Take a look in any utility that remaps keys or runs macros. For instance
TGTools.
Paul Copeland wrote:
>> Hello everyone.
>>
>> A few weeks back I tried Finale 2004k demo for Windows.
>>
>> Now I have the full program.
>>
>> When I run the program and press the 1 key on the keyboard, the
>> screen
Hello everyone.
A few weeks back I tried Finale 2004k demo for Windows.
Now I have the full program.
When I run the program and press the 1 key on the keyboard, the screen
immediately goes into scroll mode. It doesn't do this when I press the
numeric 1 key.
Strangely enough when I run Finale 20
On Wednesday, October 1, 2003, at 08:41 AM, Peter Younghusband wrote:
I managed to use Massedit to copy articulations only from one line to
another.trouble is I can't remember how I did it. On
trying again using MassEdit - Copy Entry Items - and selecting
Articulations only, wh
You can't use Copy to copy a measure to the Clipboard, then Paste it onto
another measure of music but get only the articulations. You CAN, however,
use the Opt.-Click method (that's the Mac way) and it works great. With the
MM tool, highlight the measure(s) containing the articulations you want t
Peter Younghusband writes:
FinWin2003
I managed to use Massedit to copy articulations only from one line to
another.trouble is I can't remember how I did it. On
trying again using MassEdit - Copy Entry Items - and selecting
Articulations only, when I paste I get the pitches as wel
FinWin2003
I managed to use Massedit to copy articulations only from one line to
another.trouble is I can't remember how I did it. On
trying again using MassEdit - Copy Entry Items - and selecting
Articulations only, when I paste I get the pitches as well as the
articulations. How
At 9/30/2003 04:43 PM, Andrew Stiller wrote:
>This certainly was not true for me, either on clarinet or bassoon.
>Note names were associated with the notation from the very beginning.
>What came later was the idea that note names recurred in different
>octaves.
Agreed. And that the different octa
At 9/30/2003 06:47 PM, Matthew Hindson Fastmail Acct wrote:
>I would only write it as an octave sign if it was a single, isolated note -
>certainly not passagework. Same with writing for flute, clarinet etc. Or
>else maybe if it was in a concerto or some such that I knew wasn't
>necessarily goin
