Leigh Daniels wrote:
Hello All,
I'm just starting an orchestral score using Bill Duncan's
MediumOrchestra8x11.mus template. When I play it using the Playback
window, the repeat count gets incremented to 2 when playback enters the
second measure.
I did not enter any repeats. The Repeat tool
How can I forcibly enter a mid-measure courtesy clef change in 2008.
In 2007 when you double-clicked a measure you got an option to create
one, but I'm not seeing it in 2008.
I need to restrike the same clef as is already in effect because when I
put in a cue that changes the clef I like to
There's something strange going on with TGTools and my computer: the
gray / key doesn't work as the = key anymore. Any solution?
Barbara
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Would anyone like to identify this chord:
C#;D;F#;A;d;c#
I thought it was Dmajor7 but this is being disputed - Does the C# in the
bass change things?
Thanks,
Lawrence
--
Lawrenceyates.co.uk
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On 17-Jan-09, at 17-Jan-09 1:32 PM, Lawrence Yates wrote:
Would anyone like to identify this chord:
C#;D;F#;A;d;c#
I thought it was Dmajor7 but this is being disputed - Does the C#
in the
bass change things?
How is it being disputed?
It certainly contains all the same notes as
I've no idea what the context is - one of my students has asked me to help
her identify it - her music teacher says it's not Dmaj7. Maybe it's the
slash C# that's missing and the teacher is being pedantic. Thanks anyway.
Any other offers would be welcome.
Thanks,
Lawrence
On Jan 17, 2009, at 1:56 PM, Lawrence Yates wrote:
I've no idea what the context is - one of my students has asked me
to help
her identify it - her music teacher says it's not Dmaj7. Maybe
it's the
slash C# that's missing and the teacher is being pedantic. Thanks
anyway.
Any other
Is the key still assigned as you want it in TGTools -- Options... -- Key
remapper?
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]
On Behalf Of Barbara Touburg
Sent: Saturday, January 17, 2009 9:29 AM
To: finale@shsu.edu
Subject: [Finale] TGTools
Apologies to all and thanks on behalf of my idiot, cloth eared student.
Having spoken to her teacher, it now seems that the child (aged 18 years!!!)
incorrectly identified the chord as a DOMINANT 7th then didn't listen to
what her teacher said in reply.
And they say standards aren't falling!
F#mi6 would have a D#, not a D nat. The chord in question is
unambiguously DMA7/C#.
- Darcy
-
djar...@earthlink.net
Brooklyn, NY
On 17 Jan 2009, at 2:49 PM, dhbailey wrote:
Or it could be an F#m6. But I would dearly love to know what the
original teacher is saying it is, if he/she is
On 17 Jan 2009 at 14:13, Christopher Smith wrote:
I think I remember it also being the second
chord in Bach's Air for a G String (in the key of D, of course.)
Well, yes, because of the descending bass passing through the leading
tone while the tonic chord is still sounding, the vertical
Darcy James Argue wrote:
F#mi6 would have a D#, not a D nat. The chord in question is
unambiguously DMA7/C#.
Really? If the 6th is built from the natural minor? What
rules govern this situation? Must it be the melodic minor
one builds chords from?
Of course if we're looking at the
If you write the chord symbol F#mi6, then the correct voicing in all
cases is F# A C# D#. There is nothing complicated or ambiguous about it.
Cheers,
- Darcy
-
djar...@earthlink.net
Brooklyn, NY
On 17 Jan 2009, at 4:46 PM, dhbailey wrote:
Really? If the 6th is built from the natural
Yeah the 'popular' chord notation (anyone know where this came from
originally?) ignores the key signature. 'm6' is short for minor 3rd, major
6th, probably just because this is far more common (i have a hard time
hearing the minor 6th as a chord note in any context here, actually).
You're
Oh, good to know, then--I hadn't actually tried protools yet--I guess they
also need to buy a company with a good midi editor ;-)
I just stumbled on the new Cubase 5 release--the new midi editing features
pretty much blow the competition out of the water for orchestral midi
work--click on
Um, well, then they failed then. Sibelius isn't a good midi editor.
What they should have bought was MOTU butthey
didn't.
On Sat, Jan 17, 2009 at 4:42 PM, Adam Golding adamgold...@gmail.com wrote:
Oh, good to know, then--I hadn't actually tried protools yet--I guess they
NumLock on?
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]
On Behalf Of Barbara Touburg
Sent: Saturday, January 17, 2009 11:20 AM
To: finale@shsu.edu
Subject: Re: [Finale] TGTools
Richard Yates wrote:
Is the key still assigned as you want it in
I've got an eight-note/eighth-rest sequence with a grace note before each
eighth-note and the normal beaming process doesn't want to work.
Is there another way to beam across a grace note and a rest? It's probably
something simple I've overlooked.
I've posted screen shots of what I'm talking
On Jan 17, 2009, at 3:08 PM, David W. Fenton wrote:
On 17 Jan 2009 at 14:13, Christopher Smith wrote:
I think I remember it also being the second
chord in Bach's Air for a G String (in the key of D, of course.)
Well, yes, because of the descending bass passing through the leading
tone
On Jan 17, 2009, at 7:06 PM, Adam Golding wrote:
Yeah the 'popular' chord notation (anyone know where this came from
originally?)
Strangely, it came from an adaptation of classical figured bass. This
is why the exception to the all chord members are major unless
otherwise specified rule
Yes, this is strange new (I think) behaviour in Finale 2009 (maybe
even 2008).
In Speedy, you have to hit the / key on the second grace note AND
then on the second eighth note. If you hit it on the same note twice,
it won't work no matter how many times you hit the slash key on the
other
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