There's only one thing I can think of to try at that point, and that's to
strike up a conversation at the break, ask the guy if he's enjoying the
evening, how he heard about the dance, etc., and if conversation indicates he's
not compromised in some obvious fashion, then ask him what's up. Had s
Callers:
(I should say, I'm used to dealing with clueless, drunk, not-listening ONS
dancers, and I have a repertoire of incredibly-accessible material. So my
usual approach at ONS is only to worry about people who are being dangerous,
and not worry much about clueless, and to call material where
Try La Bastringue, and just dosido and swing partner each time
a1 center and back twice
a2 circle left, circle right
b1 dosido partner, 2 hand turn partner
b2 promenade partner
if you have the music for it that would be great, but is not necessary,
Dave Colestock
harrisburg, pa
www.davecolest
In situations like this I often do Family Waltz, and the tune I like to use for
it is Tombigbee Waltz. Do you know it? It too is a mixer, but I change it to
a keeper with partners changing places back and forth, rather than the women
passing repeatedly to the right. (You can simplify the B par
Tina wrote:
> Hi o esteemed community of callers -
> I'm going to call a big father-daughter dance for the Girl Scouts next month.
> (It's called "Me and My Cowboy; how cute is that?!) In preparing, I realize
> that
> most of the supremely easy dances I know are mixers. While this is usually
>
Hi o esteemed community of callers -
I'm going to call a big father-daughter dance for the Girl Scouts next month.
(It's called "Me and My Cowboy; how cute is that?!) In preparing, I realize
that
most of the supremely easy dances I know are mixers. While this is usually
great, these girls are
