Annette Michelson's projected two-volume collection of her writings
remains a work in progress.
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Hi folks,
A few weeks back there was some conversation happening around removing dust
marks from a digital transfer of film. I am wondering what processes were being
suggested to use to remove the marks digitally. I recently shot a Super 16mm
film for a fellow filmmaker and we just got the
Roger:
We use horribly expensive film restoration software for dust-busting (as it’s
called in the trade). It’s part of a package that costs more than a decent new
car, so I’m not recommending it for casual use. (As a result my car is a 1995.)
It deals with both black and white dust and dirt
What I want to know is what lab processed this film and how can I avoid them?
--scott
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On Jun 26, 2014, at 12:20 PM, Scott Dorsey klu...@panix.com wrote:
What I want to know is what lab processed this film and how can I avoid them?
Some people like chemical stains, and dirt and dust, Scott! Don’t be so
judgmental!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Most, if not all, of her writing remains readily available to anyone with
access to a college or university library. The harder to find stuff might be
specific program notes or catalogue essays.
Does anyone know if there’s a comprehensive bibliography available?
On Jun 26, 2014, at 5:09 AM,
Jeff Kreines writes:
On Jun 26, 2014, at 12:20 PM, Scott Dorsey klu...@panix.com wrote:
What I want to know is what lab processed this film and how can I avoid them?
Some people like chemical stains, and dirt and dust, Scott! Don?t be so
judgmental!
Then they can add them in post!
On Jun 26, 2014, at 2:00 PM, Scott Dorsey klu...@panix.com wrote:
Then they can add them in post!
Ugh! Heresy!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
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Thanks Jeff and Scott for your feedback. I was thinking it would be an
expensive process to remove digitally. Hopefully the problem will be solved in
the cleaning of the negs. I won't mention the lab or the transfer house because
I use both for my own work and I've never had problems with
The bibliography in CAMERA OBSCURA CAMERA LUCIDA (Amsterdam University Press, 2003), edited by Richard Allen and Malcolm Turvey, is the most extensive I'm aware of.
Original Message
Subject: Re: [Frameworks] Annette Michelson's collected essays
From: Chuck Kleinhans
I was thinking it would be an expensive process to remove digitally.
It's not necessarily _monetarily_ expensive. You can do it manually if you can
afford the time. Of course, you want as clean a transfer as possible, but there
are still likely to be some big nasty dust spot every X number of
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