Hi All,
I've been lurking on the list for quite some time now, and have been using
Finale for about 7 years. To this point, every Finale file I have created
has been done in a different way. I've never had time to sit down and
create templates, etc. I know that in the long run, this could be co
Brennon,
Harold Owen has tutorials on a web site (if I remember correctly).
It seems like a good idea to contact him <[EMAIL PROTECTED]> for
more information. It's useful to go through a tutorial, even if it
seems to be taking a lot of time in the process of doing it. It will
surely sa
It very much depends.
Here is what I do most often:
1) Note entry
2) Slurs and other smart shapes
3) Artics
4) Expressions.
5) Layout
6) Score preparation for parts (on a copy of the score)
7) part extraction
8) part layout.
2)-4) I either do for the whole piece/movement, per part or even per
s
Brennon C. Bortz wrote:
Hi All,
I've been lurking on the list for quite some time now, and have been using
Finale for about 7 years. To this point, every Finale file I have created
has been done in a different way. I've never had time to sit down and
create templates, etc. I know that in the
My process is very similar to Johannes', but I combine 1,3,4 into the first
step whenever possible, using Simple Entry. The only thing I'd add is that
between steps 3 and 4 I do lyric entry.
I also save libraries out of everything, and at the end of the project, I
make sure that anything that was
