Instead of using an iPad or even an Android tablet you might want to
consider a Dell Venue 8 Pro...it is a full blown 8 Windows tablet...not
Windows RT. As such you can run Finale directly on it...I have a demo
of 2014 installed on mine as a test and you can get an active stylus
from Dell
Christopher,
I must be doing it wrong. No matter what I do the score still changes.
I go to the Part A - Trumpet in Eb, unlink the part, and then make the
change in key. The score still changes keys on part A.
It may be because I had the parts set up prior...I'll try it again on a
clean
Brian,
Your method will certainly work and I have used that in the past. But
the drawback to this method, that I can see, is when I make a change in
one of the original parts or staves the resulting copies do not change
as well. I would like to only have to make a single change in, say the
Christopher,
OK...I've got it now.
Now, all I need to figure out how to make it play back with all of the
instruments.
Thanks!
Ralph
On 12/9/2012 12:00 PM, finale-requ...@shsu.edu wrote:
Yes. (though you must have meant without having multiple STAVES in the
score. Multiple PARTS is what
Fellow listers,
I have been racking my brain and scouring the documentation but I can't
get the answer to my dilemma that I swear exists.
I want to write some charts/arrangements where I have four, five or six
parts, i.e. parts A, B, C, etc. I want to create multiple parts from
each part:
I'll spring for it just for the rehearsal marks and percussion updates.
The site and/or propaganda doesn't say how well it handles the rehearsal
marks in linked parts. One of the things I really dislike is having to
deal with the rehearsal marks in linked parts...having to have a regular
I have a friend who has posed me a question that I can't replicate.
Setup:
5 staves:
staff 1: Soprano/Alto - Midi channel 1, Choir Ahs
staff 2: Tenor/Bass - Midi channel 2, Choir Ahs
staff 3: Piano RH - Midi channel 3, piano
staff 4: Piano LH - Midi channel 3, piano
staff 5: scratch staff:
The
Fellow listers...
On another list a person asked for a translation from Sib to Finale and
I opened my mouth before I realized that I needed the Dolet plugin at
$129. I need to get it eventually, but not right now.
I would like to help this person simply because I said I would.
So...does
Dear fellow Finale-ites...
My apologies for cross pointing for those who may see this multiple times.
I noticed an add in one of my ASCAP magazines for this group and sent
off for information and now I'm asking around about them.
I'm debating whether to submit a work that is ca. 11 minutes
Take a look at my stuff at www.rainbowbrassmusic.com.
Under the ensembles section are lot's of trombone stuff!
Ralph
[EMAIL PROTECTED] wrote:
Date: Tue, 3 Apr 2007 08:31:03 +1000
From: keith helgesen [EMAIL PROTECTED]
Subject: [Finale] Troms X 4
To: finale@shsu.edu
Message-ID: [EMAIL
Thanks for all the help guys.
The narration will stay above the choir. The text blocks are working
out well with the narration...but I think I'll have to mess with it when
it comes part extraction time.
The choir will be between the strings and the winds with the piano below
it. (and it
Well...it appears the consensus is text blocks.
I'll give that a try and see what happens.
Using lyrics wouldn't really work since the narration is over the choir
which is silent during this section.
Maybe I'm putting the narration somewhere I shouldn't. I'm planning on
putting it over the
Fellow listers...
What is the best way to handle a narration in a choral score? Lyric?
Text Block?
I'm working on a multi-movement cantata. Orchestral score.
Thanks in advance.
Ralph
--
Ralph W. Whitfield, Jr.
Bass Trombonist - Gadsden Symphony Orchestra
www.rainbowbrassmusic.com
Great thread!
Ralph W. Whitfield, Jr.
DOB 1/15/58. I live in Rainbow City, AL.
Started out with piano at 6. Started trombone at 13 in Jr. High
(remember those?). I started on trombone because, at the time, it was
the cheapest horn that my parents could rent. Boy, did I make them pay
later
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