end or have a non-4/4 work, you're pretty much stuck between
choosing a) a ton of red he
a4 b a b
a b a b
a b a b
\partial 4*3 R1*3/4
}
\score {
\new Staff << \myStaff >>
}
learn from Crunchy
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cw
On Oct 26, 2006, at 2.05 AM, Graham Percival wrote:
Will Oram wrote:
I see. I would not expect you to do the boiling down for me,
regardless of your workload.
Well, that _is_ part of my duties as the Bug Meister. If this was
your first bug report, I'd do that boiling down without g
:
Will Oram wrote:
On Oct 25, 2006, at 6.38 PM, Graham Percival wrote:
Unfortunately I'm very busy at the moment. Could you create a
minimal example which demonstrates this? We need a minimal
example before it can be added to the bug database, and I cannot
construct one at the moment.
On Oct 25, 2006, at 6.38 PM, Graham Percival wrote:
Will Oram wrote:
I don't know what went wrong with the snippet below. This I have
run just now on .25 and works fine AND demonstrates a) the
simultaneous key change quirk, and b) the odd triplet bracket. I
would expect a bracket spa
n the tracker.
Alternatively, you could wait for the long-awaited rewrite of the
\partcombine code and test this with the new code.
Cheers,
- Graham
Will Oram wrote:
When the snippet below is processed, lilypond complains: 'warning:
Two simultaneous key-change events, junking this o
t not having much luck. Just bringing the
observation up.
And before anyone asks...Tiger 10.4, using lily .18 for Mac Intel.
On Sep 19, 2006, at 4:11 PM, Will Oram wrote:
When the snippet below is processed, lilypond complains: 'warning:
Two simultaneous key-change events, junking thi
ff <<
\partcombine
\relative c { \Top }
\relative c, { \Bottom }
>>
\layout { }
}
learn from Crunchy
--
_ | WILL ORAM
ASCII ribbon c
>>
}
\layout { }
\midi { \tempo 8 = 158 }
\header { }
}
the morning lets you live
but not sleeping is too hard
--
_ | WILL ORAM
ASCII ribbon campai
from musicB stuck in it. It should be like in
measure 8 -- gone. Now if you combine the *3 and *5 from musicB into
*8, this disappears. While not a big problem, I do split multimeasure
rests like this for bigger pieces, usually for comment lines.
Best,
Will Oram // Genius @ Large // AI
tive d' { \music }
>>
}
\layout { }
}
On Aug 18, 2005, at 12:33 AM, Graham Percival wrote:
On 17-Aug-05, at 10:29 PM, Will Oram wrote:
Really? I find it to be one of my more nagging problems, actually --
in past works I've had to replace
switch over I suppose.
Best,
Will
one={ R1*3 c''1 R1*3 c''1 }
two={ R1 a'1 R1*5 a'1 }
%two={ R1 a'1 R1 R R R R a'1 }
{
\partcombine
\one
\two
}
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchan
rtcombine
\relative d'' { \partA }
\relative g' { \partB }
>>
Measures 1 - 4 are OK, 5 - 7 are blank, and 8 is OK.
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
___
e's a
hidden syntax change in 2.7.
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
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0x97604000 - 0x976bcfff com.apple.audio.toolbox.AudioToolbox
1.3.3 /System/Library/Frameworks/AudioToolbox.framework/Versions/A/
AudioToolbox
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
ion has few spots in which
tenor clef and key changes like this meet, so I can't confirm or deny
via precedence. If there's a logic to this, though, I'm missing it.
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (d
Thank you, this works.
Will
On Jun 18, 2005, at 12:22 PM, Han-Wen Nienhuys wrote:
Will Oram wrote:
An interesting new interface to the binary in .31. When I choose
'Typeset file,' a dialog box appears:
(AttributeError: 'NSCFString' object has no attribute 'showW
On Jun 16, 2005, at 5:36 AM, Han-Wen Nienhuys wrote:
Will Oram wrote:
Whoops, didn't realise Console was logging events until lilypond told
me so as I tried to quit. From the Console log:
what version is this (see About LilyPond)
This is 2.5.31-2.
"/Users/spamguy/Desktop
4] An unexpected error has
occurred during execution of the main script
AttributeError: 'NSCFString' object has no attribute 'showWindow_'
On Jun 15, 2005, at 7:05 PM, Will Oram wrote:
An interesting new interface to the binary in .31. When I choose
'Typeset file
An interesting new interface to the binary in .31. When I choose
'Typeset file,' a dialog box appears:
(AttributeError: 'NSCFString' object has no attribute 'showWindow_')
convert-ly works fine.
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchan
Sure.
\score {
\new Staff { a4 b c d }
\midi { }
}
On Jun 14, 2005, at 1:51 AM, Erik Sandberg wrote:
On Tuesday 14 June 2005 04.19, Will Oram wrote:
Is it just me, or is the OS X version of lily .30 spitting out .mid
files now instead of .midi? This is a much
,
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
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I also forgot to try this on the .30 version...this fixes the bug
below. So, it can be ignored. Any idea what was going on, though?
