Re: [Frameworks] walking

Oh, My Foot Hurts, 1990, and I’m Going, 1973,(https://vimeo.com/192276716 ), both by Józef Robakowski — — — — Ruth Anderwald + Leonhard Grond http://www.anderwald-grond.at Until I clear this place be a part of me – mind, body and

Re: [Frameworks] walking

Walking To Werner by Linas Phillips (2006) On Thu, May 2, 2019 at 6:02 PM Scott MacDonald wrote: > *Hey Frameworkers,* > > *A colleague is interested in films in which walking is a central formal > thread.* > > *Do any of you have suggestions? * > > *Please contact me separately.* > > *Scott* >

[Frameworks] Fwd: Narratives of Copyright Play

No wait, it was a 2013 publication. Ross Lipman was the writer and archivist. It's very interesting given the aesthetics and technicalities of preservation, with lines like: "The most fundamental sea change wrought by the so-called digital revolution is the loss of the singular work." Lipman, howev

[Frameworks] Narratives of Copyright Play

Hey everyone: I'm teaching a course in a computer science program in which I devote a week to intellectual property. The use of found footage became more interesting as a result of looking for cases with which to raise ethical debate and present new terms of analysis. In a slight departure from t

[Frameworks] walking

*Hey Frameworkers,* *A colleague is interested in films in which walking is a central formal thread.* *Do any of you have suggestions? * *Please contact me separately.* *Scott* ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman

Re: [Frameworks] Kodachrome

I gotta say, the more I learn about photographic chemistry, the more I am saddened that it has become such a rare, niche activity. There's really nothing else like it. Nicole Elaine Baker MFA in Visual Studies, 2019 Pacific Northwest College of Art Hallie Ford School of Graduate Studies *www.magi

Re: [Frameworks] Film Festival Blues

It seems to be clear there is more good work being submitted than any festival can handle. It would be great if there was a way of stretching out the festival model into monthly or weekly programing. Something along the lines of Craig Balwin's Other Cinema that has a season. As for funding, EXcine

Re: [Frameworks] Film Festival Blues

I agree about the prescreening process, even if there aren't thousands of entries . I spoke with the organizer of a show a few years ago who asked why I hadn't submitted--and he was surprised to learn that I had, but the prescreeners had simply rejected my work. I get the feeling thiis happens a