At 1:36 PM -0400 9/27/09, David W. Fenton wrote:
On 27 Sep 2009 at 10:21, Christopher Smith wrote:
I imagine (perhaps wrongly!)
that the tempo might stay fairly solid for each section, but change
from variation to variation, maybe with a connection to what kinds of
subdivisions are in the
Hi all,
A few years ago, I made a libretto font for myself from some 19th century
scores. It's not too bad, has a nice old roughness to it, and you can have it.
It's only TrueType, but do what you will with it.
I'll be updating it for the remaining characters in a few months, and cleaning
up a fe
On 29 Sep 2009 at 22:58, Dennis Bathory-Kitsz wrote:
> A few years ago, I made a libretto font for myself from some 19th century
> scores. It's not too bad, has a nice old roughness to it, and you can have it.
> It's only TrueType, but do what you will with it
Could you explain the purpose of thi
On Tue Sep 29, at TuesdaySep 29 12:58 PM, John Howell wrote:
On 27 Sep 2009 at 10:21, Christopher Smith wrote:
I imagine (perhaps wrongly!) that the tempo might stay fairly
solid for each section, but change from variation to variation,
maybe with a connection to what kinds of subdivis
