Could anyone tell me what tyoe of decoration would be on a 1958 prom gown? I
usually don't do this costume era and i'm not sure what would be acceptable.
Also, would the under slip ever show on the bottom? One of the women wearing
the dress would like the bottom(I believe its netting) to
Does anyone know which parasitology journal and which article mentions Maria?
Lynn
From: Mary mary_m_haselba...@yahoo.com
To: h-cost...@indra.com h-cost...@indra.com
Sent: Thu, January 19, 2012 4:28:03 PM
Subject: Re: [h-cost] funeral clothing of Dona Maria
In British Costume form earliest times to 1820, by Mrs Charles H. Ashdown, it
states on page86 that earlier than 1460-1480, the steeple Headress was
popular. This style which was more flat on top in England was called HenninsIt
further states that it is attributed to Anne of Bavaria, Queen to
This quesstion is actullay about 1937. The childrens theate I work at is doing
a play A Thousand Dresses. It's about a polish girl during I believe 1937.
Does anyone know what would be worn during that time such as style fabric ex,
cotton? thank you for your help. Lynn
--- On Wed, 4/1/09,
I usually just lurk on this list and occasionally ask questions or respond. My
question is when making a dress like this one with a close front bodice, where
do you put the lacing? I've read if it's english that it goes in the back, but
haven't been able to confirm or deny this. Also, if you
of info, as well as some scaled
patterns of the Tudor period.
Kimiko
--- Lynn Roth wrote:
I found the original post. The effergy is from
c1535 and is of Edith Pexall nee Brocas. This was
noted by Dr. Jane Malcolm Davies. On first look I
thought it might be a fold in the kirtle at least
thats
. Thankks, Lynn
Kimiko Small [EMAIL PROTECTED] wrote:
http://www.tudoreffigies.co.uk/browse/view.asp?id=95
I am taking the word of Dr. Jane Malcolm-Davies as to
the skirt length, as she has viewed the effigy in
person, and I have not.
--- Lynn Roth wrote:
Do you have a picture of the entire
--- Lynn Roth wrote:
Do you have a picture of the entire effergy? I'm
wondering if what looks like a short gown over a
kirtle is really a fold of the kirtle? Lynn
Cynthia Virtue wrote: Kimiko
Small wrote:
I have found the effigy monument that shows a
short
gown over very long kirtle
Do you have a picture of the entire effergy? I'm wondering if what looks like
a short gown over a kirtle is really a fold of the kirtle? Lynn
Cynthia Virtue [EMAIL PROTECTED] wrote: Kimiko Small wrote:
I have found the effigy monument that shows a short
gown over very long kirtle from Dr.
Where would you get hair canvas. I've never seen it before. Lynn
Diana Habra [EMAIL PROTECTED] wrote: I second the hair canvas suggestion. I
use it to stiffen all of my bodices
and sleeves (if they need it). It is lightweight, gives a natural-looking
stiffness, and breathes well.
Diana
P.S.
I'm neew to this list and have enjoyed learning a lot of different things. I
do recreating the 1500's. I didn't realize that they had split drawers in the
16th cen. Do you have any historical evidence that they had them in the
nobility class in the midto late 1500's, and what they were made
Thanks for the information. I really appreciate it. Lynn
Bonnie Booker [EMAIL PROTECTED] wrote: have a question regarding Blackwork.
How do you embroider on a cuff?
If you make a chemise and want to do blackwork on a cuff whats the
best wa y to do it? Lynn
Embroidering a cuff depends on what
I have a question regarding Blackwork. How do you embroider on a cuff? If you
make a chemise and want to do blackwork on a cuff whats the best wa y to do it?
Lynn
Bonnie Booker [EMAIL PROTECTED] wrote: Blackwork is my thing. I taught it
back at the Known World Art/Sci
Symposium in Orlando
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