d-abstract-animation
Cindy Keefer
Center for Visual Music
www.centerforvisualmusic.org
cvm email = cvmaccess at gmail dot com
>Date: Tue, 24 Apr 2012
>From: LJ Frezza
>Subject: [Frameworks] Flicker Films
>To: Experimental Film Discussion List
>
>Hello again gentlepeople,
I second that
On Wed, Apr 25, 2012 at 3:03 PM, Jack wrote:
> Anthony Balch's The Cut Ups which has a flicker effect and Towers Open
> Fire which features footage of Gysin & Sommerville's Dreammachine.
> Of course the Dreamachine itself is all about flicker effects.
>
> Jack
>
>
>
> Sent from my
Anthony Balch's The Cut Ups which has a flicker effect and Towers Open Fire
which features footage of Gysin & Sommerville's Dreammachine.
Of course the Dreamachine itself is all about flicker effects.
Jack
Sent from my iPhone
On 26/04/2012, at 6:25 AM, Will Erokan wrote:
> In my opinion, Ga
In my opinion, Gaspar Noe's Enter The Void, is one of the elegant examples
of Flicker employed in an overground film.
On Wed, Apr 25, 2012 at 1:17 PM, Andy Ditzler wrote:
> If I remember correctly, Andrew Noren's Imaginary Light (1995) has a
> regular flicker pattern for a substantial part of it
If I remember correctly, Andrew Noren's Imaginary Light (1995) has a
regular flicker pattern for a substantial part of its length (approximately
thirty minutes).
Consider Andy Warhol's early silent films - the required projection speed,
16 or 18 fps, introduces a slight flicker (very subtle in com
Pans 0-4 And 697-700 by Hollis Frampton. It's on the Criterion DVD.
Matt
http://www.youtube.com/user/matthelme007
From: Mark Toscano
To: Experimental Film Discussion List
Sent: Tuesday, April 24, 2012 11:03 AM
Subject: Re: [Frameworks] Flicker
nce in viewing of
>anticipation and surprise. It is very
>tempting to see this amazing work as created in
>dialog with the works of the "flicker
>filmmakers," notably Sharits and Kubelka, each
>with their strong ideas regarding sound/image synchrony.
>
>Steve Po
chrony.
Steve Polta
--- On Tue, 4/24/12, Fred Camper wrote:
From: Fred Camper
Subject: Re: [Frameworks] Flicker Films
To: "Mark Toscano" , "Experimental Film Discussion List"
Date: Tuesday, April 24, 2012, 11:18 AM
Oh, and Stan Brakhage's "The Process," c
" leak through the cracks of his
films' formal structures. But at a certain point in my life I would have been
the first in line to see such a "flicker showcase" so, you know, more power to
the original poster in all his curatorial endeavors!
Steve Polta
--- On Tue, 4/24/12,
Considering Paul Sharits whole oeuvre
(with respect to Fred)
In particular:
N:O:T:H:I:N:G (1968)
Ray Gun Virus (1966)
Fluxfilm 27 / Dots 1 & 2 (1965)
Unrolling Event (1965)
Wrist Trick (1965)
Epileptic Seizure Comparison (1976)
-DB
On Apr 24, 2012, at 2:18 PM, Fred Camper wrote:
> Oh, and
DAMAGE CONTROL by Adam Paradis is pretty awesome.
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Oh, and Stan Brakhage's "The Process," combining fragments of photographed
images with solid-color frames that are rapidly edited.
Fred Camper
Chicago
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8)
Mark T
From: Jonathan Walley
To: Experimental Film Discussion List
Sent: Tuesday, April 24, 2012 10:09 AM
Subject: Re: [Frameworks] Flicker Films
LJ,
I'm leaving aside obvious ones like THE FLICKER and practically
everything by Paul Sharits. As for pioneering works, I
Jonathan's answer is very good (I might add that Ernie Gehr's "Table" is a
kind of flicker film), and just about any "theme" is suitable for
programming. I just wanted to register a slight discontent with the many,
many theme-based shows that produce queries here, not with any one in
particular, ju
LJ,
I'm leaving aside obvious ones like THE FLICKER and practically
everything by Paul Sharits. As for pioneering works, I think of films
like ARNULF RAINER, SCHWECATUR, and others by Peter Kubelka, REPORT by
Bruce Conner (found footage but with an extended section of flicker in
the middle
Hello again gentlepeople,
I'm looking to put together a survey of pioneering flicker films, as
well as contemporary works, all preferrably on celluloid, and I was
wondering if you guys were interested in throwing a few suggestions my
way. I have a few ideas of my own, of course, but I always like t
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