At 3:56 PM -0800 1/28/10, Lee Actor wrote:
The solo repertoire for "classical" saxophone is indeed on the thin side;
furthermore, even the best of this repertoire (e.g., Ibert, Glazunov. etc.)
tends toward a lighter or less serious treatment (for lack of a better term)
than composers often use wh
Not wild about the term "art music," even if it is used in scare quotes. But
there are lots of great classical saxophonists now who are certainly up to the
fiercest challenges of contemporary classical music. Brian Sacawa, for one:
http://www.briansacawa.com
However, Chuck raises an important p
The solo repertoire for "classical" saxophone is indeed on the thin side;
furthermore, even the best of this repertoire (e.g., Ibert, Glazunov. etc.)
tends toward a lighter or less serious treatment (for lack of a better term)
than composers often use when writing concertos for other instruments.
David W. Fenton wrote:
On 28 Jan 2010 at 17:45, Chuck Israels wrote:
These responses have missed whatever point I probably shouldn't have
bothered trying to make here, and that was that there is so little
significant repertoire for "classical" saxophone, despite the
existence of a number o
Chuck Israels wrote:
These responses have missed whatever point I probably shouldn't have
bothered trying to make here, and that was that there is so little
significant repertoire for "classical" saxophone, despite the existence
of a number of fine players in that style, that favoring that styl
I'm not skepticalI've seen it work and not work. It isn't a huge
deal to fix though, and if worst comes to worse you can just create a
new user and get all your stuff move to that.except that generally
you lose some preferences, but it isn't a huge issue.
Like the 10.4 to 10.5 upgr
On 28 Jan 2010 at 17:45, Chuck Israels wrote:
> These responses have missed whatever point I probably shouldn't have
> bothered trying to make here, and that was that there is so little
> significant repertoire for "classical" saxophone, despite the
> existence of a number of fine players in
Because I had problems with Migration Assistant going from PPC to Intel, I did
some research online and found that there was indeed quite a lot of discussion
about the issue. It works without flaw for many, but others, such as myself,
found that the program would hang.
The main solvable problem
Having suffered through a college degree to get a major in saxophone
performance, we studied classical music only in lessons. There is a lot
of repertoire out there for it. Plus a lot of the Oboe repertoire has
been arranged for saxophone as well. Then there is the whole quartet
aspect. And the
These responses have missed whatever point I probably shouldn't have
bothered trying to make here, and that was that there is so little
significant repertoire for "classical" saxophone, despite the
existence of a number of fine players in that style, that favoring
that style in music depart
Many of Bill's fonts never worked correctly with OS X. The problem was only
with specific character slots (cmd-opt-2, for instance). If you never use the
glyphs at those spots then you wouldn't encounter the problems, but if you did
need those glyphs, until now you were out of luck.
Bill origin
Hopefully it will be really reasonably priced (as in like $20). I mean,
the fonts work fine for me as they are (Mac 10.6, latest
Finale).so.what would be the incentive to upgrade them?
On 1/27/10 2:04 PM, n...@npcimaging.com wrote:
It's in the bookstore. Here's the direct link...
ht
Blake Richardson wrote:
From: "Dean M. Estabrook"
Reply-To:
Date: Wed, 27 Jan 2010 13:32:36 -0800
To:
Subject: Re: [Finale] O.T. iPads/Kindles/Electronic books for music
editions?
I've wondered the same thing myself. I say it won't be long before
an ensemble will be playing with E books in
From: "Dean M. Estabrook"
Reply-To:
Date: Wed, 27 Jan 2010 13:32:36 -0800
To:
Subject: Re: [Finale] O.T. iPads/Kindles/Electronic books for music
editions?
> I've wondered the same thing myself. I say it won't be long before
> an ensemble will be playing with E books in front of them instead o
Hi Jef,
Just use the Migration Assistant. Choose your options sensibly and it will
almost certainly be fine.
Cheers,
- DJA
-
WEB: http://secretsociety.typepad.com
On 28 Jan 2010, at 4:22 PM, SN jef chippewa wrote:
>
> it's definitely PPC
>
>> The first Mac Mini was PPC, but all the rest
it's definitely PPC
The first Mac Mini was PPC, but all the rest were based on Intel
chips, so I would check that before you start.
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Well, that isn't true. It might hiccup for some, it worked fine when I
went from a G4 Mac Mini to an Intel iMac. But it didn't go so well
with my G4 tower to MacPro. Basically, the permissions got screwed up,
and after many back and forths with Apple, we simply created a new
account and I moved all
There are known issues going from a PPC Mac to an Intel Mac. Migration
Assistant won't work properly in this case. You would have to transfer most
things manually. (And by all means, use the Target Disk Mode!)
