Hello Christopher,
I came across your message re: how to notate drum set parts and have a question.
You mention editing the percussion map so centre line b is a stemless slash and Bb is
a stemmed slash. How do you create a stemless slash when entering quarter notes?
Eric Stockton
___
Larry Kent wrote:
> What can I possibly have done to cause every
> rest in the score to jump up above the staff???
> (Win 2001d). TIA
Along the same lines, I find that in Finale 2003 (Windows), when I copy
and paste a passage, there are often a few rests -- not too many, but
enough that it's a
Thank's! How easy things can be sometimes.
Mike..
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of David H. Bailey
Sent: den 19 mars 2003 14:59
To: Mike
Cc: [EMAIL PROTECTED]
Subject: Re: [Finale] Speed entry
It sounds as if you have Use Midi Keyboard che
> If it helps anybody, this was once an Encore file, and it was converted to
> Finale before it was given to me.
Aha! I found the answer. Well, actually, it was my editor's idea...
Anyway, we discovered that the composer had written the Encore file with
real whole rests. All I had to do was ru
Brad,
have a look to db 'Multimeasur Rest' (Options/Document Settings...).
What is written in the 'Start numbering at' field?
Greetings
Raimund
Brad Beyenhof schrieb:
> Christopher BJ Smith wrote:
> > You're not selecting ALL the measures, then double-clicking to change
> > the maesure attrib
Christopher BJ Smith wrote:
> You're not selecting ALL the measures, then double-clicking to change
> the maesure attributes, are you? This will change the attributes for
> ALL the selected measures. Only select the last measure in the group.
Nope, that's not what I'm doing. I'm merely changing t
At 12:38 PM 3/19/2003, Brad Beyenhof wrote:
>I know about the "Break Multimeasure Rests" check-box in measure-attached
>expressions, but that doesn't really do what I'd like it to. I have checked
>that option in all of my rehearsal numbers, but, when I extract the parts,
>the rehearsal numbers do
At 10:12 PM + 3/19/03, Larry Kent wrote:
What can I possibly have done to cause every rest in the score to
jump up above the staff??? (Win 2001d). TIA
Hmm, either you have frozen the rests in place (Speedy frame,
asterisk key), then transposed, in which case you may have to go
through and
At 2:17 PM -0800 3/19/03, Brad Beyenhof wrote:
> Use the *barline* to break a multimeasure rest. Select the measure
tool, double-click the right barline of the bar before the rehearsal
number, and turn on "Break Multimeasure rests." So, for instance, if
you have a 32-measure rest with rehears
On 19 Mar 2003, Brad Beyenhof wrote:
> That didn't seem to work. I got the same
> "completely broken" behavior that happened
> when I asked the expression to break the rest.
> Is there another setting somewhere that I'm
> missing?
>
I can't reproduce your scenario either with meas exps or barline
On Wednesday, March 19, 2003, at 05:09 PM, Shelley Huston wrote:
On Wednesday, March 19, 2003, at 03:52 PM, Shelley Huston wrote:
Well, I've been afraid to update to OS X. Finale folks say it all
works. But I have no idea how to get MIDI to work. I have a
Midisport 2X2 and OMS - the latest
On 19.03.2003 19:59 Uhr, d. collins wrote
> Johannes Gebauer écrit:
>> I prefer 2 characters (though one lyric) for 6/5...
>
> What is the advantage?
