If the copy protection scheme were merely a challenge/response where I had to supply a
registration number every time I installed, I would be completely comfortable with it.
Legitimate users *are*, however, penalized by the scheme that Finale 2004 employs,
because it makes our continued use of
Hello!
I've now put a Finale 2004 review with some tips on the tips site. I'll
correct all the typos tomorrow...
http://www.finaletips.nu/
Best regards,
Jari Williamsson
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David H. Bailey wrote:
But your reply doesn't come back immediately,
which is what I meant.
Really? I've re-registered my copy of Sibelius on the internet by filling in their
form, and I got my registration number emailed to me right then and there, within
seconds. I was up and running
Thanks -- it seems that the only thing which has changed in the license
is that Coda has been changed to MakeMusic.
Actually, the end-user isn't in the table of contents and it isn't in
the index and it isn't in the first chapter -- it's before the first
chapter, and before How to Use the
At 11:04 PM 8/9/03 +1000, RockyRoad wrote:
PS: The system is acceptable to me. I am a
veteran of dongles (Logic), keydisks (Soundiver)
and other arcane systems. Of course the potential
demise of MakeMusic is a concern but the greater
issue their would be whether the last Finale
would continue
