I'm talking about the expression dialogue itself -- when you define the
expression itself, you can enter some text which appears in the
right-hand of the expression dialog so you can clarify what you are
selecting. Just look at the expressions in the default template and
you'll see what I mean
In a message dated 25/03/2005 08:44:11 GMT Standard Time,
[EMAIL PROTECTED] writes:
There is
a bar for entering text in the _expression_ creation dialog, labeled
Description: -- that is where you would enter Strings-piano or
Guitar-piano
Sorry I missed the begining of this thread - i
[EMAIL PROTECTED] wrote:
In a message dated 25/03/2005 08:44:11 GMT Standard Time,
[EMAIL PROTECTED] writes:
There is a bar for entering text in the Expression creation
dialog, labeled Description: -- that is where you would enter
Strings-piano or Guitar-piano
Sorry I missed the begin
I have made a lot of Hildegard von Bingens songs and have only jused
what FINALE has been able to do. I attach en little samble.
Amj
-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] På vegne
af d. collins
Sendt: 24. marts 2005 10:43
Til: finale@shsu.edu
Emne: [F
> From: Arne Møller Jørgensen <[EMAIL PROTECTED]>
> I have made a lot of Hildegard von Bingens songs and have only jused
> what FINALE has been able to do. I attach en little samble.
>
> Amj
I liked to see you sample, but basically it shouldn't have been allowed to
pass through the filters of
>I liked to see you sample, but basically it shouldn't have been allowed to
pass through the filters of the list servers.
>Evil minds will know how to abuse that hole in the fence.
This evil mind has put the small pdf file at:
http://www.yatesguitar.com/misc/bingen.pdf
Richard Yates
_
At 04:22 PM 3/24/05 -0500, David W. Fenton wrote:
>The liturgical reforms of the Second Vatican Council in the 1960s
>obsoleted the Liber Usualis, since it reflected the Tridentine Rite,
>which was different from the new rite. The official chant book of the
>new rite is the Graduale Romanum, a r
> From: "Richard Yates" <[EMAIL PROTECTED]>
>
>> I liked to see you sample, but basically it shouldn't have been allowed to
> pass through the filters of the list servers.
>
>> Evil minds will know how to abuse that hole in the fence.
>
> This evil mind has put the small pdf file at:
>
> http:
How do I import the playlists and libraries from my System 9 copy of
iTunes into my OSX copy?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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I have an autograph score of a sacred Latin concerted choral work by
the 18th Century Italian composer Francesc'antonio Vallotti (theorist
regarding tuning). Anyway, the piece includes two tromba parts written
in alto clef. This is the first time I have seen such a thing. Anyone
ever see this b
Hidden there in plain sight. :-) Thanks, David!
Now, anyone out there in TV land with more on a soundfont editor
for the Mac?
TIA
Don Hart
on 3/25/05 2:43 AM, dhbailey at [EMAIL PROTECTED] wrote:
> I'm talking about the expression dialogue itself -- when you define the
> expression itself,
I would expect the modern trumpet players who will play the parts would
thank you for writing them in treble clef. I would guess that few would be
happy reading alto clef.
All the best,
Lawrence
"þaes
ofereode - þisses swa
maeg"http://lawrenceyates.co.uk
__
At 1:39 PM +0100 3/25/05, Arne Møller Jørgensen wrote:
I have made a lot of Hildegard von Bingens songs and have only jused
what FINALE has been able to do. I attach en little samble.
Amj
Yes, that is a very good transcription into
modern notation, but I believe that Dennis was
wanting to use squ
At 9:59 AM -0500 3/25/05, Martin Banner wrote:
I have an autograph score of a sacred Latin concerted choral work by
the 18th Century Italian composer Francesc'antonio Vallotti
(theorist regarding tuning). Anyway, the piece includes two tromba
parts written in alto clef. This is the first time I
Hey Andrew,
Did you see this?
http://www.apple.com/macosx/upgrade/installation/import_music.html
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 25 Mar 2005, at 9:38 AM, Andrew Stiller wrote:
How do I import the playlists and libraries from my System 9 copy of
iTunes into my OSX copy?
Andrew Stil
Actually, this might be even better:
http://macintosh.lifetips.com/faq.asp?SiteID=517&QuestionID=60675&type=0
1. Sharing iTunes Playlists in OS 9.1 & X
If you are using iTunes in 9.1 AND in X, this is an easy way to share
the same music library and keep all your playlists:
From OS X, throw away t
You mean you weren’t taught to transpose on sight using clefs? ;-)
File that in the "skills I don't use" bin...
Allen
On 3/25/05 9:06 AM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> saith:
> I would expect the modern trumpet players who will play the parts would thank
> you for writing them in tre
In a message dated 25/03/2005 16:23:55 GMT Standard Time,
[EMAIL PROTECTED] writes:
You mean
you werenât taught to transpose on sight using clefs?
;-)
I'm a horn player - I transpose every day of my life! :-)
Trumpet players? - now then, there's a different species altogether!
All th
At 9:59 AM -0500 3/25/05, Martin Banner wrote:
>Anyway, the piece includes two tromba parts written
>in alto clef.
Wouldn't it be a little strange to have trumpet parts in alto clef? That
would put them awfully low. Could they be for trombones? Or, horns, though
unlikely? Do they double a voice
Actually, I CAN sightread pretty fluently in soprano, alto and tenor
clef, thank you.
Martin
On Mar 25, 2005, at 11:23 AM, Allen Fisher wrote:
You mean you weren’t taught to transpose on sight using clefs? ;-)
File that in the "skills I don't use" bin...
Allen
On 3/25/05 9:06 AM, "[EMAIL PROTECT
This is why I posed the question in the first place! I have dealt with
dozens and dozens of 18th Century manuscripts of concerted sacred Latin
choral works from Austria, Germany and Italy, and this is the first
time I have seen tromba parts in alto clef. And yes, these are
definitely trumpet pa
Since the natural trumpet can only play notes of a single harmonic series,
then unless the parts in alto clef are the lower harmonics, then even though
the part is designated tromba, it is definitely for trombone.
Michael Lawlor
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Finale mailing lis
Carlberg Jones wrote:
At 9:59 AM -0500 3/25/05, Martin Banner wrote:
Anyway, the piece includes two tromba parts written
in alto clef.
Wouldn't it be a little strange to have trumpet parts in alto clef? That
would put them awfully low. Could they be for trombones? Or, horns, though
unlikely? Do th
On 25 Mar 2005 at 8:32, d. collins wrote:
> With TIFF, I'd have to worry about the
> printer's resolution and scaling, and not have any way of testing
> anything. I have scores here published by major publishers, and I can
> see in the introductions, for instance, that musical examples have
> bee
I saw this while cleaning my mail box. I use Switzerland Condensed a lot in
lyrics. It's so narrow I can switch to 14 pt. and the lyrics are much more
readable than using the default font.
It's not free but you may find a free substitute. However, it is not so
expensive to buy single fonts from
Martin Banner wrote:
I have an autograph score of a sacred Latin concerted choral work by the
18th Century Italian composer Francesc'antonio Vallotti (theorist
regarding tuning). Anyway, the piece includes two tromba parts written
in alto clef. This is the first time I have seen such a thing. An
Finale 2005b/Mac.
The / character does not display or print correctly when it immediately
follows the characters l (that's lower-case L), o, or ` in fonts such
as Garamond, Palatino and Times. This is true in the Text Tool and in
Expressions.
John
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