Will
On Jun 11, 2005, at 2:51 PM, Will Oram wrote:
This is very odd. All instruments are printed as expected. In MIDI,
though, some instruments are dropped (as
me: \new
Instrument: timpani
Track name: \new
Instrument: string ensemble 1
Track name: \new
Instrument: string ensemble 1
Track name: \new
Instrument: pizzicato strings
Instrument: string ensemble 1
Instrument: string ensemble 1
Track name: \new
Instrument: pizzicato strings
Instrument: string
;<
\Twobarlines
\parameters
\TwotheSolo >>
}
\score {
\new Staff <<
\Threebarlines
\parameters
\ThreetheSolo >>
.59 PM, Erik Sandberg wrote:
On Saturday 23 April 2005 17.39, Will Oram wrote:
I understand your concerns. If I had any more specific information, I
would have gladly posted it...this is by far not the first time I've
described a bug on bug-lilypond. I've tooled around with lily
for...wow, 1
e
but not sleeping is too hard
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
& vCards / \ |
| AIM spamguy21
the idea of people fixing "secret bugs" on a
free software project. (See http://www.gnu.org for definition).
OTOH it is nice to know that you own Sibelius but use Lily for
typesetting!
/Bernard
Will Oram wrote:
I'm not willing to openly distribute the MIDI/PDF/code of this project
(I
e question
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
& vCards / \ |
|
can take
a look at anything they want.
the morning lets you live
but not sleeping is too hard
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
n solving an NP-complete problem, of course -- i.e., write a
program to evaluate whether input code goes into an infinite loop.
Couldn't lilypond flip through during parsing checking for problem
\includes?
Best,
focus on the wherefore
for in it lies the question
-
r in it lies the question
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
& vCards / \ |
on the wherefore
for in it lies the question
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
& vCards /
the question
--
_ | WILL ORAM
ASCII ribbon campaign ( ) | spamguy (at) foxchange . com
- against HTML email X | wro1 (at) cwru . edu
& vCards / \ |
| AIM spamguy21
--
(ABOVE: M
ed range.
Or is this fixed in 2.5?
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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\relative d'' { \partOne }
\relative d'' { \partTwo }
>>
\layout { \context { \RemoveEmptyStaffContext } }
}
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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2004, at 6.34 PM, Erik Sandberg wrote:
I can't reproduce. Can you please send a full ly file that reproduces
it? You
just need to add enough stuff around the code so lily can compile it.
Please
also include a \version statement that tells us which version you're
using.
Thanks, Erik
O
ly.
\times 8/9 + 2/3 + 2/3 = 6/4, right?
Best,
Will Oram
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spamguy21
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mediate plans to build my source in versions 2+ years
old...;)
Best,
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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harp'8-.( e-.
fsharp-. csharp-. a-. csharp-. fsharp,-.) r
}
\score {
\new Staff << \thepart >>
\layout { papersize = "letter" }
}
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
___
<
\partcombine
\relative c''' { \PartA }
\relative c''' { \PartB }
>>
}
\paper {}
}
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu
Flutes seem to be playing an octave, probably even TWO octaves, lower
than what shows up on page. Since the flute is a non-transposing
instrument, I know I didn't place a \transposition in its music.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spam
Flutes seem to be playing an octave, probably even TWO octaves, lower
than what shows up on page. Since the flute is a non-transposing
instrument, I know I didn't place a \transposition in its music.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spam
Flutes seem to be playing an octave, probably even TWO octaves, lower
than what shows up on page. Since the flute is a non-transposing
instrument, I know I didn't place a \transposition in its music.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spam
To Graham:
See section 3.2.3, first line:
'Look no farther!'
It should be 'further.'
And with that, Captain Anal-Retentive goes to bed...:P
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
the new key sig.
If you can't reproduce this I'll supply a miniexample.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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\paper { }
}
In lily 2.3.13, the measures in which there should be a whole rest for
both instruments combined (ie, ms. 3-6) have nothing in them. Just
white space.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
a picture demo I have one. It's difficult to supply one at
this precise moment due to a borked FTP server.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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http://
;t pull something like this:
s2. | s2. | \appoggiatura s8 s2. | s2. | \break
Or you'll get this:
Calculating line breaks... Bus error
can you send a full bugreport?
--
Han-Wen Nienhuys | [EMAIL PROTECTED] |
http://www.xs4all.nl/~hanwen
Will Oram // Genius @ Large // AIM spamguy21
spamg
//www.s3.kth.se/~mabe/oram.pdf (or maybe I should call the file
Beethoven?).