The advantage imo is that you can have _any_ combination of numbers, with a
straightforward keyboard layout. I have enough simple key combinations
> Use the *barline* to break a multimeasure rest. Select the measure
> tool, double-click the right barline of the bar before the rehearsal
> number, and turn on "Break Multimeasure rests." So, for instance, if
> you have a 32-measure rest with rehearsal numbers every eight measures,
> in the par
What can I possibly have done to cause every rest in the score to jump up
above the staff??? (Win 2001d). TIA
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On Wednesday, March 19, 2003, at 03:52 PM, Shelley Huston wrote:
Well, I've been afraid to update to OS X. Finale folks say it all
works. But I have no idea how to get MIDI to work. I have a
Midisport 2X2 and OMS - the latest software versions for both OS X and
9 - and FinMac 2003a. After
Well, I've been afraid to update to OS X. Finale folks say it all
works. But I have no idea how to get MIDI to work. I have a
Midisport 2X2 and OMS - the latest software versions for both OS X
and 9 - and FinMac 2003a. After trying lots of combinations, I can't
get Finale to recognize my Ro
If I were you I would do it the other way: input the parts ready for the
orchestral score, and then extract the parts using TGTools.
(I used to do it as you suggest but TGTools changed my life. My only need
now is my myopia operation... ;)
Javier Ruiz
> 2001b Windows:
>
> The piano reduction pl
On Wednesday, March 19, 2003, at 12:59 PM, Darcy James Argue wrote:
So, for instance, if you have a 32-measure rest with rehearsal numbers
every eight measures, in the part you will get eight 8-bar rests and
the rehearsal numbers will display properly.
Er, that's *four* 8-bar rests. But you ge
Liudas writes:
2001b Windows:
The piano reduction plugin combines staves unintelligently. Expressions are
poorly placed, articulations are not carried over to the combined staff at
all, there may be many other issues..
I want to input a large score with about 7 pairs of parts, such as Flute
1+2,
On Wednesday, March 19, 2003, at 12:38 PM, Brad Beyenhof wrote:
Dear Listers:
I know this has been discussed before, but a thorough search of the
archives
didn't bring up an answer to my specific question.
I know about the "Break Multimeasure Rests" check-box in
measure-attached
expressions,
Dear Listers:
I know this has been discussed before, but a thorough search of the archives
didn't bring up an answer to my specific question.
I know about the "Break Multimeasure Rests" check-box in measure-attached
expressions, but that doesn't really do what I'd like it to. I have checked
that
On 19.03.2003 15:59 Uhr, d. collins wrote
> We have discussed this quite a few times already. I think most of us agreed
> that the easiest way is to enter them as lyrics. But then, if you need
> "special" characters (numbers with slashes, for instance), then you need a
> "special" font. Also, it b
On 19.03.2003 15:23 Uhr, Larry Kent wrote
> What's the fastest/easiest way to enter figures for basso continuo? The
> methods I've found in the users' manual seem rather cumbersome, but I may
> well be missing something...
>
> I'm using 2001d for Windows, and I'm very new to Finale, having entere
What's the fastest/easiest way to enter figures for basso continuo? The
methods I've found in the users' manual seem rather cumbersome, but I may
well be missing something...
I'm using 2001d for Windows, and I'm very new to Finale, having entered a
few relatively simple scores before the curren
You could enter them both on one staff, using layers, which would make
part extraction easy.
If you don't want to do that, you can enter them on their separate
staves, using layers anyway.
Example:
flute 1 (staff 1, layer 1)
flute 2 (staff 2, layer 2)
oboe 1 (staff 3, layer 1)
oboe 2 (staff 4,
It sounds as if you have Use Midi Keyboard checked under the Speedy
Entry menu. Uncheck that and you should get notes instead of rests.
Mike wrote:
Hi!
I have lap top and don?t have two numeric keypads. When working with
speed entry tool how can I step in notes. I?ve tried all shift
, alt,
2001b Windows:
The piano reduction plugin combines staves unintelligently. Expressions are
poorly placed, articulations are not carried over to the combined staff at
all, there may be many other issues..
I want to input a large score with about 7 pairs of parts, such as Flute
1+2, Clarinet 1+2, B
Hi!
I have lap top and don’t have two numeric keypads.
When working with speed entry tool how can I step in notes. I’ve tried
all shift
, alt, caps combinations but only got rests in the bars. I wants triplets so that should be ctrl “3”
before.
Mike.
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