have any readings on these subjects that they can link me to?
>
> Thanks,
>
> Mathew Galindo
>
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&g
A good place to start would probably be their website:
http://vasulka.org/
Best of luck!
Mia Ferm
--
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PO Box 5991
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On Tue, Mar 31, 2015 at 9:06 AM, Maat Galindo wrote:
> Hi all,
>
> I am conducting a research pape
be what you're looking for at all, but it's an interesting sort
of (delayed) response to those legendary "reactions."
Mia Ferm
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On Wed, Jan 13, 2016 at 8:50 PM, Fred Camper wrote:
&g
_
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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PO Box 5991
Portland, OR 97228
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FrameWorks maili
I've heard shower curtain liners work well for some instances (white ones
rather than clear obviously).
Mia Ferm
cinemaproject.org
Sent from my iPhone
On May 26, 2016, at 14:00, Bill Basquin wrote:
Hi Mark.
I have used Medium Weight cotton muslin as a rear projection screen and
been happy wit
I wonder if Jonathan Schwartz's travel films would fit that description.
Also, if I'm understanding correctly, that occurs in Bill Brown's latest
film Speculation Nation.
Sincerely,
Mia Ferm
Sent from my iPhone
On Aug 31, 2016, at 14:09, Andy Ditzler wrote:
Hi all,
I'm looking for suggestions
gt;
> Linda Fenstermaker
>
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PO Box 5991
Portland, OR 97228
__
Oh, and the amazing film Chickens by Omar Amiralay
On Sun, Nov 13, 2016 at 8:57 AM, Cinema Project
wrote:
> Naomi Uman, almost all of her films that I have seen are about farming.
> Also, there is a Russian filmmaker whose name is escaping me right now,
> that makes incredible black
yfilmfestival
> Twitter: @alchemyfilmfest
>
> Alchemy Film & Arts is a registered Scottish Charity: SC042142, Company No
> 452485.
>
>
> ___________
> FrameWorks mailing list
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>
>
cument is confidential.
> Any use beyond intended use is unethical and strictly prohibited.
>
>
>
>
>
>
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The Japanese filmmaker Takashi Makino works with 16mm film leader (in
addition to digital) to create what he calls Film/Noise. You can read about
a workshop he conducted in Portland just this weekend:
http://s1portland.com/workshops/takashimakino/
Mia
--
*Cinema Project*
www.cinemaproject.org
t; and to the living.
>
> Meg
>
> ---
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
>
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Mehrdad Oskouei
> À ciel ouvert by Mariana Otero
> La moindre des choses by Nicolas Philibert
>
> Many many thanks,
>
> Sonya
>
>
>
>
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&g
dings.
Hope this gives you a good start. Feel free to contact me off list with any
other questions.
Sincerely,
Mia Ferm
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www.cinemaproject.org
971-266-0085
PO Box 5991
Portland, OR 97228
On Thu, Jul 26, 2018 at 2:50 PM, Nicole Baker wrote:
> Hello Frameworkers!
>
>
meworks
>>>>>>
>>>>>
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>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>
>>&
ad if you got it!
Thanks,
Mia Ferm
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*Cinema Project*
www.cinemaproject.org
971-266-0085
PO Box 5991
Portland, OR 97228
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duction course have shown both Conner's "A Movie" as
>> a prompt for student found footage editing assignment and Marker's "La
>> Jete" for photographic composition and sequencing. I would be grateful for
>> suggestions of short works by specifically women of color that could be
>> used as I mentioned above.
>>
>> Many thanks,
>>
>> David
>>
>>
>>
>> --
>>
>> David Sherman
>>
>> 520-366-1573
>>
>> www.explodedviewgallery.org
>>
>> www.davidshermanfilms.com
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
> ___
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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971-266-0085
PO Box 5991
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FrameWorks mailing list
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o give
a simple description of the problems. There are 5 or 6 of them.
They are, of course, very heavy to ship. Thanks, Heather
*Cinema Project*
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Meridian by Calum Walter
Berlinale description:
Meridian follows the last unit in a fleet of autonomous machines sent to
deliver an emergency vaccine. Through a robot’s agnostic eye, the film looks at
how human dramas are inscribed onto the inanimate, searching for possible
parallels between a
Hi all, we are flying with a portable xenon projector soon. It will be a
carry-on. Should we keep the bulb in the projector or take it out? Does
anyone have experience with this? Thank you.
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