Hi John,
I wasn't aware I was "putting down" anything. I'm talking about rhythms that
even the best professionals find difficult to sight-read, because the rhythms
are unusual and not downbeat-oriented. I'm talking about my own experience on
how to convey those kinds of rhythms most efficiently
Well, that's a clue (and maybe where I remember it). Anyone else got any
ideas?
>
> G'day Richard
> Schumann has a piece with the same title in his Album For the Young.
> David McKay
>
> On 1 May 2010 13:20, Richard Yates wrote:
>
> > The contents page of Leopoldo Miguez's 12 Pecas
> Caracte
G'day Richard
Schumann has a piece with the same title in his Album For the Young.
David McKay
On 1 May 2010 13:20, Richard Yates wrote:
> The contents page of Leopoldo Miguez's 12 Pecas Caracteristicas looks like
> this:
>
> http://www.yatesguitar.com/misc/MiguezTOC.jpg
>
> What is the title o
The contents page of Leopoldo Miguez's 12 Pecas Caracteristicas looks like
this:
http://www.yatesguitar.com/misc/MiguezTOC.jpg
What is the title of piece #8? I seem to very vaguely recall this being a
symbol for something (but my brain may be making that up!).
Richard Yates
___
At 12:22 AM -0400 4/30/10, Darcy James Argue wrote:
I have given up on notating anything in compound meter. It is much
too difficult for players to sight-read for anything of even
moderate rhythmic complexity in such meters. Notating 6/8 figures in
2/4 (w/triplets), or 12/8 figures 4/4 (w/tripl
Kenneth:
It would be helpful to know what product (PrintMusic, Allegro, Finale)
and what platform (MAC / WIN) you are using. My answers assume you are
using some version of Finale.
I transcribed a piece to play on handbells. It was originally in 2/4 time. I'd
like to change it to 4/4 time.
Pierre:
First, I should note that your English is a whole lot better than my French.
Is it possible to have automatically both 2 time-signatures, (into parenthesis
or not) at the beginning of a measure :
- (9/8) 3/4
- 7/8 (4+3/8)
- (3+4/8) 7/8
- 4/4 (8/8)?
Given that you seem (from previous
Bonnie,
You need the Dolet for Sibelius from Recordare (www.recordare.com).
You put it in the Sibelius plugin folder and can then create MusicXML
files which are readable in Finale.
Hope this helps!
Eric
*
Habsburger Verlag Frankfurt (Dr. Fiedle
Your best bet is to use the Dolet 5 plugin for Sibelius. It does co$t
but you can download a 10-day demo that is fully functional if you
only have a few files to convert.
I use the plugin all the time, but the other way: Finale to
Sibelius. It's remarkably accurate.
J D Thomas
ThomaSt
On 30 Apr 2010 at 6:16, dhbailey wrote:
> As a matter of fact, if the subdivision of the beat is in
> thirds throughout an entire work, it's so much easier to
> read it in compound meter than to see a page loaded with
> triplet brackets when there are no beats which have duple
> subdivisions.
I do not see any way to move a Sibelius file into Finale via XML. There is no
option to export or save as an XML.
I have Sibelius 6 but haven't worked in it and someone gave me some files
created in Sibelius 3. The file opens in Sibelius but no way to export in a
format that Finale can read.
Hello everyone,
I transcribed a piece to play on handbells. It was
originally in 2/4 time. I'd like to change it to 4/4 time. The changing of the
Key Sig. is the easy part, however the note values remain the same, and I wind
up with the end half of each system with no notes. How can I change/d
Hello everyone,
I transcribed a piece to play on handbells. It was originally in 2/4 time. I'd
like to change it to 4/4 time. The changing of the Key Sig. is the easy part,
however the note values remain the same, and I wind up with the end half of
each system with no notes. How can I change/do
Hi all,
Is it possible to have automatically both 2 time-signatures, (into parenthesis
or not) at the beginning of a measure :
- (9/8) 3/4
- 7/8 (4+3/8)
- (3+4/8) 7/8
- 4/4 (8/8)?
(Sorry for my poor english.)
Pierre
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Thanks for the MIDI info Bonnie. I'll try that too.
George
- Original Message -
From: "Bonnie Janofsky"
To:
Sent: Thursday, April 29, 2010 11:09 PM
Subject: [Finale] re: Tuplets Default
George,
If you are entering with a MIDI keyboard and want to play in
8ths note triplets, use the
Hi David,
Those pieces you cite are rhythmically fairly simple, downbeat-oriented, and
clear enough notated in compound meter. I was talking about music of moderate
rhythmic complexity and above, where you (for instance) might have a lot of
figures that imply different sub-groupings (5/8, 7/8,
Darcy James Argue wrote:
I have given up on notating anything in compound meter. It is much too
difficult for players to sight-read for anything of even moderate rhythmic
complexity in such meters. Notating 6/8 figures in 2/4 (w/triplets), or 12/8
figures 4/4 (w/triplets), has the *huge* benef
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