--empyre- soft-skinned space--
I want to echo Ana's post below; one statistic that came out two days ago
- in the United States, one out of every thirty children will be homeless
sometime in his or her life. In a country with such enormous wealth, there
is so
...@phil.hhu.de
Date: November 16, 2014 at 3:02:21 PM CST
To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Subject: Re: [-empyre-] creative powerlessness, expressive violence,
performance
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
--empyre- soft-skinned space
: November 16, 2014 at 3:02:21 PM CST
To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Subject: Re: [-empyre-] creative powerlessness, expressive violence,
performance
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
--empyre- soft-skinned space--
Sorry
--empyre- soft-skinned space--I always think about the question raised by Alan, How can art heal? I don't
know if it can, but it can surely hinder us from going completely down. By
expressing our fears and anxiety in our works, by performing them on the stage,
by
--empyre- soft-skinned space--Well, once again a very thought provoking discussion forwhich I'm grateful. I
wanted to say that powerlessnesscontains or holds power somewhere (far or
near). Working (playing) performances, being aware of audience, isbound to
touch on a
@lists.cofa.unsw.edu.au
Subject: Re: [-empyre-] creative powerlessness, expressive violence,
performance
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
--empyre- soft-skinned space--
Sorry for being quite direct: but if you refuse to understand violence
--empyre- soft-skinned space--Healing, placing shrouds over the wounded body of the world… In my native
language “shroud’ relates etymologically to a ‘kiss’ as much as it also is
about burial. Washing (lava me). Covering, lying down (keimai), enshrouding,
touching,
--empyre- soft-skinned space--
Reading Monikas very powerful and intuitive statements and going back
to what Alan and others wrote, something struck me: we talk a lot
about healing, but suppose we don't need to be healed? I mean the idea
of a healthy society is
--empyre- soft-skinned space--
All,
Thank you for this discussion! It comes at a time when I am digesting
two documentary films that take on genocide (Indonesia 1966 ) and
terrorism in Sierra Leone's civil war (1991-2002). /The Act of Killing/
by Joshua Oppenheimer
--empyre- soft-skinned space--
On Mon, 17 Nov 2014, Christina Spiesel wrote:
As testimony to the importance of feeling and the emotions as guides to
value -- something very much devalued at the moment as humanities and arts
budgets are slashed and education is
--empyre- soft-skinned space--
I lived 32 years in a region, the North of Europe, Sweden, which was,
in the Middle Ages, one of the most violent places in Earth. The
Vikings, the ancestors of the Norwegian, Danes and Swedes, were feared
in the rest of Europe. They come
--empyre- soft-skinned space--
On 11/17/2014 10:18 AM, Alan Sondheim wrote:
On Mon, 17 Nov 2014, Christina Spiesel wrote:
As testimony to the importance of feeling and the emotions as guides
to value -- something very much devalued at the moment as humanities
and
=
From: Reinhold Görling goerl...@phil.hhu.de
Date: November 16, 2014 at 3:02:21 PM CST
To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Subject: Re: [-empyre-] creative powerlessness, expressive violence,
performance
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
--empyre- soft-skinned space--
[encryption tests]
- reflecting last week's discussion, which started, in my recollection, with
Andreas Philippopoulos-Mihalopoulos stating he would not wish to be here, but
wish to be nowhere. His post examined the distinctions of
--empyre- soft-skinned space--
[encryption tests 2]
A question was raised, by Alan Sondheim [Saturday, November 15, 2014]
:: How can art, art performance, performance, heal, help
one make it through the day, inspire one, against this background of
continuous
To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Subject: Re: [-empyre-] creative powerlessness, expressive violence,
performance
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
--empyre- soft-skinned space--
Sorry for being quite direct: but if you refuse
--empyre- soft-skinned space--
a note:
David Byrne in /How Music Works/ reminds us that violence can be a form
of expression where there is powerlessness:
Roger Graef, who has written about the effectiveness of arts programs
in UK prisons, believes that violence,
--empyre- soft-skinned space--
With the St. Louis International Film Festival having started - two films about
the death of cinema (Uzumasa Limelight The Congress), in principle worthwhile
but I had to walk out… BUT a masterpiece by Volker Schlöndorff, “Diplomacy” (I
--empyre- soft-skinned space--
On 17/11/14 02:52, PierMartonGmail wrote:
the principle “violence as communication” is no help to me.
I can easily interpret everything around me as communication (and I DO listen
to trees, mountains, animals, no kidding).
It is good
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