Re: [Finale] stem direction question

2010-01-27 Thread David W. Fenton
On 27 Jan 2010 at 8:57, Harold Owen wrote: > Dennis writes: > > >Say you have three voices on one staff, as in the first bars (left > >hand), of the Goldbergs (see link to scan below). Assuming the upper > >voice has all its stems upwards, the lower voice all stems > >downwards, what is the ru

Re: [Finale] stem direction question

2010-01-27 Thread Harold Owen
Dennis writes: Say you have three voices on one staff, as in the first bars (left hand), of the Goldbergs (see link to scan below). Assuming the upper voice has all its stems upwards, the lower voice all stems downwards, what is the rule for the middle part? http://www.collins.lautre.net/fil

Re: [Finale] stem direction question

2010-01-27 Thread Barbara Touburg
dc wrote: Say you have three voices on one staff, as in the first bars (left hand), of the Goldbergs (see link to scan below). Assuming the upper voice has all its stems upwards, the lower voice all stems downwards, what is the rule for the middle part? What you coud do, is notate the three v

RE: [Finale] stem direction question

2010-01-27 Thread Richard Yates
I frequently run into this situation in guitar music. I have never found a rule for the stem direction of the middle stems and so always point the stems to best minimize confusion caused by wrongly reading the notes of two voices with stems in the same direction as one voice (and not adding up corr

Re: [Finale] stem direction question

2010-01-27 Thread Christopher Smith
There is no rule as far as I know, but I would have thought legibility would be improved by having the stems in the middle voice down, so as not to have to avoid a collision with the rest on beat 2. In the last measure though, the stem should be up, otherwise there would be a collision with

Re: [Finale] stem direction question

2010-01-27 Thread Richard Huggins
If you must have three distinct voices, using Goldberg as an example, Im not aware of a rule governing the stem of the third note. My point was that you coould have a G on beat one, a G-B on beat 2, and a G-B-D on beat 3, with Gs and Bs tied. If a pianist played the Goldberg acc to the example o

Re: [Finale] stem direction question

2010-01-27 Thread Richard Huggins
If you're not otherwise bound by some editorial edict you could use tied quarter notes across the three beats. Sent from my iPhone On Jan 27, 2010, at 4:44 AM, dc wrote: Say you have three voices on one staff, as in the first bars (left hand), of the Goldbergs (see link to scan below). Assum