/Mats
Will Oram wrote:
I am using 2.3.10 at the moment. I viewed the output using PS and
PDF. There is no change in adding instruments, removing non-repeat
music, and removing music within the repeat block.
Here
}
The line below it, though, is accepted everywhere:
one = \markup { \bold {1.}}
What's the difference between these two? How can I tweak it?
Best,
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
x27;t always a problem. Several pieces ago, I got away with 20
note graces.
Will Oram
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spamguy21
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have BBEdit set to do by default on my
main machine anyway), convert-ly ran through it perfectly.
Perhaps convert-ly isn't trained to handle Mac linebreaks?
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spam
Nienhuys wrote:
[EMAIL PROTECTED] writes:
I don't know Scheme, so I'm following blindly here. I tried it and
got:
yes, it's for .37, not earlier versions.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] |
http://www.xs4all.nl/~hanwen
Will Oram
spamguy ^^AT^^ foxchange.com // wi
e c' \new GrandStaff <<
\new Staff { \cadenza c4 \bar "|." }
\new Staff {
#(ly:export (mmrest-of-length cadenza))
c4 \bar "|." }
\paper {}
}
--
Han-Wen Nienhuys | [EMAIL PROTECTED] |
h
ntext Devnull \theCadenza
causes havoc. All portions of myMusic that are not polyphonic are not
shown, as expected. All polyphonic sections are printed as separate
staffs when they should simply not be shown.
An example of the above: http://spamguy.cwru.edu/misc/images/violink.jpg
Will Oram
spamguy
al case of setting properties (\stemUp and \StemDown
do \override and \stemBoth does a \revert).
For 2.1, read the new fancy chapter on Changing Defaults to find the
corresponding information.
/Mats
Will Oram wrote:
I had to force some stems to point up or down. I couldn't revert back
; bsharp,, e >]( <
csharp e >)[ < bsharp, dsharp a' >]( < csharp e a >)[ gsharp]
Notice how \stemDown was the last override I used, but everything
appears \stemUp. I've called \stemBoth several times to see if change
in placement would help bring it back to autos
IL PROTECTED] |
http://www.xs4all.nl/~hanwen
Will Oram
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spamguy21
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Howitzer?
I wish I could elaborate more on these, but these problems have been
around for awhile and I can't figure out how to get rid of them. Are
these bugs, or is it my problem?
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ c
{pizz.} d,] a'[ d] a'[ d,] d[ r]
In other words, a note beamed with only a rest. I received a warning,
but only a warning, so I gave it the same treatment that I would an
unterminated slur. Removing the forced beam fixed everything. Perhaps
this should have a greater s
't be much
fun for you. If you still want it you're welcome to have it, of course.
Not being a *NIX geek by birth, I don't know what GDB backtracing is.
Best,
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com //
TED]
Traceback (most recent call last):
File "/sw/bin/lilypond", line 871, in ?
run_lilypond (files, dep_prefix)
File "/sw/bin/lilypond", line 286, in run_lilypond
ly.exit (status)
File "/sw/share/lilypond/2.1.28/python/lilylib.py", line 130, in exit
ra
le and others are widely inconsistent and appear to
depend
on whim.
I would consider this to be a buglet.
Regards,
Nigel.
Will Oram
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convert-ly shouldn't be changing it for me.
Will Oram
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iolin voice has become a bass and treble clef
(but how?), in which the latter carries some of the lower register but
in gunshot mode. Overall, though, I'm befuddled still.
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
___
\barlines
\theViolas >>
\context GrandStaff = "lower_strings" <<
\context Staff = "violincello" <<
\property Staff.midiInstrument = #"string ensemble 1"
\property Staff.instrument = \markup { \center < "Violoncello" > }
\property Staff.instr = \markup { \center < "Vc." > }
\barlines
\theCellos >>
\context Staff ="contrabass" <<
\property Staff.midiInstrument = #"contrabass"
\property Staff.instrument = \markup { \center < "Contrabasso"
> }
\property Staff.instr = \markup { \center < "B." > }
\barlines
\theBass >>
>>
>>
>>
\midi { \tempo 4 = 126 }
\paper {
indent = 25.0\mm
% textheight = 300.0\mm
linewidth = 470\pt
papersize = "a4"
\translator { \RemoveEmptyStaffContext }
\translator {
\ScoreContext
%minimumVerticalExtent = #(cons -3 3)
BarNumber \override #'padding = #3
}
}
}
---
Each instrument staff runs roughly 110 to 120 bars, depending on how
much I've worked on them.
If you need any more code, holler.
Best,
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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keystroke and a save to amend
it), so I'm wondering if it was intentional or just an oversight.
Will Oram
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I just installed Mac OS X 10.3 ('Panther') on my computer. Lilypond
processes files as normal, including correct output etc. However,
before concluding lilypond reports it couldn't make the PS file.
Checking, I find that it has.
The --verbose trace, starting at the error section, follows. Some
78 matches
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