Even Kodak made an interesting developer using ascorbic acid, called XTOL.
Are you sure you aren't thinking of technidol?
It wasn't being used as the developing agent, though, but as a stabilizer.
--scott
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FrameWorks mailing list
Is ORWO Film print positive a posibility??
Orwo PF2 is a conventional print film intended to print from a negative.
It's Orwo's equivalent to 7302 Fine Grain Positive print film.
I'll add that I think it's a step up from 7302, that the blacks on it are
incredibly dense and rich and the whole
Try contacting Vancouver's coop, Cineworks - www.cineworks.ca.
-Jason Halprin
On Friday, April 25, 2014 8:23 AM, cont...@benjaminrtaylor.com
cont...@benjaminrtaylor.com wrote:
Hi, group,
I'm visiting Vancouver in early May and was wondering if there are any regular
screenings or resources
Hi, group,
I'm visiting Vancouver in early May and was wondering if there are any regular
screenings or resources to check out some interesting cinema.
Cheers,
Benjamin R. Taylor
www.benjaminrtaylor.com
www.visionsmtl.com
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FrameWorks mailing
Come see the best in Ohio-produced short films—whether documentary, animation,
dramatic narrative, or something in-between. Audience members will be able to
vote for their favorite film, and cash prizes will be awarded to filmmakers
selected by the audience and jury. Meet the filmmakers and
According to a british neg cutter on the cinematography forum, ORWO hs
also stopped production of their black leader.
One suggestion to conserve stock for neg cutting was to use only a foot of
real black leader on each end, slug in between, giving the lab enough time
to close the lamp for that
Thanks Caryn!
This is perfect! Its amazing what Dagie has accomplished!
Roger
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on
Film can be so depressing these days - even black leader is being
discontinued.
Last night in bed [a dangerous place to think] I had the idea to start this
ongoing chain for NYC filmgoers -- a wish list of films we long to see
again; in hopes that a programmer will head our suggestions and make a
DIM is a monthly moving image art screening series in Vancouver held at the
Pacific Cinematheque. They usually have excellent stuff, but it seems like
they might be taking a break next month. Regardless, Cinematheque is often
showing something cool. http://www.thecinematheque.ca/dim
If you are
I posted two new videos to You Tube -- they can be se at
http://youtu.be/XRmLLMt_Icc and
http://youtu.be/5EFiCbmlO9Q
A Bird in the Hand and Dancing Across TIme are excerpts from the fourth of
my Light into Motion events, which are held at Outpost 186, near Inman Square
in Cambridge Mass.These
It was Xtol. Great for pushing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Apr 25, 2014, at 7:55 AM, Scott Dorsey klu...@panix.com wrote:
Even Kodak made an interesting developer using ascorbic acid, called XTOL.
Are you sure you aren't thinking of technidol?
It wasn't being
Thanks, Jean-Louis. Yes, I have looked. It's similar but not quite what I need.
In the shell of Pageant 250's the schematics are usually stapled to the inside,
and I'm looking for all of the different versions they made. The amps vary
slightly in circuit layout (I think?) and I'm attempting to
Hello, all,
I am almost ready to send out for an optical track for my first sync-sound
print.
I gave a call to the lab which photographs for optical tracks and I was
told that my sound needed to be treated with an academy pre-emphasis
filter. I was wondering if this (possibly expensive?) stage is
I have had a number of optical tracks created over the years and have never had
the lab (Skylight Studios in Toronto) make this request. Is it a 16mm mono
track or 35mm?
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never
Thanks for the quick reply. It's 16mm.
On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson rogerdwil...@sympatico.cawrote:
I have had a number of optical tracks created over the years and have
never had the lab (Skylight Studios in Toronto) make this request. Is it a
16mm mono track or 35mm?
Ok I'm not a sound guy but I think this is just an audio filter used to improve
the signal to noise ratio. Did you have a final sound mix completed on the
sound track for the film? I think your sound designer/final mixer would have
taken this into account but you should check. I create my own
Hi again Jared,
Have a look at this link, it talks about prepping audio for 16mm mono track and
creating optical tracks.
http://www.sfu.ca/~gotfrit/ZAP_Sept.3_99/f/fsnd_lect_16mm_mix.html
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without
Basically, an Academy pre-empahsis filter would just be applying an EQ setting
to your sound file so that it would be designed to work in conjunction with a
theater's standard EQ'ing.
There was a standard Academy Curve that was utilized to try and create a
standard for mono, and it was
Jared and all -
Most sound mixers will *not* take this into consideration, as making a 16mm
optical track these days is fairly uncommon from the point of view of pretty
much all professional sound folks. It tends to be something that only the old
school film sound mixers and archivally
If this is 35mm, it does need pre-emphasis and the lab should do that for
you if you ask them.
If it's 16mm, there is sort of a pre-emphasis standard but nobody really
follows it and lots of folks do aggressive equalization to make things sound
good on cheap classroom projectors while others
Oh yes, the fairly recent documentary (five years or so?) Beetle Queen
Conquers Tokyo.
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Albert Alcoz
Sent: Thursday, April 24, 2014 8:52 AM
To: sarah browne; Experimental Film Discussion List; Experimental Film
I forget. Did anyone mention The Private Life of a Cat yet?
Perhaps especially interesting in the context that it's a metaphor for the sort
of domestic bliss Sasha Hammid hoped to find with Maya Deren, but wasn't going
to happen, and also Stan Brakhage's assertion that, visually anyway,
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