The first Mac Mini was PPC, but all the rest were based on Intel chips, so I
would ch
Actually, on a new Mac, the Migration Assistant will run automatically when you
first power it on. It will guide you through all of the necessary steps.
Cheers,
- DJA
-
WEB: http://secretsociety.typepad.com
On 28 Jan 2010, at 1:20 PM, Eric Dannewitz wrote:
> Generally, things are easily tr
Chuck Israels wrote:
I have always thought the classical music of the saxophone is what
Coleman Hawkins, Lester Young and Charlie Parker played, and that music
departments that don't recognize that are failing to see the world as it
is - to almost everyone's detriment.
While that's true, si
At 11:58 AM -0500 1/28/10, Chuck Israels wrote:
>I have always thought the classical music of the saxophone is what
>Coleman Hawkins, Lester Young and Charlie Parker played, and that
>music departments that don't recognize that are failing to see the
>world as it is - to almost everyone's detriment
"abso-freakin-lutely." I love it in the Army, I quickly
became used to the insertion of four-letter words between standard
syllables. It became an art form.
Thanks for the memories ...
Dean
On Jan 28, 2010, at 6:19 AM, Ray Horton wrote:
abso-freakin-lutely
Canto ergo sum
And,
Generally, things are easily transferred between a new mac and an old
one. You just boot the old mac into target disk mode (reboot it and hold
down the T key). Then use the Migration assistant, and you are set.
Having transferred many Macs over the years, you do get the occasional
problem now
At 11:58 AM -0500 1/28/10, Chuck Israels wrote:
I have always thought the classical music of the saxophone is what
Coleman Hawkins, Lester Young and Charlie Parker played, and that
music departments that don't recognize that are failing to see the
world as it is - to almost everyone's detriment
I have always thought the classical music of the saxophone is what
Coleman Hawkins, Lester Young and Charlie Parker played, and that
music departments that don't recognize that are failing to see the
world as it is - to almost everyone's detriment.
Chuck
Sent from my iPhone
On Jan 28, 201
I just noticed that Sibelius has one. I've made them as a visual, but this
seems a no-brainer for Finale to provide.
Henry Howey
Professor of Music
Sam Houston State University
Box 2208
Huntsville, TX 77341
(936) 294-1364
http://www.shsu.edu/music/faculty/howey.php
Owner of FINALE D
dc wrote:
Here's my beaming problem. I have a piece in common time where some of
the beats use the typical rhythm of a 12/8 time sig: dotted 8th + 16th +
8th in the value of a quarter note. So I define use a tuplet with "1
dotted quarter in the space of 1 quarter", and I get my three notes. But
John Howell wrote:
At 11:55 PM -0500 1/27/10, Ray Horton wrote:
Really, now, how many "legit' sax players do you have around V. Tech,
anyway?
Most of them. Our sax professor is straight classical, and when we
had a jazz sax teacher on the faculty (whom we lost during the first
state budge
Richard, that is it! For some reason this didn't work the last time I
tried this (the beamlet changed length), but it works perfectly in 2010!
This can be copied from measure to measure as well, so if it shows up
many times, Dennis can just copy the edit without the notes. Great!
Christophe
On 1/28/2010 9:08 AM, Christopher Smith wrote:
Oh yeah, I know what you are talking about. I have complained about
this bitterly, and the guys at MakeMusic don't even seem to
understand the problem.
I know that I reported this as long ago as 12/2003. I have a reply from
them on 1/5/2004 in whi
From the Quick Help: Special tools, select the Broken Beam
Then click in the app. maes. the handle to change the broken beam
direction (left or right).
Hans
Op 28-jan-10, om 14:42 heeft dc het volgende geschreven:
Here's my beaming problem. I have a piece in common time where some
of
Oh yeah, I know what you are talking about. I have complained about
this bitterly, and the guys at MakeMusic don't even seem to
understand the problem. Please, if you can make it more clear to
them, do so. I never was able to come up with a procedure for
switching the side that the beamlet
If you must use a tuplet instead of a time signature of 12/8 as four dotted
wuaters, then you have to use the Broken Beam Tool to switch the sixteenth
beamlet to the other side.
> Here's my beaming problem. I have a piece in common time
> where some of the beats use the typical rhythm of a 12/8
Is your 12/8 not set up in the Time Signature dialog box as 4 dotted
quarters?
Also, your jpg link is broken.
Richard Yates
> Here's my beaming problem. I have a piece in common time
> where some of the beats use the typical rhythm of a 12/8 time
> sig: dotted 8th + 16th + 8th in the value o
any issues i should be aware of in moving from mac mini OSX.4.11 to
macbook pro with... um whatever member of the cat family they are
currently running?
getting my first laptop tomorrow and am hoping to minimize time spent
adjusting... since i'm in the middle of a big job.
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