Hey Morgan,
Optically printing is a possibility - you would have to run some tests
(using various exposures and filter combinations) in order to determine
what will work best in preventing overall detail loss in the image.
Depending on where you are and your access to a lab, you could also just
ge
Interesting article...but camera and processing seem pricey...
http://blogs.wsj.com/digits/2016/01/05/kodak-goes-retro-with-new-super-8-camera/
-C.
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Building 53 finally went down on Saturday in Eastman Business Park. I know
that the demolition plan was announced back in April. Still, watching the
footage gives me chills:
http://www.telegraph.co.uk/news/worldnews/northamerica/usa/11749707/Former-Kodak-factory-imploded-in-controlled-demolition.h
>
> Thought I'd mention that there just happens to be an "all 35mm"
> experimental film screening tonight in London, Ontario -
> http://www.lomaa.ca/lomaa-blog/altering-perceptions-march-18
> Given the interesting dialogue around this, I'm glad to note that there
> are still (rare though they ma
*Arrebato (Rapture)* - Iván Zulueta
*Beware of a Holy Whore* - RW Fassbinder
*David Holzman's Diary *- Jim McBride
*I, an Actress* - George Kuchar
-C.
> -- Forwarded message --
> From: "Gawthrop, Rob"
> To: Experimental Film Discussion List
> Cc:
> Date: Thu, 9 Oct 2014 08:5
Also in Toronto:
- CFMDC (Canadian Filmmakers' Distribution Centre - they have a huge
collection of historic experimental film prints. It's lovely to take an
afternoon with a stack of film cans and sit down in their screening room!)
- Cinecycle (our local downtown screening space, owned by treasu
Hello!
I'm wondering if anyone in this group has had any experience getting colour
neg processing done at the NFL Films lab in Mt. Laurel, NJ? Do they do good
work/ have a reasonable turn around time/ reasonable prices, etc?
Any info would be great!
Thanks!
-C.
_
>
> Primiti Too Taa by Ed Ackerman and Colin Morton...an entirely text-based
> piece :)
>
> -- Forwarded message --
> From: Shelly Silver
> To: Experimental Film Discussion List
> Cc:
> Date: Thu, 14 Nov 2013 12:42:24 -0500
> Subject: [Frameworks] films/videos using/made up of
Hi everyone! I just wanted to pass on this crowd-funding campaign for our
friend in Toronto, experimental filmmaker and installation artist Cliff
Caines. This is a worthy project, a document of a community of northern
Canadians negotiating a multi-national open-pit gold mine takeover in their
commu
hough whether Velvia is still being
> manufactured or whether Fuji just sells old stock.
>
> -F
>
>
> On Fri, Apr 5, 2013 at 12:28 PM, Phaeton Graph
> wrote:
>
>> So is this the end for Velvia?
>>
>> :-|
>>
>> --
>&
http://www.fujifilm.com/news/n130402.html
Very sad news. I will miss you Reala :(
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David,
I just had my Beaulieu R16 repaired by Jean-Louis Seguin (Montreal), who
did a great job. I know he's not in the States, but I thought it would be
worth mentioning to you as a reliable option. Email me off-list for his
contact info if you're interested!
-Christine Lucy
-- Forwarde
Jorge was 28. He had been working as a baker in Portugal in the tiny town
of Lavre, and he loved film, especially experimental film. He had an
incredible collection of artist moving image works, and was always keen to
introduce them to others. Lavre didn't have a community of people who cared
about
Meg,
You can buy double 8 rolls of Kodak plus-x and Kodak ektachrome from LIFT
here in Toronto: http://lift.ca/equipment/store
I'm pretty sure that you can rent the film splitter from their equipment
depot as well. I know for certain that Sebastjan at Niagara Custom Labs
will process regular 8 an
Hello all,
Technicolor Toronto's film processing lab officially closed its doors today
(on the heels of similar Technicolor lab closures in Vancouver and
Hollywood in the past two years).
Their dedicated processing and engineering staff, (most of whom were
originally employed by Medallion PFA, ac
>
> LIFT here in Toronto (http://lift.ca/equipment) rents a great, portable
> 35mm projector as well as some of the most beautiful (custom-built) film
> loopers I have ever seen. I know that they rent internationally, because
> the director of LIFT told me during my last visit that they had rented
>
> As someone who screened in the most recent Basement Media Festival, I
> fully endorse it and encourage everyone to continue submitting. I screened
> work in 28 film festivals all over world in 2011, from tiny grassroots
> events to well-established, well-funded festivals. Having run the gamut o
>
> Take a look at Jonathan Crary's writing. He has a few books that refer to
> perception and early cinema (although his analysis is situated in a larger
> visual arts/ cultural context). I recommend *Techniques of the Observer *for
> what you're after*.*
> -- Forwarded message ---
>
> Hi Sedi. Lomo tanks are difficult to find at antique markets/ photo
> stores with all of their necessary bits and pieces intact. I bought mine,
> with all the bits (except for the spiral loader) in its original box off of
> ebay. Right now I see two current ebay listings at fairly reasonable pr
The suggestion to use sodium carbonate (washing soda) is a good one. It's
MUCH more economical than vitamin C as an activator, blends faster with
coffee and therefore produces cleaner results on your film.
I've processed a great deal of film (motion and still) with caffeinol (my
most recent hi-con
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