--- In FairfieldLife@yahoogroups.com, sparaig [EMAIL PROTECTED] wrote:
Complex harmony requires even tempered tuning. Even temperment
sounds lousy with
micro-tonal music.
Yeah, that's what I thought too. But that simple Esus4
that I mentioned was -- horribile dictu -- an ear-opener
for
--- In FairfieldLife@yahoogroups.com, cardemaister [EMAIL PROTECTED] wrote:
Am7 Dm7 G7 Cmaj9
Fmaj7 Bm7b5 Esus4 E7
Jesus, but that Esus sounds
great when I play that tune
with techni-chord on! :D
Oh, 'anything' goes on this list.
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--- In FairfieldLife@yahoogroups.com, Bhairitu [EMAIL PROTECTED] wrote:
cardemaister wrote:
Am7 Dm7 G7 Cmaj9
Fmaj7 Bm7b5 Esus4 E7
Jesus, but that Esus sounds
great when I play that tune
with techni-chord on! :D
The progression is a simple cycle of fourths and therefore open to a
--- In FairfieldLife@yahoogroups.com, cardemaister [EMAIL PROTECTED] wrote:
--- In FairfieldLife@yahoogroups.com, Bhairitu noozguru@ wrote:
cardemaister wrote:
Am7 Dm7 G7 Cmaj9
Fmaj7 Bm7b5 Esus4 E7
Jesus, but that Esus sounds
great when I play that tune
with techni-chord
13 Chords are no sweat for example G13. If you barr the third fret
with the 1st finger, 2nd finger on the fourth fret, g string and 4th
finger on the fifth fret b string. This chord actually preceeds your
suspended chord by sliding the forth finger down one fret from the
13th chord to the
I play keyboards and often to get people up with something cool when
they are learning would teach them a simple jazzy blue using #9th and
13th chords. In C the right hand would play E Bb and D# with C in the
left hand bass (C7#9), then for the four chord slide the right hand
notes down one
--- In FairfieldLife@yahoogroups.com, suziezuzie [EMAIL PROTECTED]
wrote:
13 Chords are no sweat for example G13. If you barr the third fret
with the 1st finger, 2nd finger on the fourth fret, g string and 4th
finger on the fifth fret b string. This chord actually preceeds your
suspended
