On Mon, April 14, 2014 1:54 pm, Robert Patterson wrote:
> Writing 5 ledger lines above alto clef seems silly, but what do I know.
Apparently it is silly, depending on the player. Just last year, one of my
fellow composers wrote an entire part in alto clef, and the player said it was
much too high
Most fiddlers I've asked prefer not to have 8va unless it goes to six or
more ledger lines, that is, E. FWIW, the violin part of Kreutzer Sonata
does not use 8va even for the high F. (The score does, however.)
The reason that 8va/8vb works on keyboards is that the fingerings are the
same in every
Changing clefs too frequently usually comes from preparing a
printable version of a score with a lot of instruments; you try to fit all
the parts on a page, fiddle around with staff spacing, but notice that the
1st bassoon or 1st trombone has a note that is sticking into the staff
above. Si
when i select "export musicxml"... nothing happens. no dialogue, nothing.
i have also been asked several times to authorize recently, and i
know some options are not available (like online user manual) when
not registered. but even directly after authorizing again, nothing
happens when i exp
On 4/14/2014 6:42 AM, Christopher Smith wrote:
[snip]
>
> My only explanation is that I have so seldom seen jazz written in C clef,
> while most 19th C orchestra repertoire IS written in C clef (first trombone
> particularly), that I automatically go into the kind of tone production,
> style and
I've looked at the header in a hex editor and it is entirely different from a
finale file - closer to a web xml document.
Anyone have any idea how this could happen? Happened to anyone else?
Given that the actual data is not corrupt and only the header, is it
recoverable in any way?
Steve P.
__
On Mon Apr 14, at MondayApr 14 6:12 AM, David H. Bailey wrote:
> On 4/13/2014 6:48 PM, Christopher Smith wrote:
>> Nah, any classically-trained bassonist, cellist or trombonist should
>> be perfectly at ease with tenor clef in a classical context.
>>
>> In jazz and commercial music, though, C cl
On 4/13/2014 8:35 PM, Darcy James Argue wrote:
> On Apr 13, 2014, at 8:25 PM, Robert Patterson
> wrote:
>
>> I guess when Beethoven does it, no one complains.
>
> Right. To be clear, these players are only talking about C clefs in
> new music. And I actually think most of this is actually a proxy
On 4/13/2014 6:48 PM, Christopher Smith wrote:
> Nah, any classically-trained bassonist, cellist or trombonist should
> be perfectly at ease with tenor clef in a classical context.
>
> In jazz and commercial music, though, C clef is definitely a
> hindrance to trombonists. I, for example, can read
On 4/13/2014 6:07 PM, Robert Patterson wrote:
> Wow, Darcy.
>
> Your experience is utterly different than mine. My experience is that
> bassoonists, cellists, even bassists, and *especially* trombonists of all
> ages read tenor clef with complete facility and without the first hint of
> complaint.
Send it ovef
Giovanni Andreani
www.giovanniandreani.eu
>Can anyone try to open a file for me?
>
>Finale says it can't open the filetype and the same with the .bak.
>It opened fine five minutes ago..
>
>Steve P.
>
>___
>Finale mailing list
>F
Can anyone try to open a file for me?
Finale says it can't open the filetype and the same with the .bak.
It opened fine five minutes ago..
Steve P.
___
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