Well, some opera traditionalists have expressed their antipathy or reservations
against certain costumes or decorations used for new opera productions. That is the
same way wrong as many new opera productions, not to discuss disgusting or perverse
productions at the moment.
It should be stated
Ehm...I remember it should be de gustibus non est disputandum...
Emiliano.
From: [EMAIL PROTECTED] (Prof.Hans Pizka)
Sometimes it seems that some producers intend to destroy the opera. But
de
gustibus non erat discutandem ! I migh add to this old Latin proverb:
One
should not dicuss about
--- Walter Lewis [EMAIL PROTECTED] wrote:
--
I went
to move the van and I then
saw the most obscene thing I have seen musically
in a very long time. They
had brought back the equipment in a brand new
custom trailer with the
school's name and mascot plastered all over the
side of it.
Bruce, that is the result of the free market society we are also to expect here in
Europe, but at the moment the bigger orchestras opera houses have nothing to fear as
they are goverment or province or city employed. But smaller companies depending upon
the smaller purse of a single city, they
--
I had the opportunity the other evening at rehearsal to borrow a colleague's
Giardinelli B1, and find that it has some characteristics I like. Does anyone
know anything about this mouthpiece? I understand that other Giardinelli
mouthpieces were designed for James Chambers and Joseph Singer.
For anyone on the list that may be close by these locations, you
may find this program interesting. Here is the information I sent to
the press:
A program of music celebrating the heritage of the horn will be on
tour beginning November 4, 2002. Brent Shires, Lecturer of Horn at
University of
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