No priors.. BUT FWIW, just off the top of my head..
N B
Down in 4's wheel return bend line
cir L3/4 sw partner
M chain 1/2, R thru across
N B
Down in 4's wheel return bend line face across
W allem R x 1.5 Sw Pt
M ch 1/2, R/H star x 1
bill
From: Callers on
amp; 07802 940
574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
From: Callers On Behalf Of Bill Olson
via Callers
Sent: 11 July 2019 16:26
To: Caller's discussion lis
I agree about not wanting people coming from both sides. For just plain
teaching the contra corners figure, I like Chorus Jig done as a triplet.. (B2 =
actives swing to end of set 3's move up). I have done this dance with total
beginner groups with no problem. The down side of doing a triplet,
Um just saying, and I don't think anyone brought this up yet,.. we're talking
about "Spring Break" by Nils. "Spring Fever" is a dance by Tony Parkes from the
1980"s, totally unrelated.. oui??
bill
From: Callers on behalf of Chris Page
via Callers
Sent:
Rich, No idea but here's the link put back together again:
https://www.youtube.com/watch?v=20AzpUhcl_E=IwAR2cUdLxooGD3zONkK4KatXcca3B3spscqRK26CLlOFcVgzPuEPaYhCf8Tc
22, 2019 at 11:15 AM Bill Olson via Callers
mailto:callers@lists.sharedweight.net>> wrote:
Oh this is so sad.. "Suspenders George" was a good friend and one of my very
favorite dancers when we toured down that way. George was always friendly and
always helpful. And he sure was a
duh, there's the dance at the end.. I will definitely call it..
bill
From: Bill Olson
Sent: Friday, February 22, 2019 4:07 PM
To: Caller's discussion list; Emily Rush
Subject: Re: [Callers] In honor of George Rettie
Oh this is so sad.. "Suspenders George" was a
Oh this is so sad.. "Suspenders George" was a good friend and one of my very
favorite dancers when we toured down that way. George was always friendly and
always helpful. And he sure was a great "dipper"..
Please forward the Dean Snipes dance and I will call it next chance I get!!
bill in
I was going to suggest the same thing. I've called Chorus Jig as a triplet. B-2
just has the 1's swing down to the bottom of the set. I've used this dance in a
family dance/barn dance type situation with no problems.. It certainly teaches
the contra corners figure.
bill
Jonathan and all, Yep, here's a dance, NOMAD'S LAND, I composed in 1997, even
by then *I*, at least, didn't have a name for the figure. Read the notes at the
bottom..
http://www.billolsondance.com/nomads.html
bill
From: Callers on behalf of Jonathan
Sivier
Donna, I just Googled it and here it is:
http://lists.sharedweight.net/pipermail/callers-sharedweight.net/2017-March/002375.html
bill
From: Callers on behalf of Donna Hunt
via Callers
Sent: Thursday, September 27, 2018 7:35 PM
To: call...@sharedweight.net
Judy, I really like Sackett's Harbor.. Yes contra corners. No swing,,.. but
certainly enough partner interaction for the actives..
you can find it all over the internet..
bill
From: Callers on behalf of Judy
Greenhill via Callers
Sent: Monday, September
Hi Jack and all, A little off topic, but... Your dance made me remember a dance
I wrote back in 2002, "Do Make Waves". here's from my web site:
DO MAKE WAVES
A duple improper contra by Bill Olson
A1: Star R x 1 to long waves (Right Hand to N, L to previous N.
Women are facing
Here we go...:
Hume Fogg Reel Becket Susan Kevra
A1 Circle Left 3/4, pass through and swing the next
A2 LL F/B, Ladies Chain
B1 Ladies Allemand R 1x Turn Partner Left 1 1/2 Gents turn R 1x
B2 Partner B and Swing
From: Callers
#6, Susan Kevra's Hume Fog Reel (Becket) has that sequence in A1. No hey, just
lots of allemands in b1.. I don't want to get the dance wrong here off the top
of my head so I'm sure it's out there.
bill
From: Callers on
believe it or not, I like to use Lady of the Lake (or Haymakers Jig) to point
out the tight timing thing.
A1 B Neighbor
A2 actives B
trying to get the 1's to hit that balance on time in A2 takes a little talking
ahead of time.. and I often say "this dance isn't as easy as it looks"..
