Jeff,
Glen Echo Sunday night has been doing a workshop for the past several years.
Baltimore (Saturday) has one. Baltimore (Wednesday) has a workshop twice
a month.
Bob
On 8/14/2013 13:11, Jeff Kaufman wrote:
The regular evening dances we've played, with workshop status:
Hi All,
Some time ago as we contra dancers say, "Our dances are very social
events, we get to meet everyone in the dance line..." (and more) someone
pointed out that, in a way, going to a bar to dance, like a swing dance
or country western dance, people would sit and chat, drink a beer, get
On 8/13/2013 11:06 PM, Greg McKenzie wrote:
Jacqui,
I think you are on the right track. Earning and holding the attention of
the hall is a key skill that many callers struggle with. A contra dance is
a complex ritual where the caller takes control of the audio space in the
room and moves the
On 8/13/2013 8:43 PM, Greg McKenzie wrote:
If the hall is integrated the first-timers will have either a partner who
will put them on the correct side, or they will be surrounded by couples
modeling the correct behavior. If I need to give out this sort of
information I consider it to be a sign
Depending upon how playful I feel, I sometimes mouth "directions" This can
be a humorous way to get dancers quieted down. I'm of the "Whoopee Cushion"
school of calling. Having a sense of humor is a huge thing for a caller.
John B. Freeman, SFTPOCTJ
The regular evening dances we've played, with workshop status:
Amherst MA: workshop
Grey Eagle, Asheville NC: no workshop
BIDA in Cambridge MA: workshop
Baltimore MD: no workshop
Belfast ME: workshop
Brooklyn NY: workshop
Charlestown MA: no workshop
Charlotte NC: workshop
Charlottesville VA:
Jeff wrote:
> I think the fraction of dances with a beginners workshop is more like 30%.
>
> (With the Free Raisins I notice when there are workshops because while
> we're not generally asked to play for a workshop we do need to be
> quiet and stop soundchecking. We've played dances at about 45
I don't call that often, but I usually do more or less what Tom recommends.
I often will just say in as deep a voice as I can (to make it sound
different from the other noise), "Do we have hands four?" I rely on the
dancers to help quiet the crowd (and when I'm not calling will often
"sh-h-h-h"
On Tue, Aug 13, 2013 at 11:43 PM, Greg McKenzie wrote:
>
> I think almost all contra dances provide some kind of orientation.
>
I think the fraction of dances with a beginners workshop is more like 30%.
(With the Free Raisins I notice when there are workshops because while
Jacqui,
It's kind of silly of me to give you any advise not having danced in
your community. I think the most important thing for any caller is
to not take it personally and always remain relaxed and happy.
I've heard over the years that the caller is in charge and all
responsibility
Jacqui,
If the gig is an intensive dance weekend, then the dancers probably expect
you to get them dancing, dammit, and never mind wasting this time on a
walk-through while we're talking and ignoring the caller.
That's always a problem. The way I've addressed it in that situation
might not
Jacqui,
I think you are on the right track. Earning and holding the attention of
the hall is a key skill that many callers struggle with. A contra dance is
a complex ritual where the caller takes control of the audio space in the
room and moves the locus of attention to their voice for defined
On Tue, Aug 13, 2013 at 11:43 PM, Greg McKenzie wrote:
> Mac wrote:
>
> > At our dances in St Louis, new dancers are almost always paired with
> > experienced dancers for much of the first part of the evening (not ones
> who
> > have just attended once or twice - but dancers
Hi Jacqui,
Make sure that folks take hands-four (I'm assuming that you will be
calling contras) -- all the way to the bottom of the line. Take your
time getting that done -- it sends as clear signal that you care about
the dancers and are watching them. Then begin teaching, clearly, slowly
Put Quaaludes in the drinking water.
On Tue, Aug 13, 2013 at 11:55 PM, Quiann2 wrote:
> Hello,
>
> I'm a new caller and have been noticing recently at some dances that the
> crowd is quite chatty and noisy and it can take a long time to get them to
> settle down and listen
Mac wrote:
> At our dances in St Louis, new dancers are almost always paired with
> experienced dancers for much of the first part of the evening (not ones who
> have just attended once or twice - but dancers skilled in dancing with new
> dancers). There are exceptions - but our dancers work
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