Well...for those of you who hung in long enough to get past the message header... I MISS MY KEY CAPS! I've been working on my first big project in OS X (Tiger)/FinMac 2005b and need to type in some symbols/special characters. Finding the correct key combination was no big deal with the good old M
On Mar 24, 2006, at 6:00 PM, ER @ HOME wrote:
Well...for those of you who hung in long enough to get past the
message header...
I MISS MY KEY CAPS!
I've been working on my first big project in OS X (Tiger)/FinMac
2005b and need
to type in some symbols/special characters. Finding the corr
Keyboard Viewer is a disaster. You could try PopChar from
http://www.macility.com/
Michael
On 25 Mar 2006, at 00:00, ER @ HOME wrote:
Well...for those of you who hung in long enough to get past the
message header...
I MISS MY KEY CAPS!
I've been working on my first big project in OS X (T
These are probably in Finale 101, but . . . .
How do I place brackets on eighth note triplets? The quarters seem to get
brackets automatically, but no luck with eighths. Did I miss it in the Manual?
I vaguely remember long ago using a character to mark chords that are to be
rolled. As I reme
- Original Message -
From: "D. Keneth Fowler" <[EMAIL PROTECTED]>
To:
Sent: Friday, March 24, 2006 5:43 PM
Subject: [Finale] Two questions WinFin 2004b
These are probably in Finale 101, but . . . .
How do I place brackets on eighth note triplets? The quarters seem to get
brackets
On 24 Mar 2006, at 10:10 PM, Bill-PC wrote:
Someone here will probably yell at me, but you really shouldn't use
tuplet
brackets with beamed notes because the beam itself serves as the
bracket.
Only when the tuplet number is placed beam-side. But sometimes, you
need the tuplet number place
Articulation #31 in the Finale Default File (Fin2006). [It's in
earlier default files as well, of course, but may be in a slightly
different slot.]
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 24 Mar 2006, at 8:43 PM, D. Keneth Fowler wrote:
I vaguely r
Does anyone else use voices instead of layers in most single-bar
rhythmically-independent divisi situations?
The advantages of voices over layers are:
1) common rests remain centered in the measure
2) independent rests can be placed on-the-fly depending on where the cursor
is when you launch the s
One big disadvantage (for me, at least):
"Display active layer only" makes it very easy to copy material from
one layer only to another staff, etc. This is not possible when using
voices.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 25 Mar 2006, at 12:
On Mar 24, 2006, at 9:28 PM, Brian Williams wrote:
With these advantages, I'm surprised at how many Finale users prefer
to use
layers when they could be using voices -- which are way more efficient
in
most divisi situations (especially in percussion and drum parts).
For me, the difference w
On Mar 24, 2006, at 5:43 PM, D. Keneth Fowler wrote:
I vaguely remember long ago using a character to mark chords that are
to be rolled. As I remember I could enter the character and drag it to
any desired length. The ones I can find are all fixed length.
Darcy has already pointed you to the
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