Perhaps the twelve-volume *The Griffith Project* edited by Paolo Cherchi
Usai could be a serious candidate?
Christian
2012/5/19 Jonathan Walley
> David Bordwell's book on Ozu is a towering achievement. And it's available
> for free pdf download here:
>
> https://www.cjspubs.lsa.umich.edu/electr
To Frameworkers in the NYC area:
My film WATERCOLORS will be screening Wednesday night May 23 (tomorrow
night) in NYC at Anthology in a program of experimental films and
videos by women makers.
Here are the specifics:
SUMMER OF FLORA & FAUNA
SILHOUETTE, Astrid Busch
THE GARDEN, Ann Steu
Hey folks
the French Institute in NY is going to be getting rid of a 16mm projector soon;
it's a Norelco FP20 Inflight upright projector with a Xetron XHN lamphouse,
recently serviced by CTS and reasonably reliable - any takers?
cheers Moira
moiratierney.net
vimeo.com/moiratierney__
I think we might. How much would you want for it, including shipping?
Stephanie Hutin
Director of Production
Intercollegiate Media Studies
Pitzer College
1050 North Mills Ave
Claremont, CA 91711
909.607.3889
stephanie_hu...@pitzer.edu
On May 22, 2012, at 1:50 PM, ev petrol
I'm interested!
On May 22, 2012 4:50 PM, "ev petrol" wrote:
> Hey folks
> the French Institute in NY is going to be getting rid of a 16mm projector
> soon; it's a Norelco FP20 Inflight upright projector with a Xetron XHN
> lamphouse, recently serviced by CTS and reasonably reliable - any takers?
Re. detailed analysis of an experimental film-maker. May I, acknowledging
my marital relationship with her, suggest my book "Flesh Into Light: The
Films of Amy Greenfield," which has just been published by Intellect Books
(UK), and University of Chicago Press (US). This is not to say my text ranks
And Filmforum is still looking for a 16mm projector as well.
But these seem to be bigger than we can use right now
On 5/22/12 1:50 PM, "ev petrol" wrote:
> Hey folks
> the French Institute in NY is going to be getting rid of a 16mm projector
> soon; it's a Norelco FP20 Inflight upright projecto
me too!
On May 22, 2012, at 7:11 PM, Adam Hyman wrote:
> I pitched in!
>
>
> On 5/22/12 1:59 PM, "Pip Chodorov" wrote:
>
>> FrameWorkers,
>> maybe some of you can support Jeff Perkins' documentary on George Maciunas.
>> -Pip
>>
>>
>>
>>
>>
>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> Dear frie
Framerworkers!
I'd love to pick your brains. I'm interested to watch more (& learn more
about) experimental films that are humorous. Either through physical comedy,
sly wordplay/visual combinations, hilarious imagery or anything that has hit
your funny bone... I'd love to hear your recommend
Dear Connie:
Michael Snow's films are generally engaged in all sorts of shenanigans.
When Hollis Frampton "dies" in front of the zooming camera, and refuses to
stop to find out what's going on, that's pretty funny. However, the one
that I like the best is This is the Title of This Film, which is a
At the risk (certainty) of blowing my own horn I'd suggest that my upcoming
show at Anthology might fit into the rubric of "humorous". On May 30th
I'll be showing "Secondary Currents" (often shown in tandem with Snow's "So Is
This"), SpiritMatters, Babel, and Pressures of the Text, among other
William Wegman's video work
most films by George Landow / Owen Land
Bleu Shut by Robert Nelson
most pieces I've seen by Emily Vey Duke and Cooper Battersby
hotel diaries by John Smith
-Jason Halprin
From: C Colvin
To: frameworks@jonasmekasfilms.com
Sent: Tuesd
Many films by Morgan Fisher
On 5/22/12 8:47 PM, "Jason Halprin" wrote:
> William Wegman's video work
> most films by George Landow / Owen Land
> Bleu Shut by Robert Nelson
> most pieces I've seen by Emily Vey Duke and Cooper Battersby
> hotel diaries by John Smith
>
> -Jason Halprin
>
>
>
"Sour Death Balls" (Jessica Yu) is hysterical. I don't know if it would
technically qualify as "experimental," but it is funny as hell. Same goes for
"FaerieFilm," by Eugene Salandra, which I think hews closer to being
experimental, certainly impressive. An awesome experimental film classic
"Ta
I'm all for droll humor, but I wouldn't call Wavelength a laugh riot. It's a
long wait before Hollis shows up. I think there's a lot of humor in Frampton,
especially Hapax Legomena 1-3 [(nostalgia), Critical Mass, Poetic Justice) but
it's subtle, and tickles the back of your brain more than boin
jason already mentioned hotel diaries by John Smith; i'd add most of John
Smith's work to that list. Girl Chewing Gum, Gargantuan, and I laughed out
loud (which is uncommon for me) at Om.
cheers!
RW
On Tue, May 22, 2012 at 9:19 PM, David Tetzlaff wrote:
> I'm all for droll humor, but I wouldn'
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