I agree that callers can affect the "energy level" of an evening. The
program of dances has a great influence. I recently danced at two dances
on consecutive nights with the same great band...but with a different
caller. The dance where the caller offered simple, well-flowing dances was
much
When I think of "high energy" I think of something I would call early on when
the dancers aren't tired, and a dance for which I would request a fast tune,
probably an unforgiving dance with timing such that you barely make it from one
move to the next, where everyone is moving all the time,
For Erik Weberg's explanation of the timing of the hey in
Joyride as he originally intended it and still prefers it,
see his comments at
http://www.kluberg.com/eriksdances.html#Joyride
Erik writes:
... I've recently been teaching this dance the way I initially
intended it; with the
Yes and yes!
Given high energy music and how the caller's voice works with that, you
can of course lower the energy by having moves that don't flow well and
have a choreography that taxes the dancers too much.
Michael Barraclough
www.michaelbarraclough.com
On Wed, 2013-04-24 at 08:16 -0400, Tom
Another way to put energy into a dance is to do more bouncing/stepping
and more movement - that is how many English ceilidh dancers use their
energy.
Here is a contra based on the old dance "Cumberland Square Eight":
Cumberland Contra (by John Sweeney)
Contra; Improper; Double Progression - 64
There have been a number of references to balances always involving a
stomp.
I was under the impression that there were lots of ways to balance, many
of which don't involve a stomp. I usually teach "balance to the
right-2-3, to the left-2-3".
I did notice more stomping than I was familiar with
Absolutely.
~
Laurie
>
> From: Tom Hinds
>To: call...@sharedweight.net
>Sent: Wednesday, April 24, 2013 7:16 AM
>Subject: [Callers] high energy
>
>
>I always thought that high energy comes from the music and how a
>caller uses
I always thought that high energy comes from the music and how a
caller uses his/her voice. Could a really fun contra flop because
the music is really boring?
T
A simple dance in a big hall with hundreds of [likely experienced] dancers and
the right
music certainly can make the dance blossom. With these factors, I can't imagine
the caller making much difference
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
Well, in response to Chris's question, I'll explain why I think lots of
balances make for high energy - it's the energy you put into the balance itself
- stomping is just truly active. Then there is the feedback loop that occurs
with the dancers becoming a percussion instrument, and that is
Chris, I'm with you on this one. More than once, I've been blown away by
the simplest little dance, often one that I've danced many times before and
called as well. But, suddenly in a big hall with hundreds of dancers, the
right music, and a good caller, the dance blossoms into a huge high energy
Here is Mac calling Du Quoin races...sort of... ;-)
http://www.youtube.com/watch?v=-wH3TRPECJo
On Tue, Apr 23, 2013 at 8:06 PM, Richard Mckeever wrote:
> The balance gets you stomping your feet a little and you whole body moving
> back and forth to create a momentum for what
Euphor is from Champaign/Urbana IL
Euphoria is a band from Lawrence KS
Both are really good dance bands - but very different. We are fortunate to
have them both make the trip to ST Louis to play for us.
Mac McKeever
From: Kalia Kliban
On 4/23/2013 8:06 PM, Kalia Kliban wrote:
On 4/23/2013 7:15 PM, Bob Green wrote:
Here's the vid:
http://dancevideos.childgrove.org/contra/contra-modern/319-alternating-current-by-john-coffman-duple-improper
Anybody know who the band is in that video clip? I really like them.
Sounds like the
On 4/23/2013 7:15 PM, Bob Green wrote:
Here's the vid:
http://dancevideos.childgrove.org/contra/contra-modern/319-alternating-current-by-john-coffman-duple-improper
Anybody know who the band is in that video clip? I really like them.
Sounds like the caller's having a good time too.
Kalia
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