Hi,
I’m interested in a 16mm projector too. I like the Elmo 16-CL but they’re out
of business.
Is there any company currently in business that can provide replacement parts
that makes a good projector?
Thanks,
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
212-873
is interested
in intensity?
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
> On Jun 11, 2020, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
>
> Send FrameWorks mailing list submissions to
> frameworks@jonasmekasfilms.com
>
> To subscr
Hi Mike,
I believe DuAll Camera in NYC may sell these since they have serviced my
earlier model and have asked to buy it from me.
Good luck,
Robert
Robert Withers
withe...@earthlink.net
> On Apr 26, 2020, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
>
> Send FrameWork
I’m curious about Peter Kubelka.
Cheers,
Robert
Robert Withers
withe...@earthlink.net
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DuAll sells Bolexes and S-8 Canons and others.
They recelled my Scoopic batteries while I was standing at the counter.
I might look on Ebay or Craig’s list.
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
212-873-1353 land
212-203-3048 mobile
digitize these?
I think some people at Harvestworks in NYC can do this — does anyone have a
name?
I’d like to work with folks in NYC so as not to get involved with shipping
precious archival tapes.
Many thanks,
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
212-873
timelines,
which is a kind of new way of editing that would have been even more laborious
than optical printing.
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
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.) so I wonder how the video technology
affects our physiology.
Can anyone share info or a source for info or thoughts on info about this?
Thanks,
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
From: Albert Alcoz mailto:albertal...@gmail.com>>
Subject: [Fram
,
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St #5W NYNY 10024
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Hello,
I had a reference a few years ago for someone who said he could do this but
times change.
Any references who could do minor servicing and tune up this machine in the New
York City area?
Thanks,
Robert Withers
withe...@earthlink.net
I (though one never knows what changes it may go
through) and would seem a low-maintenance archive and reference.
Or are personal websites the equivalent of a business card or a promotional
flyer and it’s just good to have one?
Thanks for your thoughts.
Robert Withers
withe...@earthlink.net
Y’all may be interested in my silent film Sub Rosa, which has been screened
both outdoors (the forests surrounding Bard College) and indoors (Nuyorican
Poets Cafe <https://www.nuyorican.org/>). You can see it on
https://vimeo.com/201069209 <https://vimeo.com/201069209>
Cheers,
Ro
Hi folks,
I’ll be traveling to Tokyo and Kyoto in April and would love any suggestions
for:
1. Interesting experimental film/video venues to visit
2. Sympatico film/video makers to meet and have a sake or a kofi with . . .
Thanks!
Robert
Robert Withers
withe...@earthlink.net
202 West 80 St. NYC
lege to discuss these
questions with the students. But of course the projector wouldn't thread.
Cheers,
Robert Withers
withe...@earthlink.net
202 West 80 St. NYC
From: Esperanza Collado
Subject: Re: [Frameworks] Sources for digital "prints" of avant garde classics
Date:
Hi all,
I am bemused by this topic since the questioner specifically referred to
"abstract expressionist" painting on film There have been a lot of painters on
film including myself, and kids I taught in film class.
But I've never been aware of a painter on film who wasn't inspired specifically
Ross) auditions a new group at RCA studios. Lovely music and
interactions between the 4 singers.
In the profuse ecology of short films, some beautiful work gets lost or
forgotten. Hope these don't.
Robert Withers
rob...@withersworks.com
On Nov 21, 2017, at 7:00 AM, framew
his inimitable Neoist "Hungarian" folk song in the
junkyard with his signature flaming iron.
Cheers,
Robert
withe...@earthlink.net
2017-11-13 19:39 GMT+01:00 federico lanchares :
Hello Albert,
Watch UNDERTOW by Robert Withers (Joseph Jarman is there playing sax) and Glas
by Ber
Esperanza,
What we used to do in the old days was make a print from the negative, then
edit that print changing order and timing, then match the negative to the
edited print. Negative is fairly delicate and picks up dirt easily. Though in
theory I guess you could rearrange takes. What would be y
Hello friends,
I want to update my website which is woefully out of date. Meanwhile I've
posted lots of films on vimeo.com/robertwithers, which I think may survive me.
(It's free and you can still see films by the late Standish Lawder
https://vimeo.com/97694242 on vimeo though I don't know if he
Thanks for all the replies and suggestions to this. My takeaway is I need to
get my own super-8 projector overhauled and lubed up and not trust a projector
at a college or university if it's not used and maintained. They told me it
wasn't.
Appreciate it.
Robert
WithersWorks.com
___
Hi,
I keep encountering auto-load projectors in 16mm and S8 mm that don't load for
me. You push down the thingie at the top of the threading pattern to start
auto-loading but when the film feeds in it goes straight up after the first
curve without entering the gate. Do these projectors have issu
212 873-1353 main
212 203-3048 mobile
WithersWorks.com
202 West 80th St. #5W
New York, NY 10024
On Nov 3, 2016, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
> Send FrameWorks mailing list submissions to
> frameworks@jonasmekasfilms.com
>
> To subscribe or unsubscribe via th
You might try Metropolis in NYC. Don't know if they have a Teranex, which is
what you might want.
