[Frameworks] New animation

https://m.youtube.com/watch?feature=youtu.be&v=JUaM6yUNLIQ  Please enjoy.   Best,😷Jaime Sent from Yahoo Mail for iPad ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Criterion Channel

not if the ip adress is not within the license area of the films 2020-04-24 13:19 GMT-04:00, giuseppe boccassini : > Hi, > anyone from USA want to share The Criterion Channe > l ? > I cannot activate it from Europe. As far as I know one can use it on two > de

[Frameworks] Criterion Channel

Hi, anyone from USA want to share The Criterion Channe l ? I cannot activate it from Europe. As far as I know one can use it on two devices simultaneously. Please let me know All the best Giuseppe -- Giuseppe Boccassini *the tension to the invisible* filmmaker

Re: [Frameworks] FrameWorks Digest, Vol 119, Issue 23

3. re: Kuchar. Gene, I love this kind of question, and I wish I had time to look for these visual references, but I feel there must be what you are looking for in one of these: Mernau’s Sunrise: A Song of Two Humans (which I add only because it is my favorite subtitle of all time) Most version

Re: [Frameworks] spools, reels and rolls

And then there are cores. Don't forget them in your search. When I was buying 35mm camera stock, depending on camera used it could be on cores for magazines (400' and 1000') or spools for short length (50' 100') non-magazine cameras. Casey Herbert Chief Pixel Wrangler Flying Foto Factory, Inc. www

Re: [Frameworks] 1. when was the film splicer invented? (mstark...@gmail.com)

Ricky Leacock said that his first job in the film industry was as a “splicer.” The editor would assemble shots using either paper clips or cardboard joiners (a piece with protrusions to engage the perfs that could be wound on a reel). Ricky sat outside the actual editing room and when handed a

Re: [Frameworks] 1. when was the film splicer invented? (mstark...@gmail.com)

Wow I have never seen this device before! Interesting that in the B &H catalogue they promote, "the employment of machinery in contrast with the uncertainty of hand splicing”. I’m fascinated by women’s work as ‘cutters’ and ‘joiners’ in the cutting rooms of early cinema, and the way it was seen

Re: [Frameworks] kuchar

Dear Gene, bonjour i hope you are well and i am so excited to see the work you are doing with your wife on George Kuchar...m mentor and dear close friend with Mike. So i dont understand all you write in English and need but i would be happy to send you my 2 or 3 portraits shorts in 16mm i made on M