How do we know Charpentier didn't accidentally forget the dot on the eight,
and that those two 32nd notes aren't grace notes? Perhaps grace notes were
not written that way at the time, I'm not sure.
On 19/04/2008, dc [EMAIL PROTECTED] wrote:
dhbailey écrit:
I'm split between notating it
At 2:47 AM -0400 4/21/08, Adam Golding wrote:
How do we know Charpentier didn't accidentally forget the dot on the eight,
and that those two 32nd notes aren't grace notes? Perhaps grace notes were
not written that way at the time, I'm not sure.
I'll go out on a limb here and suggest that
On 21 Apr 2008 at 14:15, Noel Stoutenburg wrote:
I also remember a couple of instances when Bach
wrote out an ornament when he wanted something different from what the
standard interpretation of a particular ornament would be. Might the
Charpentier example referenced be another instance of
dc wrote:
Charpentier, in his manuscript, uses the following notation for the end
of a vocal melisma:
http://www.philomela.net/ex/charpentier.jpg
With the quarter note at the end of the second measure shifted one 16th
of the beat.
How would you render this measure in a performing edition?
