As I recall, you also have to check the box Soften
Syncopations.
And Michael is definitely correct when he says the answer is
strange -- Has this sort of archaic placement of important
settings been changed in Finale2009 or does the underlying
midi data manipulation still suffer from lack of
Carl Dershem wrote:
Darcy James Argue wrote:
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands
have 3rd tbn. players with triggers, but here in NYC I rarely see
that. Nobody wants to play a solo on an instrument with an attachment,
and solos get passed around
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I
meant the population which gets payed for playing :-)
--
David H. Bailey
[EMAIL PROTECTED]
___
Finale mailing list
dhbailey wrote:
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I meant the
population which gets payed for playing :-)
Just kidding -- what I *really* meant was the population
which gets paid for playing
I wonder if anyone can answer the following questions regarding finale
2009 for windows. I tried downloading the demo, but this appears to be
without the functionality that I wanted to test.
1. Can we use whatever VST instruments we have in our libraries in any
combination?
2. If yes, does this
Roger Jeffs wrote:
I wonder if anyone can answer the following questions regarding finale
2009 for windows. I tried downloading the demo, but this appears to be
without the functionality that I wanted to test.
1. Can we use whatever VST instruments we have in our libraries in any
combination?
The avoidance of the trigger is mostly about tradition more than
anything else, and also that the number of instrument choices is
limited. Probably 95% of the trigger trombones in existence are large
bore symphonic tenors, which really shouldn't be used in a big band.
But last night I played
I wonder if Garritan receives ANY licensing fees for being included in
the distribution. As we have been discussing, what they supply is
artificially limited, practically forcing you to go out and spend a
bunch of money with Garritan to address those deficiencies. I'm not
saying that is bad
1. Can we use whatever VST instruments we have in our libraries in any
combination?
yes, that works in F2k8
2. If yes, does this entail obtaining and installing some specialized
software that doesn't ship with Finale?
no.
3. If no, what limitations apply?
haven't found any yet.
4. Has
From: Darcy James Argue [EMAIL PROTECTED]
Reply-To: finale@shsu.edu
Date: Sat, 9 Aug 2008 17:54:48 -0400
To: finale@shsu.edu
Subject: Re: [Finale] Unusual Notation: Anyone know how to do this with
Finale?
I have no idea how much of that -- if any -- is possible in Finale
Allegro.
I'm not sure
From: Dennis Bathory-Kitsz [EMAIL PROTECTED]
Reply-To: finale@shsu.edu
Date: Sat, 9 Aug 2008 17:51:30 -0400 (EDT)
To: finale@shsu.edu
Subject: Re: [Finale] Unusual Notation: Anyone know how to do this with
Finale?
Don't know about anybody else, but it's too small for me to see (even the
At 7:41 AM -0400 8/10/08, dhbailey wrote:
Sure, most of the top-tier jazz trombone players may not use
F-attachments when on jazz gigs (unless they're on 4th bone parts)
but I'm fairly positive that all of them would own and feel
comfortable playing F-attachment horns for those gigs when
Hi John,
It's not that NYC players don't own F-trigger horns or don't know how
to use them. It's that they don't bring them to jazz gigs (including
bigband) where they might be called on to play a solo. Their main solo
horn is almost always a straight tenor trombone. The F-trigger horn is
On Aug 10, 2008, at 10:21 AM, Craig Parmerlee wrote:
The avoidance of the trigger is mostly about tradition more than
anything else, and also that the number of instrument choices is
limited.
That's not strictly true. The addition of an F trigger affects the
way the horn blows, and most
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive.
They actually have MORE instruments than they list on the product
page:
. . . . I really don't see how
Two things:
1) You are mixing bore size with instrument length. 95+% of instruments
with the F attachment use a large symphonic bore. It is the bore size,
and not the presence of an F attachment, that causes NYC jazz players to
bring the straight horns. Most of them probably do NOT own a
Darcy James Argue wrote:
Hello,
I'm engraving a new opera for a French composer and I'm wording about
a specific piece of terminology -- Trompette en Ut or Trompette en
Do? I have a vague feeling Trompette en Ut is archaic, but I don't
have any recent French orchestral scores to check
Hi Craig,
1) See Chris Smith's comments RE: why jazz players eschew the F
attachment. There are several high-profile jazz players who play large-
bore instruments -- none of them use F attachments.
2) I already agreed with you regarding the GPO orchestral t.tbn.
samples. Hell, I agree
On Aug 10, 2008, at 5:28 PM, Andrew Stiller wrote:
Darcy James Argue wrote:
Hello,
I'm engraving a new opera for a French composer and I'm wording
about a specific piece of terminology -- Trompette en Ut or
Trompette en Do? I have a vague feeling Trompette en Ut is
archaic, but I
Hi Andrew,
I would have thought lowercase too, but I've run into a fair number of
French scores that capitalize the pitch names for transposing
instruments -- the Dover reprint of the Durand Cie _Daphnis et
Chloé_, for example. Are instances like this just outliers?
- Darcy
-
[EMAIL
We (Louisville Orchestra) did a concert with Julie Andrews a few weeks
ago (her first singing in ten years) and she most certainly uses Do.
Hey! Where was the rim-shot?
RBH
Christopher Smith wrote:
In Québec trompette en do is standard, but I imagine Darcy was
looking for the
Chris Bell wrote:
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive. They
actually have MORE instruments than they list on the product page:
. . . . I
22 matches
Mail list logo
