Re: [Finale] Gary Garritan

Hey, thanks. Yes, I can only imagine the work involved .. Dean On Oct 10, 2005, at 1:48 PM, Darcy James Argue wrote: Dan Kury used Digital Performer to create this demo. I imagine it would be theoretically possible to do something like this directly in Finale, but it would take an awful lot

Re: [Finale] Gary Garritan

Dan Kury used Digital Performer to create this demo. I imagine it would be theoretically possible to do something like this directly in Finale, but it would take an awful lot of work. I also discovered that Andy Brick is the person who created the GPO Fi

Re: [Finale] Gary Garritan

Well, I'm ashamed to say it, but I can hardly tell the difference. Other than that, after having played around with Fin/GPO for a couple of months, I must say that the person creating that GPO version knows a hell of a lot more than I do about manipulating Finale, or whatever he used. D

Re: [Finale] Gary Garritan

Ah, thanks. Dean On Oct 10, 2005, at 12:41 PM, Darcy James Argue wrote: It's just an MP3 file. You can control-click (or right-click) to download to your desktop. - Darcy - [EMAIL PROTECTED] Brooklyn, NY On 10 Oct 2005, at 3:35 PM, Dean M. Estabrook wrote: I tried, but after waitin

Re: [Finale] Gary Garritan

It's just an MP3 file. You can control-click (or right-click) to download to your desktop. - Darcy - [EMAIL PROTECTED] Brooklyn, NY On 10 Oct 2005, at 3:35 PM, Dean M. Estabrook wrote: I tried, but after waiting for the spinning wheel to stop for about 2 min., I gave up. Hope it was w

Re: [Finale] Gary Garritan

I tried, but after waiting for the spinning wheel to stop for about 2 min., I gave up. Hope it was worth it. Dean On Oct 10, 2005, at 9:46 AM, Darcy James Argue wrote: By the way, For those interested in the kind of results that are possible with GPO, check out the new "Comparison of real

Re: [Finale] Gary Garritan

Chuck Israels / 2005/10/10 / 12:15 PM wrote: >Gary called from NY yesterday where he had recorded ambient sound at >the Village Vanguard for the jazz library. Yes, but not for this GPO Jazz Lib release, which is almost done printing. The way how I got hooked up with Gary was that he hired Bria

Re: [Finale] Gary Garritan

By the way, For those interested in the kind of results that are possible with GPO, check out the new "Comparison of real orchestra to Personal Orchestra" file on GPO's home page: - Darcy - [EMAIL PROTECTED] Brooklyn, NY On 10 Oct 2005, at 12:15 PM, Chuck

RE: [Finale] Gary Garritan

EMAIL PROTECTED] on behalf of Chuck Israels Sent: Mon 10-Oct-05 11:15 To: finale@shsu.edu Subject: Re: [Finale] Gary Garritan Hi Hiro, Yes, Gary does seem to be a very cool guy. I am getting to know him and the guys that work with him and find them to be working hard to make things that a

Re: [Finale] Gary Garritan

Hi Hiro, Yes, Gary does seem to be a very cool guy. I am getting to know him and the guys that work with him and find them to be working hard to make things that are useful and practical and not too expensive. I am glad to have some association with the GPO Jazz Library and am eager to

[Finale] Gary Garritan

I just met Gary Garritan at AES NYC. He was nominated for Tech Award. Very cool guy (and well dressed - hard to find in audio engineer cloud!). Not a very good photo, but just in case you are interested in: -- - Hiro Hiroaki Honshuku, A-NO-NE Mu

Re: [Finale] Gary Garritan replies

On Jan 18, 2005, at 5:12 PM, John Howell wrote: And this is why I still use the good old Helmholtz notation! A standard needs to be standard, or it does no good!! Me too! Glad I'm not alone in this. A "standard" that was originally invented by and for musical illiterates is unlikely ever to co

Re: [Finale] Gary Garritan replies

At 8:45 AM -0500 1/18/05, Christopher Smith wrote: On Jan 17, 2005, at 10:56 PM, Darcy James Argue wrote: 2) Why does the bass clarinet in GPO only go down to (concert) B1? Many bass clarinets these days have an extended range down to low C, or concert Bb1, and many scores call for this note, so it

Re: [Finale] Gary Garritan replies

On 18 Jan 2005, at 08:45 AM, Christopher Smith wrote: Hmm, do you mean B2, which is two octaves and a note below middle C? Well, yes, I mean that note, but I believe that's B1, not B2. Middle C = C4 1 8ve below = C3 2 8ves below = C2 1 semitone below that = B1 2 semitones below that = Bb1 I think y

Re: [Finale] Gary Garritan replies

On Jan 17, 2005, at 10:56 PM, Darcy James Argue wrote: 2) Why does the bass clarinet in GPO only go down to (concert) B1? Many bass clarinets these days have an extended range down to low C, or concert Bb1, and many scores call for this note, so it seems like you ought to support it. Best regards

Re: [Finale] Gary Garritan Replies

Darcy James Argue / 05.1.18 / 00:19 AM wrote: >More of our conversation: So, it's AU, no? -- - Hiro Hiroaki Honshuku, A-NO-NE Music, Boston, MA ___ Finale mailing list Finale@shsu.edu http://lists.shsu.

[Finale] Gary Garritan Replies

More of our conversation: From: Gary Garritan <[EMAIL PROTECTED]> Date: 17 January 2005 11:55:00 PM EST To: 'Darcy James Argue' <[EMAIL PROTECTED]> Subject: RE: GPO Second Edition Hi Darcy, The Kontakt Player is processor dependent. And I know the sentiments on the forum. Apple shares some of the

[Finale] Gary Garritan replies

Here's my reply to GG: Hi Gary, Thanks very much for your reply. My impression -- from reading the Northern Sounds forums -- is that Native Instruments Kontakt player is not very well optimized for G4/G5 compared to Intel hardware, and therefore GPO/Kontakt generally works much more smoothly on

[Finale] Gary Garritan replies

FWIW -- and I hope Gary doesn't mind my sharing his comments with the list: Begin forwarded message: From: Gary Garritan <[EMAIL PROTECTED]> Date: 17 January 2005 10:15:51 PM EST To: 'Darcy James Argue' <[EMAIL PROTECTED]> Subject: RE: GPO Second Edition Darcy, The new Mac mini? I don't know. Y