This is one of the best works i'have seen regarding sound.It could be compared
to the classic "I'm sitting in a room" by Alvin Lucier:
"Mediations" by Gary HillMediations (towards a remake of Soundings), 1979/1986
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| Mediations (towards a remake of Soundings), 19
Hi Matt,
Laida Lertxundi's work fits perfectly what you are looking for. Her films
emphasize very clearly the differences of diegetic and non-diagetic sound.
You wont find her films on the internet but if you write her an email im
sure she will provide access to Vimeo links. You can find her email
A classic instance of sound innovation is Bunuel’s L’Age d”Or. When everyone
else was falling all over themselves to do lip sync, he stages a key dialog as
mental telepathy.
> On Jun 15, 2015, at 1:28 PM, Dave Tetzlaff wrote:
>
> For Hollywood film, 'Die Hard' ia masterpiece of sound producti
For Hollywood film, 'Die Hard' ia masterpiece of sound production. The SFX
carry a huge amount of information, tone and style, and (naturally) they're all
post-production, including lots of Foley. I heard the lead Foley artist give a
talk on it as part of an audio-art series many moons ago, and
Bruce Connor Crossroads
Michael Snow New York Eye and Ear Control
Hollis Frampton Hapax Legomenanon nostalgia, Critical Mass
On Mon, Jun 15, 2015 at 12:27 PM, Ruth Hayes wrote:
> I recommend Kevin T. Allen's documentary films, the most recent being
> "Real West". He produces really beautiful sou
I recommend Kevin T. Allen's documentary films, the most recent being "Real
West". He produces really beautiful soundscapes for these works using contact
mics and mostly diegetic sound, including interviews. You can find his work
through Small Gauge films.
Ruth Hayes
http://www.randommotion.c
Specifically in relation to the diagetic / non-diagetic, the farmyard piano
scene from Godard's Weekend,
Nicky.
-Original Message-
From: lagonaboba
To: Experimental Film Discussion List
Sent: Mon, 15 Jun 2015 16:08
Subject: Re: [Frameworks] sound examples in film +
For mainstream features, check out the BFI Screen Guides text, 100 Modern
Soundtracks by Phillip Brophy.
Brophy’s introduction offers a constructive contextualizing perspective.
Decent text for laying a groundwork for thinking about sound in narrative
features.
Bresson is always brilliant with
start with The Conversation.
Owen
On Jun 15, 2015, at 10:21 AM, Matt Shaw wrote:
> Hi Folks,
>
> I’m looking for recommendations of films + videos that can be used to
> exemplify the use of sound (diegetic and non-).
>
> This is for an introductory video studio course with the section focu
THE CONVERSATION, 1974, of course.
Tim
Sent from my iPhone
> On Jun 15, 2015, at 7:21 AM, Matt Shaw wrote:
>
> Hi Folks,
>
> I’m looking for recommendations of films + videos that can be used to
> exemplify the use of sound (diegetic and non-).
>
> This is for an introductory video studio
John Smith, A Girl Chewing Gum
On Jun 15, 2015 10:21 AM, "Matt Shaw" wrote:
> Hi Folks,
>
> I’m looking for recommendations of films + videos that can be used to
> exemplify the use of sound (diegetic and non-).
>
> This is for an introductory video studio course with the section focusing
> on so
Hi Folks,
I’m looking for recommendations of films + videos that can be used to exemplify
the use of sound (diegetic and non-).
This is for an introductory video studio course with the section focusing on
sound ending with a portrait/doc project.
All types and styles of filmmaking appreciated.
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