Re: [Finale] OT: Key sig for Lydian mode

2013-12-13 Thread Douglas Brown
>Well, Douglas, you DID suggest that writing A Aeolian in three sharps and >putting naturals on three notes wasn't a good idea. Who was promoting THAT >idea? Nobody here was, which made me think you had misunderstood. If there is one big problem that a forum like this has, is that the lack of

Re: [Finale] Score Manager: a sound for expressions?

2013-12-13 Thread Jari Williamsson
On 2013-11-24 00:08, Mario De Franceschi wrote: > As you know, in the Score Manager Dialog Box, if you expand the little arrow > near the staff name, you can separately manage some parameters for layers, > chords and expressions. > Now, I'm wondering what is the sense of an individual sound for an

Re: [Finale] OT: Key sig for Lydian mode

2013-12-13 Thread Steve Parker
It's also only in equal temperament that the tonic of a mode doesn't assert itself strongly. The idea (especially among jazzers..) that the modes are the same pitches as major - only shifted - kind of creates the question in the first place. Steve P. > On 13 Dec 2013, at 04:10, Douglas Brown