Anybody know if there is a quick way to vertically align several
articulations? I use them for fingerings and want to line up the
fingerings for a chord. Thanks
Jeff Tanner
Funky Bear Music
www.funkybearmusic.com
funkybearmu...@mac.com
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I do it by entering the fingerings as lyrics.
Cheers,
Lawrence
2009/1/23 Funky Bear Music funkybearmu...@mac.com
Anybody know if there is a quick way to vertically align several
articulations? I use them for fingerings and want to line up the fingerings
for a chord. Thanks
Jeff Tanner
Go into page view, turn on rulers, strike a guide, and snap the
articulations to it.
I actually made a library of fingerings as shape articulations, but
that's not near as quick as what you want.
On Jan 23, 2009, at 6:22 AM, Lawrence Yates wrote:
I do it by entering the fingerings as
On Jan 22, 2009, at 9:12 PM, Ray Horton wrote:
Professionally, I think the G bass trombone died in the 60s.
They were
helped to their demise by the late Ray Premru, an American bass
trombonist
who went to England in the early 60s and started taking jobs
away from Brits
with
Darcy,
Thanks for adding to the answer. That explains why I can't change all
the part names to another font in one go.
I had created my parts, then formatted and made a lot of changes
(voiced linked parts, etc.) and changed my staff name font in the
score, but couldn't find a way to
On Jan 23, 2009, at 12:10 AM, Ray Horton wrote:
Regarding the falset notes, which you call Privileged
frequencies ... unstable ... and imply that A very high level of
expertise is needed for them: I teach them to junior high
students, so when they purchase a trombone with a valve they
On 22.01.2009 Allen Fisher wrote:
It's new to 2k9 for articulations
Funny that it works in 2k7.
Seriously, that can't be. I have been using this for ages. Perhaps it is
new for expressions?
Johannes
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From your website it looks like you are fingering guitar music. If you want
to place the fingering numbers to the left of noteheads easiest is to define
the finger number as 'center horizontally' but set the handle's horizontal
distance as about -10 EVPUs. Define the articulation with a metatool.
Hi Chris,
I am confused. As far as I know, it is not possible for the same text
block to have different font settings in parts vs. score when using
linked parts. So you should have been able -- forced, really -- to
change them all at once.
Are you sure you did not, for example, have a
Hey Richard
Yes, definitely guitar music.
Thanks, I'll check it out your library file. Your music has always
had a nice look, so maybe I should look at it as an engraver instead
of as a guitarist!
I've got some articulation fingerings already defined to automatically
be placed in
A couple of years ago I made a concerted effort to try out Sibelius. I had a
lot of input from the Sib listserv and Daniel Spreadbury (sp?). Turned out
that neither the whiteout fingerings nor the auto placement of fingerings
before noteheads was possible. Those were both deal busters for me.
You're right. We did do it for both in 2k7. For some reason, I thought
it was added to something in 2k9, but it wasn't.
On Jan 23, 2009, at 8:30 AM, Johannes Gebauer wrote:
On 22.01.2009 Allen Fisher wrote:
It's new to 2k9 for articulations
Funny that it works in 2k7.
Seriously, that
Hi All,
I have a FinMac2008b score that is now refusing to play back using GPO
and Human Playback. With HP off, the file plays back perfectly. With HP
on, it hangs at 39% saying Reading Score Item.
Any ideas about what to try?
**Leigh
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Finale
How do I set an expression or repeat text to make Finale *not* play a
passage on a specific staff the first pass but do play it on the 2nd pass of
a repeat? Does this require some convoluted work-around?
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Christopher Smith wrote:
On Jan 23, 2009, at 12:10 AM, Ray Horton wrote:
Regarding the falset notes, which you call Privileged frequencies ...
unstable ... and imply that A very high level of expertise is
needed for them: I teach them to junior high students, so when they
purchase a
I work with a youth band, and we are having a fairly big concert soon as
a fund raiser. One of the several Guest Artists that will be performing
with us is a local celebrity of a sort, and performs regularly with
small combos around town, and has written several tunes that he does
with
Brian Williams wrote:
How do I set an expression or repeat text to make Finale *not* play a
passage on a specific staff the first pass but do play it on the 2nd pass of
a repeat? Does this require some convoluted work-around?
When you define the expression, under the PLAYBACK tab, there is a
At 8:32 PM -0500 1/20/09, Christopher Smith wrote:
Yes, yes, that was my point. (Humour!) Of course I know all the
usual repertoire for trombones before the 5th, but the symphony was
considered the large canvas for composers since the Baroque.
(Catching up with some messages, having just
John Howell wrote:
I just looked through the original part, and the highest notes I can
see are several Ds and 2 Es. Where's the F supposed to be?
John
Keep looking, John.
OK, that was snarky. Try measure 453-454 - ff. You do remember how to
read the clef, don't you? (Aren't you
I am transcribing Arioso by Bach for brass quintet. In an early version
of the work the strings are pizz. I want the brass to imitate that but
obvious they can't pizz. How should I indicate that?
Thanks.
Jane
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Funny -- mine too, Aaron!The d as top of the range in my trombone
concerto, I mean. I didn't really want to push my luck, but needn't have
worried. My commissioning soloist is a real hot dog - and just tossed off a
pretty challenging concerto, damn him!
Wel.maybe I got the last
Well.
Assuming that an expression made using the tools that Finale provides
could be considered to be unusual...
Yeah, the advice is good. I find tempo marking are good candidates.
As the playback hangs at 39%, check at around 39% of the way through
the piece for expressions with tempo
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