I will be out of the office starting 03/03/2003 and will not return until
03/10/2003.
I will be out of the office from Monday March 3 until Monday March 10. I will
respond to your message when I return. Please contact the TOTs product specific
back-up person or department supervisor Jeff Michae
Why not trying a mpc with larger bore. It works very well in the high
register too.
...
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I saw a reference on Lisa Bontrager's website about a video by Louis
Stout
called "The Horn, from the Forest to the Concert Hall."
Can anyone give me a source where I can buy the video?
Steve Tarter
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post: [EMAIL PROTECTED]
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He has been telling me to switch mouthpieces for a while now. I haven't
gotten around to doing so. He also gave me tips for playing higher without
choking the notes. They have worked, as I have already played the piece
three other days in band class since then. I trust my teacher and his
ju
> Dear fellow hornists,
>
> A discussion about a yellow brass 8D has arisen a few days ago. Someone
> replied that there are new 8Ds made in Eastlake OH that are less than
> desirable. I am receiving a new 8D as a graduation present in May, and I
> want it to be a decent one!! Should I search for a
What parts should rotate ? Music ? Crooks if natural horn ? parts of the
valves ? - Ooops, I got it: rotary valves.
Why not installing a carousel on stage ?
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Leigh A wrote
I must be one of the few community hornist who doesn't like the idea
of rotating parts. I especially don't like parts to be rotated during a
concert.
***
Unless you play natural horn, or have one with piston valves,
then you had better get used to the idea of rotatin
Well, Mahler first without (sans) assistant ? No problem, young
colleague. We in Europe, we are not used to play with an assistant, no
matter in the amateur, the brass band or the professional orchestra. But
if there is no assistant, there is another assistant present already.
Listen to the other v
Dear Hornlisters,
Oh, how I wish our Principal and her assisstant would agree to switch parts, but they
guard them with such ferocity, the rest of us in the section fear for our fingers. We
all get together on various occasions and switch around ensemble parts, but when we
are in a band rehears
It is currently in the plans for next season that we will play this music,
so I have also begun to think about how best to "arrange" things so that we
get the most 'bang for the buck'. We also will probably have to do this
with 7 horns (no assistant) due to the small size of our stage. So I plan
Hello Paul, you understood the Alden brothers right. It would be much
better perhaps, if they return to the USA & get on the nerves of the
audiences there, but I think, they would not give them the freedom they
enjoy here, regarding production, twisting stories.
Here the Goetterdaemmerung last act
I have one of these that I have used only a handful of times
Anyone interested in this? I am in NYC...
This is the model st7 with all the different halls and rooms and also aux and two mic
inputs
any offers?
thanks
email me at [EMAIL PROTECTED]
-
Do you
Message text written by The Horn List
>Well, may-be, it is just the wrong music for the production.<
Dear Prof Pizka and List
Reminds me of a time a few years ago when we were rehearsing Madama
Butterfly; we got to Pinkerton's aria in the last act - "Addio, fiorito
asil." (which to be f
Intellectually one might agree with Jonell's argument concerning
swapping parts in a band setting. If a lot of changing around is
scheduled in a crowded stage then it could potentially be disastrous
with dumped stands, damaged horns etc. However, if the changing of parts
is kept to a reasonable
I suggest you see a Doctor and have it checked out.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, February 27, 2003 1:26 PM
Subject: [Hornlist] A weird thing happened to me two days ago...
: I was practicing Fanfare for the Common Man today, and I
>= Original Message From The Horn List <[EMAIL PROTECTED]> =
>Hornfolks;
>
> I must be one of the few community hornist who doesn't like the idea
>of rotating parts. I especially don't like parts to be rotated during a
>concert. If physically moving people is the solution to rotation
As there have been several posts regarding the purchase of new instruments
for students, I think it's good to note that there are some very useful
venues for trying multiple models and many instruments: IHS regional
workshops and international symposia. The IHS Symposium is June 2-7 at
Indian
At 02:36 AM 3/2/2003 +, you wrote:
Hello
My youth orchestra(entirely high school and middle scholl students) is
currently playing Mahler's First Symphony. I am principal horn and
because we
only have seven horns, I do not have an assitant. I am looking for any
suggestions on how to play the
At 02:46 AM 3/3/2003 -0500, you wrote:
I must be one of the few community hornist who doesn't like the
idea of rotating parts. I especially don't like parts to be rotated
during a concert. If physically moving people is the solution to rotation
of parts, then concerts start to look like
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