That
Yeah, That's what I was more thinking of than moderately difficult dances like
Beneficial Tradition.. I like Gene Hubert's circle mixer "the wheel" :
The Wheel, circle mixer by Gene Hubert
A1 Promenade (CCW)(16)
A2 (face partner Gents facing out, Women facing in) join 2 hands with partner
and
I love that dance and use it often. It's Chuck the Budgie, BTW. Especially nice
paired with the Graham Townsend tune "Pat the Budgie" which matches the
balances in B2. The story is that Graham had a parakeet named Pat that used to
sit on his fiddle bow (I am guessing NOT when he was playing). I
You Can't Get There From Here by Carol Ormand (Improper, 10 June 1994)
A1 Balance; allemande Right 3/4 (to long waves, Women facing in); Balance;
allemande Right 3/4 (to waves of four, Men in the middle)
A2 Balance; Neighbors swing
B1 Circle Left 3/4; Partners swing
B2 Circle Left 3/4;
A really really GREAT dance by Dan Pearl! Yeah, the "end effects" are mostly
created by dancers doing something they weren't instructed to do! Pointing out
that the dance is a double progression during the walk through (to those who
are actually listening) is helpful I've found. It gives
OK then... Here's a gypsy star dance where the star doesn't start in interwoven
long waves. From a dance choreography workshop. Been waiting for me to wrap my
brain around it and publish it for a year and a half now.. It actually works
and is easier to dance than it might appear at first
Dugan and all, I don't know if Cary Ravitz actually "invented" the Gypsy Star
but he wrote a dance entitled that and a lot of others that include it. Dugan,
you're sort of Cary's protégé, right?, so you must know the dance. This is the
same figure, correct??
bill
Hey all,.. The dance was "Bases Loaded" by Jim Saxe, Lydee Scudder and Tom
Thoreau. Curiously enough I first learned it from Kathy!! You can find it
several places online..
bill
From: Callers on behalf of Alexandra
Hi Don, My expectation, or assumption maybe, is that the dance was composed on
the way to the place in the title or after returning from there.. I don't think
there is anything expected in the choreography.. at least there isn't for me..
bill
From: Callers
Dugan, Here are Dan's own notes regarding the dance.. not sure what the Steve
Schnur dance is titled, someone on here certainly knows..:
"I always loved this zig-zag gimmick when I danced it in Cor Hogendijk's "Pat's
Tradition", done by English country dancers. A dance by Steve Schnur that
Hi Donna, I booked quite a few tours back in the day. These were mostly with my
own bands, but sometimes just as a caller. I never took a booker fee, even
though it was often an incredible amount of extra work.. I guess the
justification was that we all contributed as much as we could and in
Kalia, I often call a NWT dance at that same point.. The dancers are all
"wiggly" and just don't want to hear someone else (the caller) talk to (at)
them.. At this point I just call something totally easy, and a dance that has
both a partner and neighbor balance and swing - take your pick - I
an via Callers <callers@lists.sharedweight.net>
Sent: Friday, December 16, 2016 9:05 PM
To: callers@lists.sharedweight.net
Subject: Re: [Callers] Variations of 3-33 by Steve Zakon-Anderson
On 12/16/2016 11:48 AM, Bill Olson via Callers wrote:
> 3-33-33
>
> Steve Zakon (Duple improper)
>
Hi Dugan and all,... let's get the original dance down here: originally the
dance was titled 3-33-33. The title had to do with the way the money split on a
tour Steve took with "Fresh Fish" back in the 80's (I think). I have the author
as Steve Zakon back then.. but now this guy Steve
Yep, I agree..
bill
From: Callers on behalf of Dave
Casserly via Callers
Sent: Tuesday, October 18, 2016 7:25 PM
To: Neal Schlein
Cc: callers
Subject: Re: [Callers] Pre-existing dance?
Recently it has pretty much been the custom to attribute dance authorship to
the first one who came up with the sequence. I agree that Luke came up with
this sequence independently but someone else did that before him. It's only
fair, since it's not unlikely that the second author (Luke, me,
Hi Martha and all, guess we're diverging from the original subject here, but I
always had an interest in a contra corners dance that was useable for long
sets.. That, to me anyway, meant double progression and possibly a swing for
the inactives (just in case).. Here's the dance I wrote almost
Ummm... from David's web page:
Cherokee Shuffle
Improper
A1 (facing up and down set) w/Ns, F & B; w/N, dos-a-dos; form circle
A2 Bal. Circle; W/N, swing, end progressed
B1 Gs LH turn 1/2; W/P, bal. & swing (12 beats)
B2 Circle L 3/4; Circle Bal. 2x; W/P, California Twirl to swap places,
Hi Vicki, Here's one.
http://www.billolsondance.com/nomads.html
bill
List-Post: callers@lists.sharedweight.net
Date: Mon, 18 Jul 2016 21:05:54 +
To: callers@lists.sharedweight.net
Subject: [Callers] Box circulate dances
From: callers@lists.sharedweight.net
Hello all. In addition to the
Hi Luke, "Bases Loaded" was the one.. authors: Jim Saxe, Lydee King Scudder, To
Thoreau, maybe a few more? As far as I know this was written in a choreography
workshop led by Jim Saxe. The "concept" was to put a grand square into a 2x2
contradance, where there obviously aren't enough dancers
Kalia, good morning. After thinking about this more and reading others'
comments, and realizing you now have only one day.. here's what I think..
my original answer to you (below) just responded to what you were asking for,
i.e... jigs and reels, sheet music, pretty easy, etc..
