I think the flat beams are fine. Of course you should move the
hairpins up. You should also move the staves closer together: not
only will this save space, it will look more balanced.
Don't forget to move the stem of the second to last note in measure
five to the other side of the note.
A
Fake it. Rewrite the notes in an extra layer in the treble clef so
they look as they would in bass clef. Of course it won't play back
correctly, but it's easy enough to get it looking right on the page
Michael
Long-time lurker here.
I have some piano music which has an octave in the bass w
If you want to do this, use one of the techniques Allen describes.
It'll mean a change of habit, but once you get used to it you'll find
it's just as fast as the old method. In some situations (assigning an
expression to a group of contiguous staves, for instance), it's faster.
I prefer to
On 12 Dec 2008, at 02:36, Allen Fisher wrote:
For example, add the "tpt solo" to the Technique Text group.
Down at the bottom of the selection dialog, note the assign button
click the little pop-up menu next to it.
Create a new assignment list with the staves.
Assign to the score
Select all of
.
Michael
On 11 Dec 2008, at 22:30, Barbara Touburg wrote:
Florence + Michael wrote:
I'm sorry, I don't understand: why would you need so many score
lists for Beethoven's 9th?
Michael
I think I understand the mix-up. My fault entirely. I meant staff
lists of course. Can&
I'm sorry, I don't understand: why would you need so many score lists
for Beethoven's 9th?
Michael
On 11 Dec 2008, at 22:02, Barbara Touburg wrote:
Florence + Michael wrote:
Barbara, could you explain exactly in what situations you need
more than 8 score lists?
Michael
Barbara, could you explain exactly in what situations you need more
than 8 score lists?
Michael
On 11 Dec 2008, at 21:27, Barbara Touburg wrote:
• Expanded Score Lists. The number of Score Lists (previously
called “Staff Lists”)
has been increased from 4 to 8.
Nope. Still not enough fo
Good repeats are nice simple ones that just repeat a whole passage,
especially if they economise on pages turns.
Bad repeats are those that say "first time round jump to B, second
time round play these 8 measures, then jump to D, third time round
play everything up to E, then jump to Coda w
Are you using Finale 2009? If that's the case, this is easy to do
with the Expression Tool:
Choose the Tempo Marks category and click on "Create Tempo Mark". In
the Expression Designer for tempo marks, you'll see "insert note" on
a drop-down menu. Just choose the dotted quarter from the men
n Sun, Nov 16, 2008 at 10:37 AM, Florence + Michael
<[EMAIL PROTECTED]> wrote:
On 16 Nov 2008, at 18:53, Eric Dannewitz wrote:
The "Quarter note = circa 100" can be done with the plugin,
How? To be absolutely clear, I'm talking about the quarter note
symbol. I
can only make
On 16 Nov 2008, at 18:53, Eric Dannewitz wrote:
The "Quarter note = circa 100" can be done with the plugin,
How? To be absolutely clear, I'm talking about the quarter note
symbol. I can only make the plug-in create "circa [quarter note] =
100", not "[quarter note] = circa 100"
Michael
_
On 16 Nov 2008, at 15:36, David Froom wrote:
You might consider not using it. I'm not sure it takes all that
much longer to make a tempo change now. You double-click to add an
expression, click on the Tempo Marks set, select one of the given
expressions, click on "duplicate," then "edit."
Do you have an exact date for the parts? I'm looking at my copy of
Daniel Koury's "Orchestral performance Prcatices in the Nineteenth
Century", where he gives many lists of the strengths of different
orchestras. For example, in Munich in 1803, the "Churbayerishe
Kapelle", led by Cannabich,
I would call it "buried" in the expression designer. Double-click in
the score to see the list of expressions. If the tempo marking you
want is already there, just use it. If it isn't already there, one
click takes you to the Expression Designer where you can create the
tempo marking.
If
Allen, this needs to be made clear in the documentation. If you look
at the page on "tempo marking", you'll see it still says:
"Note that you can easily generate full-featured metronome marking
expressions with the Create Tempo Marking plug-in. See Create Tempo
Marking Plug-in."
This link
Just create an expression in the "tempo marks" category. There's now
a menu ("Insert Note") where you can choose the note value, and if
you continue typing something like "= 120", you'll see that Finale
automatically changes to the font defined for tempo marking numbers.
Playback is automat
Check in Program Options > Save and Print. What is the setting for
"Save preferences When Quitting Finale"? If you want preferences to
be saved automatically, this option should be selected.
On 6 Mar 2007, at 00:31, Brennon Bortz wrote:
Does anyone know why my preferences seem to disappear wi
Here's how you can get two thin systems side by side on one page of a
score:
- In the Page Layout menu, un-check the option "Avoid Margin
Collisions".
- Drag the widths of the systems to make them as slim as desired.
- Position the systems on their respective pages so that the first
system is
http://www.turandot.hu/
I don't know anything about it. Has anybody tried it?
Michael
On 25 Jan 2006, at 23:56, Henry Howey wrote:
I've lost/forgotten its name and website. Help?
Henry Howey
Professor of Music
Sam Houston State University
Box 2208
Huntsville, TX 77341
(936) 294-1364
On 7 Jan 2006, at 18:45, Andrew Stiller wrote:
opt-shift clicking USED to be the same as drag-and-drop; but now
drag-and-drop does NOT give you the dialogue box that opt-sh clicking
gives you. So if you know for sure that you are going to want the
same items copied as the last time, use drag
Apparently Brahms did have something to say about women composers. Can
anybody give me a serious source for this quote, found in a German
musical calendar with no bibliographical references:
"Es wird dann erst eine Komponistin geben, wenn der erste Mann ein Kind
zur Welt gebracht hat"
(more or
At 16:51 -0500 13/02/2005, David W. Fenton wrote:
I'm not sure where you're getting the "sz" from -- that is not what
it is at all. If you look at it in German schrift (i.e.,
handwriting), it's quite clear that it's two s's, one the "f-like"
version followed by a crook to a regular lower-case s.
In
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