Tony,
I have been a little reluctant to convert to a new digital body because of
the low light capabilities (or incapabilities of the digital bodies. Just
haven't seen anyone pull off the look of high speed film in a digi.
I shoot loads of Fuji 800 and Tmax 3200 (rate at 1600). Wow you did a nice
There are so many variables that could affect contrast in a digitally
printed image. I find that shooting T400CN at 300 or 200ASA gives a very
crisp punchy negative that has excellent shadow detail and the brightest
whites don't blow out.
I have also printed virtually straight (contrast,
Tony,
Mario said it well:
Tony,
With all the respect for all the positions , I couldn't pass without a
comment on your post:
1) Tony, you did and are still doing an extraordinary work.
2) I completely aggree with your analysis (except, of course, that it is
your fault).
So did Peter:
hello to all you filmscanner folk. I have a Polaroid Sprintscan 35LE to give
away for free. Yes that's right folks step right up and get your free
scanner.
It was actually given to me by a magazine that was folding it's doors in
lieu of payment for a $200 invoice. I was able to make a few scans
