Re: [Frameworks] Adaptor Sources for Super 8mm and Reg 8mm viewers

You can also get them from Spectra Film and Video: http://www.spectrafilmandvideo.com/Products.html > From: i...@oddballfilm.com > Date: Tue, 5 Aug 2014 17:54:41 -0700 > To: frameworks@jonasmekasfilms.com > Subject: [Frameworks] Adaptor Sources for Super 8mm and Reg 8mm viewers > > Hello all: >

[Frameworks] Fwd: Film as Film: The Collected Writings of Gregory J. Markopoulos. Now available for pre-order.

Some of you may have already seen this, as it came across The Temenos' mailing list a few days ago, but I thought I'd forward it along for those who weren't aware. The Visible Press is pleased to announce its first publication.View this email in your browser

Re: [Frameworks] Adaptor Sources for Super 8mm and Reg 8mm viewers

I have quite a few of these. Contact me at: bolext...@gmail.com Jean-Louis Sent from my iPod > On Aug 5, 2014, at 8:54 PM, Info wrote: > > Hello all: > I'm searching for a source for adaptors for Super 8mm and Reg 8mm hand > cranked viewers and reels. > Any suggestions appreciated! > > > >

[Frameworks] Adaptor Sources for Super 8mm and Reg 8mm viewers

Hello all: I'm searching for a source for adaptors for Super 8mm and Reg 8mm hand cranked viewers and reels. Any suggestions appreciated! Best regards, Stephen Parr Director Oddball Film+Video www.oddballfilm.com Oddball Films www.oddballfilms.blogspot.com 275 Capp Street San Francisco, CA

Re: [Frameworks] Fibonacci Sequence

Roberta Friedman and Grahame Weinbren's excellent FUTURE PERFECT from 1978 uses a Fibonacci series (among others) as a basis for some precisely placed graphical forms marked onto (and conceptually relating to) the film's underlying photography. Mark Toscano > On Aug 5, 2014, at 2:26 PM, c b

Re: [Frameworks] Fibonacci Sequence

Dan Sandin’s Spiral Series 1-5 are Fibonacci algorithms driving a vector-graphics display. Not film, but lovely. Spiral 5 is especially striking. I think the Data Bank has them. From: Beebe, Roger W. Sent: Tuesday, August 05, 2014 3:41 PM To: Experimental Film Discussion List Subject: Re: [Fra

Re: [Frameworks] Fibonacci Sequence

Abigail Child mentioned that the structure of “Surface Noise” is based on the Fibonacci sequence when she screened it at the Harn Museum a decade ago. I’m not sure I understood exactly what she meant—I hadn’t sensed it in watching the film—but I’d be curious to look again with that in mind. (S

Re: [Frameworks] Fibonacci Sequence

COLOR SERIES by Madison Brookshire deals with this. Brian On Tue, Aug 5, 2014 at 5:26 PM, c b wrote: > Greetings Frameworkers, > > I'm looking for experimental films that engage with the Fibonacci sequence > - suggestions? > > Thanks! > > Cade > >

[Frameworks] Fibonacci Sequence

Greetings Frameworkers, I'm looking for experimental films that engage with the Fibonacci sequence - suggestions? Thanks! Cade ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.

Re: [Frameworks] Max MSP/Jitter

Pierre Hebert (animation) and Bob Ostertag (audio), as The Living Cinema. http://www.randommotion.com blogs.evergreen.edu/hayesr On Aug 5, 2014, at 7:50 AM, Warren Cockerham wrote: > Frameworkers: > > I'm looking for research suggestions of artists, filmmakers, and works that > utilize Max MS

[Frameworks] Seeking Looping the Loop: Die Todesschleife

Hi, I am trying to locate a print or DVD of the German film, Looping the Loop: Die Todesschleife (1928) dir. by Arthur Robinson. I know the MOMA screened this film in the fall of 2011, but I am having difficulty finding where to rent this film. Any help is appreciated. http://www.filmportal.de/en

Re: [Frameworks] Max MSP/Jitter

Please excuse me, I meant Isadora, and not Islandora, obviously. My head is in libraryland. On Tue, Aug 5, 2014 at 11:25 AM, Al Matthews wrote: > > sue-c > Nice. > > Lynn-Marie Kirby, too, has a fair amount of prior work in MAX-Jitter. > > Couple thoughts more: > > Anton Marini wrote some shade

Re: [Frameworks] Max MSP/Jitter

> sue-c Nice. Lynn-Marie Kirby, too, has a fair amount of prior work in MAX-Jitter. Couple thoughts more: Anton Marini wrote some shaders and other processes for MAX to resemble film temperature profiles (technicolor-1, 2, 3, bleach bypass, etc). ( I see David Han has now also mentioned Anton (

Re: [Frameworks] Max MSP/Jitter

A lot of work that I've seen in Max MSP/Jitter that attempts to mimic analog processes are making use of Vade's v002 GLSL shaders, which he offers as free Quartz Composer plugins here: http://v002.info/ To see what these shaders look like when applied to moving images, check out: http://vimeo.

Re: [Frameworks] Max MSP/Jitter

Sue Slagle (Sue-C): http://www.sue-c.net/ From: Warren Cockerham Reply-To: Experimental Film Discussion List Date: Tuesday, August 5, 2014 at 7:50 AM To: Experimental Film Discussion List Subject: [Frameworks] Max MSP/Jitter Frameworkers: I'm looking for research suggestions of artists

[Frameworks] Max MSP/Jitter

Frameworkers: I'm looking for research suggestions of artists, filmmakers, and works that utilize Max MSP/Jitter as their main software tool. I am specifically interested in FILM and analog video makers and works (experimental, abstract, avant-garde) that have used Max to explore or investigate th

[Frameworks] past :: AUGUST :: future

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