You can also do some fairly decent uprezing (and deinterlacing?) with software
like Apple Compressor or Plug-ins like Red Giant and Boris.
Robert Withers
WithersWorks.com
202 West 80th St
apest for film stock and as the minimum
requirement for optical sound engineering of the 1930s. Funny that in 2016 the
most "advanced" digital system conforms to a standard that was established by
production and technology concerns of the 1930s. But cinema has always been
like that.
Cheers,
practicing, or
thinking about these issues, and any references.
Many thanks,
Robert Withers
cinesouvenir.com
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Beautiful film--thanks for the post so we got to see it on vimeo. The process
yields very interesting results.
Wish my projectors were functioning--have to spend money to get them tuned up.
Robert
On Thu, Jul 28, 2016 at 8:12 PM, Beebe, Roger W. wrote:
All,
Many of you have seen my 2006 laser-p
e flipped left to right, and
> emulsion side (it will be A wind not B wind).
>
> Best wishes,
> Robert Withers
> New York City
> withe...@earthlink.net
>
> Re:
> 1. Rephotographing 16mm (Morgan Hoyle-Combs)
> From: Morgan Hoyle-Combs
> Subject: [Framew
y are supposedly clocking 48,000 Hz/second.
You probably have to spend a little more for a recorder with time code to get
perfect sync.
Robert Withers
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Were Born For? Part 4
Mutiny (1982–83) Is This What You Were Born For? Part 2
Prefaces (1981) Is This What You Were Born For? Part 1
Robert Withers
(What's AG Film?)
On May 16, 2016, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
> From: lagonaboba
> Subject: [Frameworks]
Picked up from another list:
From: Rebecca Holte
Subject: Job posting: NYPL Media Preservation Assistant
Date: May 6, 2016 12:28:04 PM EDT
Please see nypl.org/careers for the the job listing and application process.
NYPL Media Preservation Assistant
Position Description:
Overview:
Located
I can still hand-inspect film (and use a Moviscop viewer) for dirt, scratches,
splices, missing sections, etc., but can't tell if a print really looks and
sounds good.
Projectors? Viewers?
I imagine expensive scanners work well for picture, at least.
Thanks for any thoughts,
Robert Wi
I have an ELMO ST 600 M that I got to run briefly after replacing the two
belts. But the lubricant is very sticky and it's not threading properly. I'd
like to get it running to view a boxful of films to decide which to scan.
I got a recommendation for
Optech in andover mass
twin sons of guy wh
My lovely Canon GL-2 fell off(!) a tripod. Something about the quick-release
mount.
The LCD screen is knocked cock-eyed but the camera otherwise seems to work.
There are two California repair shops that show up online . . .
http://www.videoonerepair.com/ in Newbury Park, specializes in only Cano
Hi,
A vote against switching from FCP 7 to Premiere Pro, especially in mid-project.
I did this because of the Apple OS/FCP upgrades/mismatches and I've regretted
it. The translation process is not seamless.
PPro works fundamentally differently from FCP7 under the hood. Software is
updated too
with three B/W separation negatives still
exists in China, where Technicolor sold it?
Or should we think of movies as an essentially ephemeral art, like dance, with
a life span similar to our own?
Cheers,
Robert Withers
WithersWorks.com
On Dec 19, 2015, at 7:00 AM, frameworks-requ...@jona
Hello Frameworkers,
I have some 16mm color release prints from the 1970s that have turned
pinkish/magenta. Need to check records to see if they're reversal or from
negative. And to check reversal camera original and films from 80s/90s. This is
a lot of material to go through.
Another filmmaker
Hello Frameworkers,
A second attempt to post this . . .
I have a web site that requires me to keep the provider paid up and work to
update and maintain it. Mostly I use it to feature some films.
I also have a vimeo page that is very easy to upload films to and edit. It
doesn't cost me anything a
cal reader.
Any thoughts on available equipment to check out these 16mm sound optical
prints with least likelihood of scratching or damaging?
Many thanks,
Robert Withers
rob...@withersworks.com
WithersWorks.com
New York, NY 10024
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Would you consider a donation to, say, Canyon Cinema or the Filmmakers Coop? Is
there any university who has a Whitney collection that would want to acquire
these?
Robert
WithersWorks.com
On Nov 9, 2015, at 7:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
>
> From: michael anthony
>
Check out
This Is Called Moving: A Critical Poetics of Film (Modern & Contemporary
Poetics) by Abigail Child and Tom Gunning (Jun 26, 2005)
(Tom Gunning wrote the introduction)
It's not strictly an autobiography but deeply personal, theoretical, feminist,
and thoughtful. All intertwined.
Of
What kind of films are these free films? Random footage? Archival art works?
Thanks,
Robert
WithersWorks.com
202 West 80th St. #5W
New York, NY 10024
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