On Thu, 2007-07-05 at 00:36 +0200, Raffaella Traniello wrote:
> Rob,
>
> Wow!
> That is very interesting!
>
> It would be nice if you could put a link to the movie on the
> List Of Cinelerra Productions page at
> http://lab.dyne.org/cinelerra/ListOfCinelerraProductions
>
Thanks! I'll do that
It would be nice if you could put a link to the movie on the
List Of Cinelerra Productions page at
http://lab.dyne.org/cinelerra/ListOfCinelerraProductions
I updated it. It seems a bit empty though =( Would be nice to take a look
at people's works. Not even valentina is there!
Rob,
Wow!
That is very interesting!
It would be nice if you could put a link to the movie on the
List Of Cinelerra Productions page at
http://lab.dyne.org/cinelerra/ListOfCinelerraProductions
Thanks
Raffaella
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hi edouard,
could you give some more details how the
"fast conversion in quicktime" of the single
frames works?
thanks
jan
Edouard Chalaron wrote:
> For those interested in movies (opposed to video) under Cinelerra
> For about 18 months I have been back to super 8 mm.
> Cinelerra has proved ext
For those interested in movies (opposed to video) under Cinelerra
For about 18 months I have been back to super 8 mm.
Cinelerra has proved extremely good for this purpose. I do transfer the
frames one at a time with a 422 8 bits industrial camera.
I am getting my frames in 1400x1200 pixels progres
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Hi Rob,
rob switzer schreef:
> I posted about it here to show that yes, real work of value *can* be
> done with Cinelerra.
I think that never has been the question. Cinelerra was as stable as
Adobe InDesign 1. Literally, as long as you can find the
On Sun, 2007-07-01 at 18:10 +0200, Stefan de Konink wrote:
> "Time is always against us" ;)
>
Absolutely. Caligari contains about 11 frames. A single-frame
restoration would take, well, a *long* time, a lot of man-hours, and a
lot of money! I'm sure you can do the math ... *no* classic si
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Gordon JC Pearce schreef:
> I think they did a pretty good job as it is.
That *is not* the issue. If anyone claims to do professional restoration
by using miniDV as intermediate I laugh :) Introducing any lossy
compression instead of RAW frame-by-fr
On Sun, 2007-07-01 at 16:30 +0200, Stefan de Konink wrote:
> They could have done a better job scan/shoot every image per frame. That
> results in a 3 to 10MP image per frame :) Then normalize frames, and
> produce an image.
>
> In this way you would have 16bit Analog to Digital material, then ed
On Sun, 2007-07-01 at 16:30 +0200, Stefan de Konink wrote:
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>
> rob switzer schreef:
> > Source footage for the project came from the public domain 16mm
> > reduction print of the film ==> 2" video tape ==> MiniDV.
>
>
> They could have do
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rob switzer schreef:
> Source footage for the project came from the public domain 16mm
> reduction print of the film ==> 2" video tape ==> MiniDV.
They could have done a better job scan/shoot every image per frame. That
results in a 3 to 10
The Chain Tape Collective recently completed a restoration/re-scoring
of the German Expressionist classic The Cabinet Of Dr Caligari.
The restoration portion of the project was completed using an early
build of Cinelerra-cvs 2.0 running on Fedora Core 4.
Source footage for
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