Unless the
Kalia, Go to the Maine Fiddle Camp web site www.mainefiddlecamp.org click on
tunes.. There's an archive of dance tunes from the last 7 or 8 year's camps..
Take a look then take a listen to the MP3.. maybe select some "beginner" or
intermediate tunes. there's sheet music here too with
tavi said: also do si do and swing the one behind offers a simple but fun
twist. U can find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the
Wine"
I agree and... actually this comes up (originally I believe) in "another nice
combination" also by Tom..
bill
List-Post:
For Ovals/Wholeset Promenades, certainly "Gang of Four", though I don't know if
I'd call that a novelty or gimmick dance!! bill
Date: Wed, 16 Mar 2016 14:13:29 -0400
To: call...@sharedweight.net; trad-dance-call...@yahoogroups.com
Subject: [Callers] Novelty & Gimmick Contras
From:
the community aspect of the mixer.. everyone
seems to "get" that.
bill
> Date: Sat, 19 Dec 2015 07:08:20 -0800
> To: callers@lists.sharedweight.net
> Subject: Re: [Callers] New Years Eve favorites
> From: callers@lists.sharedweight.net
>
> On Sat, Dec 19, 2015, Bill Olso
I got this one from David Kaynor and have used it several times: "La
Bastringue", timed so everyone is going into the center with a big hoot at the
stroke of midnight.
bill
List-Post: callers@lists.sharedweight.net
Date: Sat, 19 Dec 2015 09:44:19 -0500
To: callers@lists.sharedweight.net
Hi Erik and all, heh heh, I often chuckle at MYSELF when I find myself saying
that same thing: "as in Petronella", when I realize very few of the dancers
have ever danced Petronella.. BUT, after trying to teach the move with out
saying the "P word", I realized that some of the dancers at least
Well, any improper dance that has a partner swing on the side could be
rephrased to be Becket, actually it wouldn't even have to be a swing.. just a
partner interaction that ended facing across the set. So you could argue that
just about ANY modern improper contra dance "goes through" Becket
Wow, maybe that couple didn't actually know what Becket Formation was?
bill
List-Post: callers@lists.sharedweight.net
Date: Thu, 10 Dec 2015 14:45:17 -0500
To: call...@sharedweight.net
Subject: [Callers] Becket Formation
From: callers@lists.sharedweight.net
Folks,
I was at a dance not too
"Roll in the Hey" by Roger Diggle
> To: call...@sharedweight.net
> Date: Tue, 8 Dec 2015 10:01:52 -0800
> Subject: Re: [Callers] Contras with a Hey
> From: callers@lists.sharedweight.net
>
> > *From:* Rich Sbardella via Callers
> > *To:* Caller's discussion list
I think most people figured that one out! Go Cardinals!! Win PAC 12 title!
> Date: Mon, 30 Nov 2015 16:10:45 -0800
> To: callers@lists.sharedweight.net
> Subject: Re: [Callers] Caller needed: 1/16 Stanford barn dance
> From: callers@lists.sharedweight.net
>
> On Mon, Nov 30, 2015, Aahz via
Wow, I'm pretty amazed by this thread.. I call dances with gypsies fairly often
(some times dancers request it), but NEVER emphasize the flirting aspect. To
tell the truth, when I first started dancing, well let's say when I first
became aware of the figure, probably years after I started
ail.com
> CC: callers@lists.sharedweight.net
>
> On Mon, Jul 20, 2015 at 4:21 PM, Bill Olson via Callers
> <callers@lists.sharedweight.net> wrote:
> > They are often very proprietorial about their floors,
> > especially schools! The sad thing is a lot of venues t
Whew, If I had to cancel all the gigs I had that had sticky, or otherwise less
than optimum dance floors, I'd lose half my work! Outdoor gigs on the grass
(often sloping or uneven or with holes) or on weddings on rented "dance
floors", indoor school (or other) gigs on super sticky polyurethane
Hi all, FWIW I always like to credit both Ed Shaw and Al Olson for "Dancing
Sailors". In "Dance a While" it's written that Al was "a consultant" on the
dance, but I'm pretty sure Ted (Sannella), who actually named the dance and was
first to call it, told me the following story. Ed and Al, both
Kalia, You said you already had a triplet with contra corners in it, BUT I
figured I'd offer this anyway. I often call Chorus Jig as a triplet, (B2 being
1's (bal and) swing to bottom of set and others move up). I found that in a
triplet dancers can learn contra corners very easily without the
Luke, "Dance a While" pages 63/64 has a list of figures. Pretty much all the
ones I know are on there.. If you don't have the book, find one on ebay or
something and buy it!!
bill
List-Post: callers@lists.sharedweight.net
Date: Mon, 30 Jun 2014 21:17:46 -0400
To: call...@sharedweight.net
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