Williams, Jim wrote:
Collective Wisdom,
I am trying to take the piano accompaniment for a euphonium solo and score it for band/wind ens. I know all the usual stuff about transpositions, ranges, etc., so I am not a total novice. Is there a reference scoring text for BAND only? Most of what
At 11:15 AM -0500 2/13/06, Williams, Jim wrote:
Collective Wisdom,
I am trying to take the piano accompaniment for a euphonium solo and
score it for band/wind ens. I know all the usual stuff about
transpositions, ranges, etc., so I am not a total novice. Is there a
reference scoring text
At 2/13/2006 11:41 AM, dhbailey wrote:
For advice on doublings, my advice is simply use your imagination. In
an accompanying situation making sure that the band's tone color doesn't
overpower the soloist is the primary concern, and along with that is
being sure that the accompanying lines are
On Feb 13, 2006, at 11:15 AM, Williams, Jim wrote:
Collective Wisdom,
I am trying to take the piano accompaniment for a euphonium solo and
score it for band/wind ens. I know all the usual stuff about
transpositions, ranges, etc., so I am not a total novice. Is there a
reference scoring
On Feb 13, 2006, at 10:20 AM, Christopher Smith wrote:
It was also hard not to make everything REALLY BIG AND LOUD, which
is my weakness.
This just reminds me of an old recording I heard a few times (cannot
find it now - though I haven't searched extensively) of Sousa Marches
- played
Jim:
If you are coming at this from the point of view of an orchestral
person, then my guess is that you'd benefit from some generalizations
in the differences bewteen the ensembles.
Clarity of lines is the biggest difference, I've noticed. When all
looks equal, the low voices are weaker than in
From: [EMAIL PROTECTED] on behalf of Chuck Israels
Sent: Mon 13-Feb-06 14:30
To: finale@shsu.edu
Subject: Re: [Finale] Scoring for Band
On Feb 13, 2006, at 10:20 AM, Christopher Smith wrote:
It was also hard not to make everything REALLY BIG AND LOUD
This just reminds me of an old recording I heard a few times (cannot
find it now - though I haven't searched extensively) of Sousa Marches
- played under the direction of his descendants. It was so much
lighter and more transparent than the versions with which we are
familiar that it
On Feb 13, 2006, at 4:39 PM, Williams, Jim wrote:
I would also talk about bass trombones, but Louisville is not far from
Indianapolis, and Mr. Horton might wrap his triple-trigger bi-valve
low BBB XL-bore nitro-cylindrical confabulator around my size 16.5
neck seven or eight times.
Jim W.
From: [EMAIL PROTECTED] on behalf of Raymond Horton
Sent: Mon 13-Feb-06 21:19
To: finale@shsu.edu
Subject: Re: [Finale] Scoring for Band - now overplaying brass, more
This just reminds me of an old recording I heard a few times (cannot
find it now - though
and will
indeed trust my instinct and experience [to some extent anyway ;-) ]
Jim W.
From: [EMAIL PROTECTED] on behalf of Christopher Smith
Sent: Mon 13-Feb-06 22:07
To: finale@shsu.edu
Subject: Re: [Finale] Scoring for Band
On Feb 13, 2006, at 4:39 PM, Williams, Jim
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